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Clean, with no defects, but shows light wear at edges of dust jacket. / Since the end of World War II, southern California's backyard pools - those blue-green oases in an otherwise often arid landscape - have symbolized any number of American ideals: optimism, wealth, consumerism, escape, physical beauty, and the triumph of man over nature. Simultaneously, the field of photography developed as a transformative method for recording the human condition. This exhibition catalogue celebrates the nexus of these two phenomena in a one-of-a-kind collection that features more than two hundred works by more than forty post-war artists and photographers. It presents works by photographers and artists including Bill Anderson, John Baldessari, Ruth Bernhard, David Hockney, Herb Ritts, Ed Ruscha, Julius Shulman, and Larry Sultan. Thematically grouped into topics ranging from the rise of celebrity culture, suburbia and dystopia, avant-garde architectural landscape design and the cult of the body, these…
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Backyard Oasis: the Swimming Pool in Southern California Photography, 1945-1982
by Atkins, Robert & Dick Hebdige & Tyler Stallings & Robert Stearns & Jennifer A. Watts
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- Hardcover
- ISBN 10 / ISBN 13
- 9783791351766 / 3791351761
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LONDON, Greater London, United Kingdom
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Botanica
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- Paperback
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- New
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- Paperback
- ISBN 10 / ISBN 13
- 9781908889003 / 1908889004
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LONDON, Greater London, United Kingdom
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Limited Edition of 500 TVC#012Botanica by Sander Meisner, is the latest offering from London-based publishers The Velvet Cell. A beautifully realised volume of urban landscape photography it approaches its subject with an unusual twist. Where many of his contemporaries focus their lenses on either the urban or the rural specifically, Sander explores the point where these two opposing worlds converge – with a wizened branch creeping across a motorway siding and neglected patches of foliage that lurk behind service stations. Sander Meisner on Botanica: I am interested in the hidden and unseen corners of cities, and all of the photographs in this book were taken in places that have been neglected or forgotten about, next to or near motorways, around factories and industrial estates. Every city has places like these. Everybody knows about them yet nobody pays special attention to them. This is partly why I like them so much.
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