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The Complete Poems
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The Complete Poems Paperback - 2001

by Christina Rossetti; Introduction by Betty Flowers


Summary

Christina Rossetti is unique among Victorian poets for the sheer range of her subject matter and the variety of her verse form. This first fully annotated collection, based on the definitive texts, brings together fantasy poems such as "Goblin Market," terrifyingly vivid verses for children, love lyrics, sonnets, hymns, and ballads, as well as the vast body of her devotional poetry. Weaving connections between love and death, triumph and loss, heavenly joys and earthly pleasures, Rossetti's poems startle the imagination with their extraordinary truth, beauty, and intensity.

This edition, the only one available in paperback, incorporates contextual notes as well as notes on the text and language, an introduction, and a chronology of Rossetti's life and work.

First line

Morning and evening

Details

  • Title The Complete Poems
  • Author Christina Rossetti; Introduction by Betty Flowers
  • Binding Paperback
  • Edition Reprint
  • Pages 1312
  • Volumes 1
  • Language ENG
  • Publisher Penguin Group, LONDON
  • Date 2001-11-01
  • Features Index, Table of Contents
  • ISBN 9780140423662 / 0140423664
  • Weight 1.85 lbs (0.84 kg)
  • Dimensions 7.8 x 5.1 x 2.2 in (19.81 x 12.95 x 5.59 cm)
  • Ages 18 to UP years
  • Grade levels 13 - UP
  • Themes
    • Cultural Region: British
    • Sex & Gender: Feminine
    • Topical: Women's Interest
  • Library of Congress Catalog Number 2002281810
  • Dewey Decimal Code 821.8

Excerpt

My Dream

Hear now a curious dream I dreamed last night,
Each word whereof is weighed and sifted truth.

I stood beside Euphrates while it swelled
Like overflowing Jordan in its youth:
It waxed and coloured sensibly to sight,
Till out of myriad pregnant waves there welled
Young crocodiles, a gaunt blunt-featured crew,
Fresh-hatched perhaps and daubed with birthday dew.
The rest if I should tell, I fear my friend,
My closest friend would deem the facts untrue;
And therefore it were wisely left untold;
Yet if you will, why, hear it to the end.

Each crocodile was girt with massive gold
And polished stones that with their wearers grew:
But one there was who waxed beyond the rest,
Wore kinglier girdle and a kingly crown,
Whilst crowns and orbs and sceptres starred his breast.
All gleamed compact and green with scale on scale,
But special burnishment adorned his mail
And special terror weighed upon his frown;
His punier brethren quaked before his tail,
Broad as a rafter, potent as a flail.
So he grew lord and master of his kin:
But who shall tell the tale of all their woes?
An execrable appetite arose,
He battened on them, crunched, and sucked them in.
He knew no law, he feared no binding law,
But ground them with inexorable jaw:
The luscious fat distilled upon his chin,
Exuded from his nostrils and his eyes,
While still like hungry death he fed his maw;
Till every minor crocodile being dead
And buried too, himself gorged to the full,
He slept with breath oppressed and unstrung claw.
Oh marvel passing strange which next I saw:
In sleep he dwindled to the common size,
And all the empire faded from his coat.
Then from far off a winged vessel came,
Swift as a swallow, subtle as a flame:
I know not what it bore of freight or host,
But white it was an avenging ghost.
It levelled strong Euphrates in its course;
Supreme yet weightless as an idle mote
It seemed to tame the waters without force
Till not a murmur swelled or billow beat:
Lo, as the purple shadow swept the sands,
The prudent crocodile rose on his feet
And shed appropriate tears and wrung his hands.

What can it mean? you ask. I answer not
For meaning, but myself must echo, What?
And tell it as I saw it on the spot.

About the author

Christina Rossetti (1830-1894), sister of the poet and painter Dante Gabriel Rossetti, was educated at home and shared her family's intellectual interests. Ill-health ended her work as a governess and later made her an invalid. Her poetry was first published in 1850 in the Pre-Raphaelite magazine, The Germ, and several volumes of poetry followed, demonstrating an extraordinary emotional and technical range.

Betty Sue Flowers is Professor of English at the University of Texas at Austin.

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