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Scarce important expedition-report. Plates 2-3 (of volume V) not present as in most copies. "The expedition was a private undertaking by Römer and Schaudinn, in the steamer Helgoland, June-Sept. 1898, to carry out zoological research in the waters off Svalbard and along the Murman coast. These published results, based on the expedition collections and observations, and on previously published arctic literature, seek (1) to catalogue all known arctic faunal forms, with literature references, (2) to compare the fauna within various arctic regions, in respect to the problem of circumpolarity, and (3) to compare arctic with antarctic forms"(Arctic Bibliography 4809). The expedition also had significance from a geographical standpoint as a number of corrections and additions to the map of Svalbard were made. A good set.l Arctic Bibliography 4809 lists all the separate monographs.
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FAUNA ARCTICA. Eine Zusammenstellung der arktischen Tierformen, mit besonderer Berücksichtigung des Spitzbergen-Gebietes auf Grund der Ergebnisse der Deutschen Expedition in das Nördliche Eismeer im Jahre 1898. Herausgegeben von F. Römer und F. Schaudinn..Jena, G. Fischer, 1902-1933. 6 volumes. Large-4to (360 x 280mm). With 2 photogravure portraits (of both editors), 8 lithographed maps, 49 (a few chromo-) lithographed plates and 609 figures in the text. Contemporary half cloth (volumes II-IV & VI) & wrappers (remainder).
by RÖMER, Fritz & Fritz SCHAUDINN (editors).
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Fabellae Graece et Latine, cum aliis opusculis, quorum index proxima refertur pagella. Venice, (colophon: Giovanni Farri and brothers), 1542. Small 8vo (16 x 11 cm). With 1 woodcut decorated initial but further with spaces left for manuscript Greek and Latin initials (with printed guide letters). Contemporary limp sheepskin parchment, with fragments of a vellum manuscript used to reinforce the spine.
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364, [4] pp.Venice school edition of Aesop's fables with parallel text in Greek and Latin. The book is neatly printed and the clear Greek type has relatively few ligatures. Besides the life of Aesop and Aesop's fables, the book contains several collections of fables and single fables by other authors (pp. 232-364): [Ignatius von Nicaea], Gabriae Graeci fabellae (often added to the Aesop canon); Aphthonius, Excercitamentis de fabula; Philostratus, De fabula; pseudo Homer, Batrachomyomachia (the battle of frogs and mice, a parody of Homer's Iliad); Musaeus, De Ero & Leandro (Hero and Leander; Agapetus, De officio regis; Hippocrates, Ius iurandum (the Hippocratic oath!), and [Theodorus Prodromus], Galeomnomachia (the battle between the cats and the mice), the last two in Greek only. The book ends with a 4-page index and the colophon.With a few contemporary manuscript notes in brown ink. With some marginal worm holes, mostly in the gutter of quires r and s, and some mostly marginal water stains, more…
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Fables. Esope - La Fontaine.Lyon, Impr. Fonville-Brunet et Bonnaviat, (1848-1855). 4 vols. Large 8vo. With 4 nicely illustrated lithographed titles by Genod, 20 wood-engraved half-titles, lithographed portrait of the author, numerous wood-engraved vignettes in text, and 152 full-page lithographed, wood-engraved and etched plates, illustrating the fables, by A. Chaine, Fonville, Bonirote, C. Farine, Louis Guy, Regnier, R. Laurasse, M. d'Auvigny, A. Thieriat, Pinet, etc. Contemporary half brown morocco, spines ribbed and gilt, red mottled edges.
by ROUSSET, A.
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288; 288; 288; 288, XXI, (3 blank) pp.First and only edition of an extremely rare collection of fables, published at Lyon and beautifully illustrated by contemporary Lyon artists. Alexis Rousset, born in 1798 at Oulins, Rhône, had settled at Lyon where he worked as a secretary to a pharmacist, which left him enough free hours to devote himself to literature. The present collection of fables, freely reworked in verse after the fables of Aesop, La Fontaine and other sources, was probably published in parts over a period of time, and was more or less a collective Lyon undertaking. This rich and very attractive art manifestation from Lyon was ignored by Vicaire and other Paris bibliographers, but it certainly deserves to be "discovered" and appointed its own firm and original place within fable literature and especially within fable illustration.Very fine set.l Not in Vicaire; not in Fabula Docet, Anne Stevinson Hobbs, or The Fox and the Grapes, Checklist Aesopic Fables Pierpont Morgan Library.
