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Pesten: Treichlinger J. [PN J. T. 163], 1848. Folio. Full modern black cloth with titling gilt to upper. 1f. (title), 3-35, [1] (blank) pp. Engraved. Previous owner's signature ([?]"F Kopf") to foot of title. Handstamp ("A. Sendlein") to foot of title and first page of music. Occasional light soiling and foxing, heavier to title; trimmed; some edges reinforced. First Edition. Mona 559. Rare (2 copies located outside of Hungary, at ÖNB and BnF). Hungarian composer, conductor, and violinist György Császár spent his career at the National Theatre in Pest, first in the orchestra, and later as music director. A' Kunok (The Polovtsians) Opera, 3 acts. Premiered Pest, National Theatre, 16 September 1848. Incorporating Hungarian themes, it was quite popular in its day, remaining in the repertoire throughout the 19th century.
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A' Kunok. [Excerpts for solo piano]: Nagy Opera 4 felvonásban. Zongorára ... Ősszes ára f 3. pp.
by CSÁSZÁR, György 1813-1850
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[AWV 17]. La Fiancée Die Braut Opéra en 3 Actes ... Klavier-Auszug ... Der deutsche Text, zum Gebrauch für die Königl. Oper zu Berlin, vom Baron von Lichtenstein. No. 1540. Pr. 3 Rth. [Piano-vocal score]
by AUBER, Daniel-François-Esprit 1782-1871
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Berlin: Ad. Mt. Schlesinger [PN 1540], 1835. Oblong folio. Original publisher's dark ivory wrappers with titling within decorative border. 1f. (title with list of individual pieces and their prices), [1] (blank), 2-102 pp. Engraved. Uncut. Text in French and German. Provenance: The noted music collector and bibliographer Anthony von Hoboken, with his small decorative bookplate with nautical motif to upper outer corner of verso of upper wrapper. Wrappers frayed at edges, soiled, and somewhat darkened; spine split and partially lacking. Minor foxing, heavier to some leaves; light offsetting and bleeding; final signature partially detached. Small circular publisher's handstamp to lower inner margin of title. A very good wide-margined copy overall. First German edition. Rare. Schneider p. 418. Worldcat (2 copies only, at the University of Chicago and Julliard). La fiancée, an opéra-comique to a libretto by Eugene Scribe, was first performed at the Opéra-Comique (Feydeau) on 10 January 1829.…
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[AWV 17]. La Fiancée (Die Braut) Opera comique en trois Actes. Paroles de M. Scribe ... paroles allemandes, à l'usage de l'Opera Royal de Berlin, du Baron de Lichtenstein. Sans les finales Pr. Arrangement complet pour le Pianoforte. Pr. [blank]. [Piano-vocal score]
by AUBER, Daniel-François-Esprit 1782-1871
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Berlin: Fr. Laue [PN 142-161], 1829. Oblong folio. Quarter contemporary brown calf with marbled boards, decorative cut-paper label to upper with titling in manuscript. 1f. (title), [1] (cast list, table of contents, and "Vorerinnerung"), 69, [i] (blank), 54, 35, [i] (blank) pp. Engraved. Text in French and German. Publisher's small circular blindstamp to lower inner corners of initial leaves. Contemporary signature to upper outer corner of front free endpaper. Binding somewhat worn and rubbed; slight loss to tail of spine; tender at hinges. Mostly minor foxing; lower outer corners soiled; some dampstaining to upper inner margins; minor early repairs to inner margins of preliminary leaves, not affecting text; binder's holes to inner margins; remnants of early blue binding to inner margin of title. Rare early German edition, published just one year after the first edition. Schneider p. 418. Worldcat (3 complete copies only, at the National Library of Israel, the Staats und Universitätsbibliothek…
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[AWV 18]. Fra Diavolo, Opéra Comique en 3 Actes, Paroles de M. E. Scribe... Partition Piano et Chant. Prix. 15f. Net... Nouvelle Edition. [Piano-vocal score]
by AUBER, Daniel-François-Esprit 1782-1871
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Paris: G. Brandus, Dufour [PN T. 1398], 1850. Quarto. Half dark blue morocco with textured blue cloth, raised bands on spine in decorative compartments gilt, titling gilt, initials "L.A." gilt to upper. 1f. (recto title, verso blank), [1] (recto cast list and contents, verso blank), [2] (blank), 3-215, [i] (blank) pp. Engraved. Binding slightly worn and rubbed. Upper margin of four leaves (pp. 165-172) with small tears. With early 20th century press cuttings relative to the opera laid in. A later edition, printed from Troupenas plates. Schneider p. 473.
