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Early Music - Volume 4 No 2 April 1976 Unknown -

by THOMSON, J.M. (ED):


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  • Title Early Music - Volume 4 No 2 April 1976
  • Author THOMSON, J.M. (ED):
  • Binding unknown
  • Language ENG
  • Publisher Oxford University Press
  • ISBN 9780003061079
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Early Music magazine, Volume  10, No. 3, July 1982

Early Music magazine, Volume 10, No. 3, July 1982

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Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in very good condition, with minor wear at tips and corners. Partial contents: -- 1. The 'pardessus de viole' and its literature, by Robert A. Green. -- 2. The sacred music of Thomas Ravenscroft, by Ian payne. -- 3. The performance of plainchant, by Lance W. Brunner. -- 4. The gentleman's diversion: John Lenton and the first violin tutor, by Malcolm Boyd & John Rayson. -- 5. An introduction to Alessandro Scarlatti's Toccata prima, by Mark Lindley. -- 6. Viol construction in 17th-century England: an alternative way of making fronts, by DIetrich M. Kessler.
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Early Music magazine, Volume 9, No. 2, April 1981 (Vocal Issue)

Early Music magazine, Volume 9, No. 2, April 1981 (Vocal Issue)

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. Partial contents: -- 1. The geography of Florentine monody: Caccini at home and abroad, by Howard Mayer Brown. -- 2. Homage to Taverner in Byrd's masses, by Philip Brett. -- 3. The vocal works of Jan Dismas Zelenka, by Jaroslav Buzga. -- 4. Another mass by Hugh Aston? by Nick Sandon. -- 5. Monsieur Doublet and his confrères: the harpsichord decorators of Paris, 2, by Sheridan Germann. -- 6. Le Chansonnier Cordiforme: a review of the complete recording, by Daniel Leech-Wilkinson.
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Early Music magazine, Volume 9, No. 1, January 1981 (Plucked String Issue 1 )

Early Music magazine, Volume 9, No. 1, January 1981 (Plucked String Issue 1 )

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. Partial contents: -- 1. The 15th century lute: new and neglected sources, by Christopher Page. -- 2. The mandore in the 16th and 17th centuries, by James Tyler. -- 3. Number symbolism in the renaissance lute rose, by Robin Headlam Wells. -- 4. Guesswork and the gemshorn, by Andrew Parkinson. -- 5. The harpsichord in 18th century Sweden, by Eva Nordenfelt-Aberg. -- 6. An unknown French ornament table from 1699, by David Fuller. -- 7. Baroque ornamentation surveyed: Frederick Neumann's major new study, By Neal Zaslaw
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Early Music magazine, Volume 19, No. 4, November 1991  (Performing Mozart's Music I)

Early Music magazine, Volume 19, No. 4, November 1991 (Performing Mozart's Music I)

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Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. Partial contents: -- 1. Performance and authenticity, by Lewis Lockwood. -- 2. The old and new Mozart editions, by Cliff Eisen. -- 3. The Neu Mozart-Ausgabe, a retrospect, by George Barth. -- 4. Mozart performance in the 19th century, by George Barth. -- 5. Mozart's Belmonte, by Thomas Bauman. -- 6. Ich bin die ersate Sangerin: vocal profiles of two Mozart sopranos, by Paricia Lewy Gidwitz. -- 7. Mozart's Italian buffo singers, by Alessandra Campana. -- 8. Susanna's hat, by Daniel Heartz. -- 9. Subjectivity and objectivity in Mozart performance, by William Kinderman. -- 10. Mozart's first thoughts: the two versions of Mozart's Sonata in D major, K284, by Laszlo Somfai. -- 11. Topical content in Mozart's keyboard sonatas, by Leonard G. Ratner. -- 12.… Read More
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Early Music magazine, Volume 9, No. 3, July 1981 (Wind Issue)

Early Music magazine, Volume 9, No. 3, July 1981 (Wind Issue)

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. The spine has somewhat heavier wear and folds. Partial contents: -- 1. On playing the harpsichord, by Ralph Kirkpatrick. -- 2. A new flute sonata by Handel, by David Lasocki & Terence Best. -- 3. Telemann and the chalumeau, by Colin Lawson. -- 4. A renaissance correspondence concerning trumpet music, by Peter Downey. -- 5. BWV565: a toccata in D minor for organ by J. S. Bach? by Peter Williams. -- 6. A lost Morley song rediscovered, by Cedric Thorpe Davie.
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Early Music magazine, Volume 16, Number 4, November 1988

