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Pierre Reverdy
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Pierre Reverdy Paperback - 2013

by Pierre Reverdy; Mary Ann Caws (Editor)


From the publisher

The great Pierre Reverdy, comrade to Picasso and Braque, peer and contemporary of Wallace Stevens and William Carlos Williams, is among the most mysteriously satisfying of twentieth-century poets, his poems an uncanny mixture of the simple and the sublime. Reverdy's poetry has exerted a special attraction on American poets, from Kenneth Rexroth to John Ashbery, and this new selection, featuring the work of fourteen distinguished translators, most of it appearing here for the first time, documents that ongoing relationship while offering readers the essential work of an extraordinary writer. Translated from the French by: John Ashbery
Dan Bellm
Mary Ann Caws
Lydia Davis
Marilyn Hacker
Richard Howard
Geoffrey O'Brien
Frank O'Hara
Ron Padgett
Mark Polizzotti
Kenneth Rexroth
Richard Sieburth
Patricia Terry
Rosanna Warren

Details

  • Title Pierre Reverdy
  • Author Pierre Reverdy; Mary Ann Caws (Editor)
  • Binding Paperback
  • Edition Main
  • Pages 184
  • Volumes 1
  • Language ENG
  • Publisher New York Review of Books, New York
  • Date 2013-10-01
  • Features Price on Product - Canadian, Table of Contents
  • ISBN 9781590176795 / 1590176790
  • Weight 0.3 lbs (0.14 kg)
  • Dimensions 6.9 x 4.5 x 0.5 in (17.53 x 11.43 x 1.27 cm)
  • Themes
    • Cultural Region: French
  • Library of Congress subjects Poetry, POETRY / Continental European
  • Library of Congress Catalog Number 2013016938
  • Dewey Decimal Code 841.912

Media reviews

“The great Pierre Reverdy, comrade to Picasso and Braque, peer and contemporary of Wallace Stevens and William Carlos Williams, is among the most mysteriously satisfying of twentieth-century poets, his poems an uncanny mixture of the simple and the sublime.” —The Poetry Foundation

“Pierre Reverdy is among the greatest of modern French poets, and certainly among the most elusive. His work is at once impersonal and intimate, crystalline and opaque, simple to the point of austerity. The landscape of his poetry is both instantly recognizable and, devoid of local specificity, imbued with an otherworldly strangeness. He is ‘a secret poet for secret readers,’ as Octavio Paz once described him, insisting on the necessity of parsing the silence, the empty spaces between what seems visible in the lines of his poems. Each feels like a fragment of a universe, and yet whole.” —Mary Ann Caws on Pierre Reverdy for Poetry Society of America

"A poem by Reverdy is a spiritual fact: everything that makes up the human being--sensations, feelings, other men and women--has been passed through the filter of poetry."  —Octavio Paz

“Reverdy, with Paul Eluard...is the purest of the writers of his time.” —Philippe Soupault

About the author

Pierre Reverdy (1889-1960) was born in Narbonne in the south of France. At age twenty-one he moved to Paris and became close friends with the artists and writers around Montmartre, particularly with the poets Max Jacob and Guillaume Apollinaire and the painter Juan Gris. During this time, he converted to Catholicism, founded the seminal literary magazine Nord-Sud, married the seamstress Henriette Charlotte Bureau, and began a deep and intimate friendship with Coco Chanel that would last for the rest of his life. In 1926, after publishing several books of poetry that included collaborations with Gris, Picasso, and Georges Braque, he moved with his wife to the village of Solesmes to be near the Benedictine monastery at St. Peter's Abbey. During the Nazi occupation, he joined the Resistance, refused to publish anything, and wrote the excruciatingly brutal Le Chant de morts (Song of the Dead) that was eventually published in 1948 with illustrations by Picasso. Besides a few trips around Europe and Greece, Reverdy remained in Solesmes for the rest of his life, ever more estranged from society and from his own faith. Mary Ann Caws is Distinguished Professor of Comparative Literature, English, and French at the Graduate School of the City University of New York and a Fellow of the American Academy of Arts and Sciences. She is the author of dozens of books, including Glorious Eccentrics: Modernist Women Painting and Writing, The Surrealist Look, and Surprised in Translation; the editor of the Yale Anthology of Twentieth-Century French Poetry; and the translator of, among many others, Andre? Breton, Rene? Char, Robert Desnos, Paul Eluard, Ghe?rasim Luca, Ste?phane Mallarme?, Jacques Roubaud, and Tristan Tzara.
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