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[AWV 26]. Actéon Opéra comique en un acte. Paroles de E. Scribe ... Partition Piano et Chant. Prix 8.F net. [Piano-vocal score]
by AUBER, Daniel-François-Esprit 1782-1871
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Paris: Brandus et Cie. [PN T. 1407], 1850. Quarto. Quarter mid-tan calf with marbled boards and black leather title label gilt to spine. 1f. (title), 93, [i] (blank) pp. Title lithographed, music engraved. Additional plate number to pp. 1 and 8: B. et Cie 8252. Spoken dialogue not included. Publisher's handstamp to lower right corner of title. Handstamp, "Achat de Musique neuve et d'occasion C. Pugno 19 Quai des Gds Augustins Paris," to front flyleaf. Spine partially detached. Impression occasionally weak; some leaves lightly foxed. A reissue of the first edition of 1843. Schneider p. 842. Brandus took the edition over from Troupenas (whose business he bought in 1850), adding his own plate number to the outer pages of the first signature.
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[AWV 35]. Le Duc d'Olonne Opéra Comique en trois Actes Paroles de Messieurs Scribe et Saintine ... Partition réduite avec accompagnement de piano Der Herzog von Olonne Komische Oper in drei Akten nach dem Französischen der Herren Scribe und Saintine ... für die deutsche Bühne bearbeitet von Heinrich Börnstein vollständiger Clavier Auszug No. 6808 ... Pr: 14 fl. 24 kr. [Piano-vocal score]
by AUBER, Daniel-François-Esprit 1782-1871
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Mainz Antwerpen und Brüssel: B. Schott's Söhnen [PN 6808 (0-12)], 1842. Folio. Original publisher's printed wrappers. 1f. (title), 1f. (cast list and table of contents), 15, (libretto in German), [i] (blank), 202 pp. Music engraved, libretto typeset. Partially uncut. Text in German and French. With printed label of the Musikalien-Leihanstalt F.v. Kittlitz-Schott in Mainz, with contemporary manuscript titling and shelfmark, to lower margin of upper wrapper. Wrappers quite worn and soiled with some splitting, tearing, loss, and perforations extending into outer leaves, affecting some measures of music. Several signatures partially or fully detached; minor soiling and dampstaining to blank margins of some leaves, not affecting music; occasional foxing and creasing to outer margins; crude tape repair to final two leaves. First German edition. Schneider p. 1122. Le duc d'Olonne was first performed at the Opéra-Comique (Favart) in Paris on 4 February 1842. "[Auber] composed mostly opéras comiques,…
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[AWV 36]. La Part du Diable Opéra comique en 3 actes, Paroles de E. Scribe... Partition Piano et Chant. Prix 12 F. net. [Piano-vocal score]
by AUBER, Daniel-François-Esprit 1782-1871
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Paris: Brandus et Cie. [PN T. 1413], 1858. Quarto. Dark green morocco-backed dark green pebbled cloth boardswith "M.B J." gilt to upper with decorative border gilt, raised bands on spine with decorative compartments gilt, titling gilt, all edges gilt. 1f. (title), [1] (cast list and contents), 2-165, [i] (blank) pp. Title lithographed, music engraved. Spoken dialogue not included. Publisher's handstamp, "G. Brandus & S. Dufour," to lower right corner of title. Oval handstamp, "Achat livres et musique A. Cisnéros 4 et 6 Rue Dauphine Bordeaux," to upper right corner of front flyleaf and title and to upper left corner of first page of music. Impression occasionally weak; some offsetting and foxing, especially to first and final leaves and outer margins. A re-issue of the 1849 edition of the piano-vocal score. Schneider p. 1142. Brandus took the edition over from Troupenas, whose business he bought in 1850; against his custom, he did not add his own plate number to the outer pages of the first…
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[AWV 44]. Jenny Bell Opéra-Comique en 3 Actes, Poëme de M. Eugène Scribe... Partition pour Piano et Chant Réduite par Vauthrot. [Piano-vocal score]
by AUBER, Daniel-François-Esprit 1782-1871
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Paris: J. Meissonnier [PN 5606], 1856. Large octavo. Half dark olive green leather with patterned green cloth boards, spine in decorative compartments and titling gilt. 1f. (recto title, verso blank), 1f. (recto named cast list and contents, verso blank), 251, [i] (blank) pp. Binding worn; spine slightly defective. Slightly worn and foxed; small oval publisher's handstamp to lower outer corner of title. First Edition. Schneider p. 1362.