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Fables choisies, mises en vers par monsieur De La Fontaine Genève, J. Samuel Cailler, 1772. 2 volumes. 8vo. With titles printed in red and black, a portrait of De la Fontaine as frontispiece for vol. 1, and Aesop teaching the animals as frontispiece for vol. 2, 241 engraved illustrations to the 239 fables. Many woodcut and typographical endpieces. Marbled paper over boards, manuscript title on spine.
by FONTAINE, Jean de la.
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[4], XLVIII, 256; [4], 352 pp.Apparently a co-edition with another title-page of the edition Lausanne, J. Pierre Heubach, 1772 (Bodemann, 156.1 who considers this a Neuausgabe of the Coste redaction; cf. also the caption on the frontispiece for vol. 2: a Lausanne chez J.P. Heubach). Pierre Coste (1688-1747) was a Swiss theologian and translator who also edited the Fables of De la Fontaine.Jean de la Fontaine (1621-1695) is one of the most widely read French poets of the 17th century, known above all for his Fables, which provided a model for subsequent fabulists across Europe and numerous alternative versions. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. His Fables unquestionably represent the peak of La Fontaines achievement. The first six books, of the "Fables choisies", known as the "premier recueil" (first collection), were published in 1668. The 124 fables were in the main adapted from the classical…
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Fables heroïques, renfermant les plus saines maximes de la politique et de la morale. Avec des discours historiques. ... A l'usage du Prince des Asturies.Amsterdam & Berlin, Jean Neaulme, 1754. 2 volumes bound as 1. 8vo. With 2 engraved frontispieces, an engraved 1720 portrait of the Prince of Asturias by Bernard Picart after a painting by (Louis) René Vialy, and 60 finely engraved plates. Contemporary half calf.
by AUDIN, Gabriel. (Antoine Augustin BRUZEN de LA MARTINIERE, ed.
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[18], 232; [12], 228 pp.Rare (first and only?) Amsterdam edition in the original French, of 60 moral and political fables, intended for the education of young princes. They were written by Gabriel Audin, Prior of Termes or Thermes (in the French Basque, near Andorra) and published at Paris in 1648. Antoine Augustin Bruzen de La Martiniere (1662-1746) appears to have prepared a new edition in 1720, intended for the education of the thirteen-year-old Louis, Prince of Asturias (1707-1724), who was to be King of Spain for a few months in 1724, but that edition seems to have remained unpublished or barely published: one or two copies may survive and the Bibliotheque Nationale has a loose title-page that can be seen on Gallica, with the Amsterdam imprint of Jean [III] Pauli, 1620, who did publish a Dutch translation in 1722. The present edition may be a 1754 reissue of the 1720 edition. It retains the dedication to the Prince, even though he died thirty years before it was issued, as well as his 1720…
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Fables in English and French Verse. Translated from the original Latin of Gabriele Faerno. With hundred Copper-plates.London, for Claude du Bosci, and sold by C. Davis, 1741. 8vo. With engraved frontispiece by Claude Du Bosc (Aesop communicating with the animals), 100 engraved illustrating the 100 Fables (ca. 96 x 110), inspired by the fable illustrations by Marcus Gheeraerts, numerous head- and tailpieces by Henry Woodfall. Full calf over boards.
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[2], XVI, 190, [2], VI, 3-191 pp.First edition of this lovely printed collection of the famous 100 (Aesop) fables , originally translated in elegant Latin verses by Gabriel Faerno (1563), and now translated into English and French verses by Claude Du Bosc and Charles Perrault.Pope Pius IV, convinced that reading the fables of Aesop was of great use in forming the morals of young children, commissioned Gabriel Faerno, whom he knew as an excellent poet as well as a man with a taste for elegant and beautiful Latinity, to versify these fables so that children might learn, at the same time and from the same book, both moral and linguistic purity. Faerno (1510-1561), a scrupulous scholar and Latin poet from Cremona, has been called a second Phaedrus, by reason of the excellent style of his Fables, though he never saw Phaedrus, who did not come to our knowledge till above thirty years after his death.The French translation by Perrault had been published in 1699 for the first time.With ownerships…
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Fables imitées de Lessing, Gellert, Lichtwer, Pfeffel, Dodley, et autres fabulistes étrangers suivies de fables originales.Stockholm, Johan Imnelius, 1819. 8vo. Contemporary gold-tooled red morocco, gilt edges.
by JONCHÈRE, Charles Chrétien de la.