Early Music magazine, Volume 16, Number 4, November 1988

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. Partial contents: -- 1. When is an Orchestra not an Orchestra? By Neal Zaslaw. -- 2. The instrumentation of Handel's early Italian works. By Hans Joachim Marx. -- 3. Italian oratorio and the Baroque Orchestra. By Eleanor Selfridge-Field. -- 4. Improvized ornamentation in a Handel aria with obbligato wind accompaniment. By John Spitzer. -- 5. Newly found works of C. P. E. Bach. By Rachel W. Wade. -- 6. C. P. E. Bach and the tradition of Passion music in Hamburg. By Stephen L Clark. -- 7. Performing C. P. E. Bach: some open questions. By Alec Hyatt King. -- 8. Morality and music: a study of a Flemish transformation scene of the later 16th century.
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Early Music magazine, Volume 21, No. 4, November 1993  (Monteverdi I)

Early Music magazine, Volume 21, No. 4, November 1993 (Monteverdi I)

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. Partial contents: -- 1. Possente spirto: on taming the power of music, by Tim Carter. -- 2. The Gonzagas visit Venice, John Whenham. -- 3. St Mark's before Willaert, Iain Fenlon. -- 4. Monteverdiana 1993, by Denis Stevens. -- 5. 'Col nobilissimo esercitio della vivuola': Monteverdi's string writing, by Peter Holman. -- 6. Dots and strokes in the late 18th- and 19th-century music, by Clive Brown. -- 7. Two case studies in performance practice and the details of notation 1: J. S. Bach and 2/4 time, by Peter Williams. -- 8. Reflections on Christopher Page's Relections, Margaret Bent.
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Early Music Magazine, Volume 8, No. 2, April 1980

Early Music Magazine, Volume 8, No. 2, April 1980

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. Partial contents: -- 1. The role of the keyboard continuo in French opera 1673-1776, by Graham Sadler. -- 2. The Viennese fortepiano of the late 18th century, by Malcolm Bilson. -- 3. Les Folies françoises, by Jane Clark. -- 4. The manner of interpretation, by Zuzana Ruzickova. -- 5. A modern approach to the historic organ, by Cleveland T. Johnson. -- 6. The golden age regained: 2, by Peter Phillips. -- 7. The Violin bow in the 18th century, by David D. Boyden. -- 8. Does restoration destroy evidence?, by John Barnes.
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Early Music magazine, Volume 16, Number 1, February 1988

Early Music magazine, Volume 16, Number 1, February 1988

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. The spine shows several reading folds and rubs. Partial contents: -- 1. The orchestra in Beethoven's Vienna, by Clive Brown. -- 2. Good execution and other necessary skills, by Robin Stowell. -- 3. The 'Kreutzer' Sonata as dialogue, by Owen Jander. -- 4. Fingering in Haydn's string quartets, by William Drabkin. -- 5. Two sets of unexplored metronome marks for Beethoven's piano sonatas, by Sandra P. Rosenblum. -- 6. Carl Czerny's metronome marks for Haydn and Mozart symphonies, by William Malloch. -- 7. A tie is a tie is a tie: reflections on Beethoven's pairs of tied notes, by Paul Badura-Skoda. -- 8. An early metronome, by David Martin.
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The Baroque Stage. Early Music magazine, Volume 17, Number 4, November 1989

The Baroque Stage. Early Music magazine, Volume 17, Number 4, November 1989

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London: Oxford University Press. Soft cover. Very Good. The interior of the journal is crisp and clean, showing no marks or wear. The paper covers are also in excellent condition, with very minor wear at tips and corners. The spine shows light reading folds. Partial contents: -- 1. Prologue: Daphne transformed. By Roger Savage. -- 2. Il Corago and the staging of early opera: four chapters from an anonymous treatise circa 1630. By Roger Savage and Matteo Sansone. -- 3. Vanbrugh's Queen's Theatre in the Haymarket, 1703-9. By Graham F. Barlow. -- 4. The Haymarket Opera in 1711. By Judith Milhous & Robert D. Hume. - 5. Righini in Florence: an artistic conflict. By William C. Holmes. -- 6. Signs of the times: a look at late 18th-century gesturing. By Nicholas Soloman.
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