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Musical Migrations Transnationalism and Cultural Hybridity in Latin/o America,
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Musical Migrations Transnationalism and Cultural Hybridity in Latin/o America, Volume I Paperback - 2002

by Aparicio, F.; J�quez, C.


From the publisher

A dynamic and original collection of essays on the transnational circulation and changing social meanings of Latin music across the Americas. The transcultural impact of Latin American musical forms in the United States calls for a deeper understanding of the shifting cultural meanings of music. Musical Migrations examines the tensions between the value of Latin popular music as a metaphor for national identity and its transnational meanings as it traverses national borders, geocultural spaces, audiences, and historical periods. The anthology analyzes, among others, the role of popular music in Caribbean diasporas in the United States and Europe, the trans-Caribbean identities of Salsa and reggae, the racial, cultural, and ethnic hybridity in rock across the Americas, and the tensions between tradition and modernity in Peruvian indigenous music, mariachi music in the United States, and in Trinidadian music.

First line

Latin American popular musics have long been recognized as one of the more felicitous consequences of racial and cultural mestizaje that followed the otherwise violent and repressive post-1492 encounters between European, Amerindian, and African cultures.

Details

  • Title Musical Migrations Transnationalism and Cultural Hybridity in Latin/o America, Volume I
  • Author Aparicio, F.; J�quez, C.
  • Binding Paperback
  • Edition First Edition
  • Pages 224
  • Language ENG
  • Publisher Palgrave Macmillan, New York
  • Date November 9, 2002
  • Features Bibliography, Illustrated, Index, Maps
  • ISBN 9781403960016

About the author

FRANCES R. APARICIO is Professor and Director of the Latin American and Latino Studies Program at the University of Illinois at Chicago. Author of an award-winning book, Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (Wesleyan University Press, 1998), Professor Aparicio has done seminal work on Latino popular music, gender, and cultural identity. CNDIDA F. JQUEZ is Assistant Professor in the Department of Folklore and Ethnomusicology at Indiana University.
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