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[2], 144, [2] pp.Very rare Swedish edition of a selection of translations and imitations of fables by German authors, by the French writer and linguist Jonchère. Parts of the book were originally published in 1812 as Fables traduites ou imitées de l'allemand in Paris, Lübeck and Hamburg, with a second expanded edition appearing in Paris in 1815, here reprinted in Stockholm.Binding very slightly rubbed along the extremities, and a few specks on the boards, but otherwise in very good condition.l Bihl & Epting, Bibliographie französischer Übersetzungen aus dem Deutschen (1487-1944) I, 1223-1224 (1812 & 1815 editions); Hammar, Manuels de français publiés à l'usage des Suédois de 1808 à 1905, p. 101; WorldCat (2 copies); for the author: Quérard, La france littéraire IV, p. 454.
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Fables nouvelles, dédiées au Roy. Avec un discours sur la fable. Paris, Gregoire Dupuis, 1719. 4to. With engraved allegorical frontispiece by N. Tardieu after Charles Coypel, engraved vignette on title-page by C. Simeneau after N. Vleughels and 100 engraved illustrations to the fables by and after Claude Gillot, Charles Antoine Coypel, Jean Ranc, Bernard Picart, Jean Baptiste Massé, etc. Contemporary mottled calf, gold-tooled spine.
by LA MOTTE, Antoine Houdar de.
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XLII, [4], 358, [2] pp.First edition of a famous French fable book, beautifully illustrated by the most famous artists of the day. The book contains 100 fables by Antoine Houdar de La Motte (1672-1731), modelled after the fables by Jean de La Fontaine, the most important French fable author ever. Of special interest is La Motte-Houdart's introductory essay on the genre of the fable, setting out rules to be followed, based on the classical ideals of true likeness, unity and proper arrangement. He intends to rival both Aesop and La Fontaine.The book at the same time represents a milestone in French book illustration, introducing Rococo miniatures or vignettes, including 62 by the interior and costume designer Claude Gillon, one of his few works as a book-illustrator. The "Actor's fable" is dedicated to him.Binding rubbed with a few small defects; some slight staining and thumbing. Very good copy.l Cioranescu 36530; Cohen-De Ricci, p. 594 ("Très belle édition, rare et recherchée"); Fabula Docet 94;…
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Fabulae ... Graecè & Latinè, nunc denuo selectae: eae item quas Avienus carmine expressit. Accedit Ranarum & murium pugna, Homero olim asscripta. Cum elegantissimis in utroque libello figuris, & utriusque interpretatione plurimis in locis emendata.Leiden, Joannes Maire, 1632. 8vo. With 47 woodcut illustrations (5 x 6.5 cm) by Christoffel van Sichem II in the text. Contemporary vellum, each board with a panel stamp (59 x 50 mm) of the Amersfoort coat of arms. Most endpapers later.
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158, [2] pp.Rare second(?) edition (one of three dated "1632") of a popular Greek and Latin school book, edited by the famous Dutch neo-Latin poet, humanist and Leiden Professor of Greek, Daniel Heinsius (1580-1655), with 47 beautiful woodcut illustrations by Christoffel van Sichem II. Aesop's fables were prescribed by the States of Holland in the Hollandsche schoolordre of 1625 as one of the books to be read in the 3rd class. Christoffel van Sichem II (ca. 1577-1658), the second of several woodcut artists in that family, studied with Jacques de Gheyn and was one of the leading Dutch book illustrators in the first half of the 17th century. Although the book has no prize certificate or inscription and no owner's name, the coat-of-arms of the city of Amersfoort on the binding of a school book strongly suggests a prize binding for a student at the Amersfoort Latin school. With an occasional contemporary manuscript note in Greek and Latin. With a small dark stain in the lower inside corner of the foot…
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Fabulae Aesopicae plures quingentis et aliae quaedam narrationes, cum historia vitae fortunaeque Aesopi, compositae studio & diligentia Joachimi Camerarii Pabe[bergensis]. Quibus additae sunt et Livianae & Gellianae ac aliorum quaedam Leipzig, [colophon: Ernest Vögelin, 1570]. 8vo. With Vögelins woodcut device on title-page and 4 woodcut initials with pictorial decoration. Blind-tooled red vellum, sewn on 3 supports, with a hollow back, each board with a double frame of double fillets, the inner and outer connected with diagonal double fillets, the front board with the owners initials and the date in the central field: M E B S | 1598.