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Aaron Copland's America: A Cultural Perspective
by [COPLAND]. Levin, Gail and Judith Tick
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New York: Watson-Guptill, 2000. Hardcover. Fine. Octavo. Boards. 176 pp. Illustrated. In dustjacket.
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The Abandoned Mansion (South Carolina). Song for contralto voice and piano from the composer's cantata "Landscapes and Remembrances." Autograph musical manuscript signed. Ca. 1976
by MENOTTI, Gian Carlo 1911-2007
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Small folio (313 x 237 mm.). Unbound. 1f. (recto autograph title, verso blank), 5 pp. (autograph musical score), [1] blank. Notated in pencil on 12-stave G. Schirmer Royal Brand music paper. Signed "G Menotti" on title. With several erasures and instances of rewriting, with original musical notation still partially visible. Small check mark in blue pencil to upper outer corner of each page. Landscapes and Remembrances, a cantata for soloists, chorus, and orchestra to texts by Menotti, was first performed at Uihlein Hall in Milwaukee on May 14, 1976, with Judith Blegen (soprano), Ani Yervanian (contralto), Vahan Khanzadian (tenor), Gary Kendall (baritone), and the Milwaukee Symphony and Bel Canto Chorus, James Keeley, conducting. "The nine-part Landscapes and Remembrances is a set of musical impressions drawn from the composer's life, ranging from his arrival in America as a teenager to his discovery of South Carolina, where he founded the Spoleto USA Festival in 1977 ... The structure of Landscapes…
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Abriss der Musikgeschichte ... Mit vielen in den Text gedruckten Abbildungen und Porträts, einem Wegweiser für den Klavierunterricht sowie zahlreichen Notenbeilagen. Sechste vermehrte und verbesserte Auflage
by KOTHE, Bernhard
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Leipzig: F.E.C. Leuckart, 1894. Hardcover. Very Good. Octavo. Original publisher's dark brown cloth with decorative stamping in black and gilt to upper and spine; floral patterned endpapers. 315 pp. Illustrated with portraits of composers, etc. With musical examples. Binding very slightly worn. Uniform light browning.
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Accademia di Poesia e Musica che danno gli alunni dei Pontificii Seminarii Romano e Pio nella Sala Massima in S. Apollinare li 13 Decembre 1854. Per celebrare La Dommatica Definizione dell' Immacolato Concepimento di Maria Santissima. [Libretto]
by VERDI, Giuseppe 1813-1901, Gioachino Rossini 1792-1868, Gaetano Donizetti 1797-1848, and Saverio Mercadante 1795-1870
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Roma: Tipografia dell Rev. Cam. Apostolica, 1854. Small octavo. Modern marbled wrappers. [1] (title), [2] ("Direttori della Musica"), 3-26, 1f. (printer's note) pp. With decorative woodcut device to p. 26. The libretto to a performance incorporating music by Verdi, Rossini, Mercadante and Donizetti at the papal seminary in Rome to celebrate the Immaculate Conception of Mary, Christ's mother, on 13 December 1854, with Luigi Moroni, Gaetano Capocci, and Giuseppe Negri named as the "Direttori della Musica." Includes 4 works by Verdi: "Salve, o Madre: un sacro patto tutti stringe i figli tuoi" from the opening chorus of La Battaglia di Legnano (1849); Silenzio misterio" from the opening chorus of I due Foscari" (1844); "Plaudiam di letizia" from the opening chorus of the Act I finale of Stiffelio (1850); and "Regina dell'alme." Other works performed include Rossini's "Pura stella-del mattino;" Mercadante's "Sacro alla pace degli eletti;" and Donizetti's cantata "Celeste un' aura dal tempio move."…
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Achilles brought by Thelis to his Tutor Chiron. The Music by Mr. Purcel[!]. Plate 89 from George Bickham's The Musical Entertainer
by PURCELL, Henry 1659-1695
