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Bertolt Brecht: Centenary Essays Paperback - 1998
by Giles (Volume Editor); Livingstone (Volume Editor)
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- Title Bertolt Brecht: Centenary Essays
- Author Giles (Volume Editor); Livingstone (Volume Editor)
- Binding Paperback
- Pages 272
- Volumes 1
- Language ENG
- Publisher Brill
- Date 1998
- ISBN 9789042003095 / 904200309X
- Dewey Decimal Code 832
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Bertolt Brecht: Centenary Essays: 41 (German Monitor)
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Bertolt Brecht : Centenary Essays
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BRILL. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Bertolt Brecht. Centenary Essays.
by GILES, STEVE/RODNEY LIVINGSTONE [EDS.].
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Amsterdam-Atlanta, Rodopi. 1998. Original publisher's sewn paperback, pictorial frontcover, large 8vo: [vi], iv, 260pp., [2]pp., intooduction, 17 contributions, references, list of contributors. CONTENTS: Preface. 1. Tom Kuhn: Bertolt Brecht and notions of collaboration. 2. Julian Preece: The many faces of B.B. in fiction and memoir: from Fleisser and Feuchtwanger to Canetti and Weiss. 3. Christina Ujma: 'Der strenge und der schwärmende Ton'. Notes on Bloch and Brecht in the Twenties and Thirties. 4. Steve Giles: Marxist aesthetics and cultural modernity in Der Dreigroschenprozeß. 5. Rodney Livingstone: Brecht's Me-ti: a question of attitude. 6. Florian Vassen: A new poetry for the big city: Brecht's behavioural experiments in Aus dem Lesebuch für Städtebewohner. 7. John J. White: Brecht and semiotics: semiotics and Brecht. 8. Freddie Rokem: The meaning of the circle in Brecht's theatre. 9. Mark W. Roche: Comic reduction and comic negation in Brecht. 10. Anne Moss: Limits of reason: an…
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Bertolt Brecht: Centenary Essays (German Monitor)
by Rodney Livingstone Steve Giles
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Editions Rodopi B.V., 1998. Paperback. New. 260 pages. 9.25x6.50x0.75 inches.
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Bertolt Brecht - Centenary Essays
by Giles, Steve & Livingstone, Rodney [editors]
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Rodopi, Amsterdam, 1998. 1st edition.. Paperback. Paperback, F. [vi]+iv+260pp, a fine copy. German Monitor vol 41. A collection of 17 essays which cover six main areas - recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brechts role and reception in the GDR; and contemporary appropriations of Brechts work.
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