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[25], [1 blank], 342, 349-513, [32], [1 blank] pp.Vögelins 1570 Aesop edition, a nearly page for page (often line for line) reprint of his own important 1564 edition, including one of the most extensive collections of Aesop fables to that date, following but augmenting Camerariuss 1544 Leipzig edition. It contains more than 500 fables collected by the humanist classical scholar Joachim Camerarius (Bamberg 1500 - Leipzig 1574) who played a decisive role in the German Reformation, helped Philip Melanchthon with the composition of the famous Augsburg Confession, and published editions of many classical authors. The preface and printers note originally copied the 1564 date from the 1564 edition, but in the latter a correction slip changed the date to 1570. One can see in the present copy that the slip was present, but it has fallen off. Many copies lack the last printed leaf, present here, containing only the colophon.Lacking the final blank leaf. Somewhat browned, the title-page thumbed and the…
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Fabularum libri quinque, cum notis Danielis Hartnacci, Pomerani, historicis, ritualibus, moralibus, & philologicis.Lübeck, Johann Wiedemeyer (printed by Heinrich Urban in Rudolfstadt), 1697.With: (2) PHAEDRUS. Fünff Bücher seiner Fabeln, oder Gedichte und Geschichte... Frankfurt & Leipzig, for Johann Wiedermayer in Lübeck, 1696.2 works in 1 volume. 8vo. With an engraved plate and an engraved frontispiece, title-page in red and black. Marbled paper over boards with vellum spine label.
by PHAEDRUS.
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[12], 752, [48]; [4], 356 pp.Ad 1: Phaedruss Fables in the original Latin verse (adapted from Aesops Greek prose), here in the first edition to include the incredibly extensive annotations, with abundant historical, moral and philological notes and explanations by Daniel Hartnack (1642-1708; also known as David Maphanafus), a professor and rector of the Latin Schools of Frankfurt a.d. Oder, Erfurt, Bremen and Altona. He also edited and translated several other classical Latin authors. Ad 2: The first edition of Hartnecks complementary edition of Paedruss Fables where he has broken up each story into words and phrases that he presents with a German translation phrase by phrase or word by word, so that each sentence jumps back and forth between Latin and German, again with each fable followed by extensive comments and notes. He follows these fables with German prose imitations of Phaedruss fables and Danzets Latin prose paraphrases of the Latin verses in ad 1. The Latin text in the first…
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Facillima artis arithmeticae methodus, das ist: sehr leichter Unterricht und Lehr-Art, der höchst-nothwendigen und nutzbaristen Rechen-Kunst ... zum neunten mal in den Druck gegeben. Augsburg and Innsbruck, Joseph Wolff, 1752. 8vo. Contemporary calf.
by LECHNER, Johann Baptista.
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347, [3, 1 blank] pp.Rare edition of a very popular introduction to arithmetics with numerous practical applications and at the end a section on clocks (pp. 318-344) titled Zugab etwelcher Zahlen zu unterschiedlichen Uhren. Unobtrusive water stain on title and first leaves; slightly browned in places. Very rare edition of a popular work on arithmetics and clocks.l Not in Honeyman; Poggendorf; WorldCat.
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Farmacopea en Castellano, ó coleccion de las fórmulas mas usuales y acreditadas de la Matritense y Española; con un breve Catalogo de algunas composiciones magistrales del Memorial farmacéutico de Cadet de Gassicourt y otros.Madrid, D. Cosme Martinez, 1823. 4to. With an engraved allegorical vignette on the title-page. Marbled calf, gold-tooled spine, red morocco spine label, red edges, marbled endpapers.
by [MADRID - PHARMACOPOEIA].