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London, 1740. Unbound. Very Good. 1 leaf, with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass intended for the accompaniment of the flute. Signed in the plate by the engraver, G. Bickham. Ca 326 x 200 mm. (12.75" x 7.85") [plate mark]. Slightly worn; minor browning to edges; minor soiling and dampstaining. From the second edition of Bickham's monumental work, first published in 1737-1739. BUC p. 107. RISM BII p. 245. "[Purcell] was one of the most important 17th-century composers and one of the greatest of all English composers." Peter Holman and Robert Thompson in Grove Music Online. "[Bickham ?1706-1771] was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer, first issued in fortnightly parts, each containing four plates, from January 1737 to December 1739. The 200 plates are songs, headed and surrounded with pictorial embellishments illustrative of the song ..., and engraved in…
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Acis and Galatea a Masque. [Full score]
by HANDEL, George Frideric 1685-1759
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[Farnborough]: [Gregg], 1965. Large octavo. Full blue cloth, titling to spine gilt. 1f. (series title), 1f. (title), [iii]-[v] (preface), [vi] (contents), 132 pp. Bound with: L'Allegro, Il Pensieroso, ed Il Moderato. An Oratorio... 1f. (title), [1]-2 (preface), [3] (contents), [4] (blank). [5]-180 pp. Gregg Press reprint of Volumes 3 and 6 of the original 1859 German Handel Society edition edited by Friedrich Chrysander. "Chrysander was one of the pioneers of 19th-century German musicology... In 1853 he published essays on folksong and oratorio, on the strength of which he was awarded a doctorate by Rostock University on 19 April 1855. By then he was already deeply interested in the study of Handel and had begun collecting material for a biography of the composer, the first volume of which appeared in 1858. The second followed in 1860 and part of the third in 1867; the work was never finished." Anthony Hicks in Grove Music Online.
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Acis und Galatea Pastoral Klavierauszug Übereinstimmend mit der Ausgabe der Deutschen Händelgesellschaft Deutscher Text von G. G. Gervinus. [Piano-vocal score]
by HANDEL, George Frideric 1685-1759
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Frankfurt - London - New York: C. F. Peters [PN 11433], 1980. Octavo. Original publisher's decorative wrappers. [i] (title), [i] (foreword), [1]-[2] (contents), [3]-111, [iii] (blank) pp. Wrappers slightly soiled.
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The Acoustic World of Early Modern England: Attending to the O-Factor
by SMITH, Bruce R.
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- 9780226763774 / 0226763773
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Chicago: The University of Chicago Press, 1999. Softcover. Very Good. Octavo. Wrappers. 400 pp. With illustrations.
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Across the Little Space. The Life Story of Dr. Louis Falk as told to His Great-Grand-Daughter Dorothy Cara Strong
by [FALK]. Miller, Francesca Falk
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Chicago: Bauman, 1933. Octavo. Boards. 95 pp. Signed by the author. Occasional illustrations. In worn dustjacket.
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Acustica international lydrejse: 100 værker fra Studio Akustische Kunst WDR Køln (1969-1996)
by [EXHIBITION CATALOGUE]
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- ISBN 10 / ISBN 13
- 9788798534372 / 8798534378
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Roskilde: Museet for Samtidskunst, 1996. Paperback. Fine. Small octavo. Illustrated wrappers. [266] pp. Text in Danish, German, and English. Introduction by Klaus Schöning. Edited by Marianne Bech and Jasna Radonijic. Exhibition held at Museet for Samtidskunst, Roskilde, Denmark, 6-25 August 1996 containing detailed information on 100 works created and presented at Westdeutscher Rundfunk in Cologne.
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Ad venerabilem virum
by GALLINIUS, Marcin
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Krakow: Polskie Wydawnictwo Muzyczne, 1975. Softcover. Very Good. Wrappers. 32 ff.
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Addresses and Lectures
by MACFARREN, George Alexander
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London: Longmans, Green, 1888. Octavo. Boards. 282 pp. Head and tail of spine worn; endpapers browned. Browned throughout.
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