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VIII, 403 pp.Rare first edition of the translation in Spanish (Catalan) from the Latin original, the first official Pharmacopoeia Matritensis by the Collegio de Farmaceuticos, published in 1739. Only in the 18th century , during the reign of the Bourbons, did all the Spanish pharmacopoeias unify into a single pharmacopoeia common to the whole of the Kingdom of Spain, with the publication, in 1794 , of the Pharmacopoea Hispana.A little worn around the edges, otherwise in good condition.l WorldCat (6 copies); not in Wellcome.
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Farmacopéa Lisbonense ou collecção dos símplices, preparações, e composições mais efficazes, e de maior uso. Segunda impressão mais accrescentada, e corregida.Lisbon, patriarcal de Joaõ Procopio Correa da Silva, 1802. 8vo. Later calf in 18-century style, gold-tooled frame on the boards, gold-tooled spine, red morroco title label.
by [LISBON - PHARMACOPOEIA]. PAIVA, Manoel Joaquim Hendriques de.
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[32], 288, [2] pp.Second edition of the Lisbon Pharmacopoeia composed by Manoel Joaquim Henriques Paiva (1752-1829), professor in the faculty of philosophy at the famous Coimbra University. The first edition was published in 1785. In 1807 followed his Farmacopeia naval ou colecção dos medicamentos simples e compostos que cumpre haver nas boticas dos navios, a pharmacopoeia for use on the Portuguese ships.With some contemporary annotations. Title-page somewhat soiled, otherwise in very good condition.l Blake, p. 336 (1785 edition); not in Wellcome.
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Fauna Chinensis. Quam venis. exp. Facult. Med. Upsal. Praeside C.P. Thunberg P.P. Petrus Magnus Acksell a Sacris Med. Theolog. Gestricio Helsingus. In Audit. Botanico die XII Junii MDCCCXXIII.Uppsala, Palmblad et C, [1823]. 4to. Unbound.
by THUNBERG, Carl Peter (praeses) and Petruus Magnus ACKSELL.
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[4], 8 pp.Rare first and only edition of this thesis defended by Petrus Magnus Acksell on 13 June 1823 in the Auditorium Botanicum of the University of Uppsala, presided over by the famous Uppsala professor Carl Peter Thunberg (1743-1828), who undoubtedly deserves much of the credit for this short text on the fauna of China, including a catalogue of the principal mammals (including tigers), birds (including falcons), fish (including Asian carp), amphibians, insects and molluscs native to China.Very good, spotless copy.l L.C. Rookmaker & I. Svanberg, Bibliography of Carl Peter Thunberg, in: Svenska Linnésällskapets årsskrift, 1992-1993/Yearbook Sw. Linnaeus Soc. (1994), pp. 7-72, at p. 65, no. 493.
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Favole di Esopo Frigio con la Vita del medesimo, tradotta ed ornata dal Signor Co. Giulio Landi. Nuova editione illustrata, e ridotta a più colta lezione, con aggiunta di multe altre Favole di vari accreditati Scrittori.Venice, Francesco Andreola, 1806. 12mo. With 40 woodcuts (ca 43 x 56 mm.). Half vellum, marbled paper over boards.
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258, [6] pp.One of the later editions of the Laudi redaction and translation of the Aesop fables in Italian prose augmented with many fables by others, to a total of 400, only 40 of which are here illustrated with rather primitive woodcuts in a frame, inspired by the original woodcuts for the first Landi editions of 1581 and 1585. Each fable is followed by a Sentenza della favole.In good condition.l Cf. Bodemann 52.(1-)4.
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Fábulas literarias.Madrid, Imprenta Real, 1782. 4to. With rococo decorated capitals. Mottled calf, richly gold-tooled spine with red morocco label lettered in gold, double blind fillets on boards.
by IRIARTE (YRIARTE) y Oropesa, Tomas de.
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[4], 157, [16] pp.First edition of the best-known work of the famous Spanish neo-classical poet Tomás de Iriarte (or Yriarte) y Oropesa (1750-1791). His name is most intimately associated with the present Fábulas literarias (1782), composed in a great variety of metres, and known for its humorous and satirical attacks on literary men and methods, many aimed at Juan Pablo Forner (1756-1797). R. Merit Cow writes: The appearance of the literary fables of Tomas de Iriatre definitely established him as the great literary arbiter of his day
With the publication of his collection of poetry, his dominance of the literary scene ... was now hailed from all sides. He was considered from this time forth one of the first, if not the first. Schopenhauer characterizes the poems as the allerliebsten litterarischen Fabeln (Parega, p. 255).With the owners inscription Catherine de Courlande on the title-page: Katharina Friederike Wilhelmine Benigna (1781-1839), Princess of Courland (western Latvia)…
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Festung-Bawung, das ist, Kurtze und eygentliche Beschreibung, wie man Festungen bawen, unnd sich wider allen gewaltsamen Anlauff der Feinde zu Kriegszeiten auffhalten, sichern und verwahren möge: ...Frankfurt am Main, Wolfgang Richter for the widow of Levinius Hulsius, 1608. 4to. With a woodcut fortification plan on the title-page and about 30 woodcut illustrations in the text. Lacking the 2 woodcut plates and 3 smaller woodcut slips. 20th-century grey-brown half calf.
by STEVIN, Simon.
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[8], 132 pp.First German edition of the first Dutch fortification manual, with woodcut illustrations, by Simon Stevin (1548-1620), which inaugurated a new era in the history of siege warfare. It professionalized military engineering, introducing many original ideas and presenting them in lucid vernacular language. The present first German translation made his work accessible to an international audience for the first time (though translations had already circulated in manuscript) and was followed by a French translation in Stevin's collected mathematical works in 1634. In part through the influence of the present manual, the German-language classics of fortification, such as Adam Freitag's continued to develop the Dutch school of fortification.The 1594 first edition was illustrated by woodcuts on the integral leaves, but for the present edition seven of the woodcut figures were instead printed separately and inserted as 2 folding plates and 3 smaller slips. These are lacking in the present copy,…
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Fifth triennial report of the American Mission Seminary, Jaffna, Ceylon. With an appendix. January, 1839.Jaffna, Press of the American Mission, 1839. 8vo (20 x 13.5 cm). Original orange-brown wrappers, side stitched through 5 holes.
by AMERICAN MISSIONARY SEMINARY.
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t Goy, Netherlands
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48, [1] pp.This rare report contains information on the mission's activities, expenditure and curriculum, and extensive lists of names (in Tamil and English) of all the instructors and students who have attended this Presbyterian Seminary, along with the years in which they entered and left the Seminary and their current place of residence in Ceylon.The only institutional copy we can trace is held in the William Smith Morton Library at the Union Presbyterian Seminary (Richmond, VA).With an inscription in ink: "Purchased by Rev. Ira Pierce", and with an old collection and deaccession stamp of the Andover Theological Library, and "Jaffna" in blue pencil, all on the front wrapper. With another Andover Theological Library deaccession stamp on the verso of the title-page. The wrappers are somewhat darkened and lightly foxed, the spine is slightly damaged, the top corners of the first few leaves are somewhat frayed, very slightly browned throughout. Overall in very good condition.l WorldCat 884815728 (1 copy).
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Fifty tunes, composed and set to music.Kolkata (Calcutta), published by the author, printed by I.C. Bose & Co., 1878. 4to. With a wood-engraved title-vignette depicting instruments and the author's initials. With each page in a decorative letterpress border, with the music rendered in Western letterpress musical notation with built-up notes. Printed on wove paper. Contemporary gold-tooled green sheepskin, made in Calcutta for the author, probably for presentation, the front board with the author's family crest and motto (the Hindu god Vishnu in a sunburst with a motto in Bengali: always be truthful).
by TAGORE, Sourindro Mohun.
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[8], 57, [2] pp.First and only edition of the collected compositions by the Western-schooled Indian professor of musicology Raja Sourindro Mohun Tagore (1840-1914). He was the leading specialist of his time in Indian music, and studied his native Indian musical tradition with the latest theoretical knowledge. This made him a pioneer in the introduction of traditional Indian music into modern times and in making it accessible to Western audiences. He founded the Bengal Music School and Bengal Academy of Music that operated under the Western standard.In the present work Tagore used his knowledge of Western music to present 50 Indian tunes in the European system of notation, accompanied by the English translation of the lyrics, resulting in 59 pages of printed music. These 50 "tunes" were all composed by the author himself on different occasions. Tagore published the work himself and dedicated it to Sir Ashley Eden, Lieutenant-Governor of Bengal. The binding is interesting: the family crest on the front…
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