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James R. Osgood and Company, Boston, 1872. . First edition. 8vo. (15 x 11.5 cm), pp. 304; publisher's brown cloth gilt; a very good copy. Travel tales from Germany, Austria and Italy.
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Bits of Travel.
by H.H.(pseud). [JACKSON, Helen Hunt].
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South African War Books an illustrated bibliography of English language publications relating to the Boer War of 1899-1902.
by HACKETT, R.G.
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London 1994. . First edition. Small folio, illustrations, original cloth, dust-wrapper, minor wear but internally fine. A beautifully produced and finely illustrated bibliography of the Boer War.
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Seder Haggadah shel Pesach im Targum Ashkenaz. [Passover Haggadah with Ashkenzaic translation].
by [HAGGADAH]. COSCHELSBERG, Solomon (corrector).
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Basel, Wilhelm Haas, 1816. . First edition, 4to (21.6 x 17.7 cm); original printed paper boards, with a fine geometric design, edges rubbed, occasional old tape repairs (without loss), block cracked but holding; 24 woodcut illustrations in text; browning and staining to pages, previous owners' signatures to inside cover. Text in Hebrew and Yiddish. [2], 54 pp. Scarce first edition of the Basel Haggadah in its original ornamental binding.One of the more attractive Haggadah editions that were published in 19th century Europe. Its text is a reprint of Joel Brill's German translation of 1785. The magnificent woodcut illustrations of this edition 'were copied from Friedrich Battier's illustrations to a German Bible published in Basel in 1710 by Johann Brandmüller, Jr. The woodcut of Moses at the Burning Bush shown here on the title page, was taken from the frontispiece of the Amsterdam Haggadah of 1712' (Yerushalmi). Vinograd, Basel 284; Yudlov 565; Yaari 399; Yerushalmi 86; Harvard 21.5:17.
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Orden de la Agada de Pesah en Hebraico y Espanol, segun uzan los Judios, Espanoles, y Portuguezes, traducido del Hebraico y Caldeo. Por Senior Jacob Meldula, de Amsterdam. [Passover Haggadah, according to the custom of Spanish and Portuguese Jews, translated by Mr Jacob Meldula from Amsterdam].
by [HAGGADAH]. MELDULA, Jacob (translator).
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London, L. Alexander, 1813. . Small 4to (24.5 x 19.8 cm); 4 illustration plates (including frontispiece) and one folding map (with a tear, professionally repaired without loss) unnumbered, some occasional staining, contemporary morocco, neatly rebacked, gilt borders, marbled endpapers, corners rubbed; ownership dedication and signature in brown ink to front endpaper, dated '20 Mars 1823'. Text in Hebrew and Judeo-Spanish. [5], 19 ll. Scarce edition of Sephardic Haggadah printed in London, with parallel text in Hebrew and Spanish.The illustrative plates in these Haggadot (after the London Haggadah of 1806) were printed separately on unnumbered leaves and their number varies between different copies, missing completely in some. Yudlov lists it with 7 illustrations and 5 maps, while Yerushalmi lists it with 3 maps and 'various engravings on separate sheets'.'This, the only Spanish translation of the Haggadah to be printed in London, is also an example of the survival into the nineteenth century of…
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Haggadah shel Pesach... Service for the Two First Nights of Passover. According to the Custom of the Spanish, Portuguese, and German Jews.
by [HAGGADAH]. LEVI, David (translator).
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London, David Levi, 1794. . First edition; small 4to (21.5 x 13 cm); modern marbled leather-backed marbled boards, spine gilt; browning and staining to leaves, faded stamp to title; closed tear to leaf 35; leaves 37-39 supplied; last leaf repaired with some English text loss; text in Hebrew, English and Ladino. [1], 39, [3] ll. Combined Ashkenazic and Sephardic Haggadah published by David Levi, one of the pioneers of Jewish printing in London. Starting from the 1770s, several Hebrew prayer-books and Haggadot were printed in London for the first time by three different Jewish publishers: A. Alexander and Son; Yedidya, Gershon and Issachar; David Levi. All publications by these printers are considered to be very rare, with only a small number of surviving copies.David Levi (1740-1801), was an erudite Whitechapel cobbler and one of the most remarkable characters of 18th-century English Jewry. He was born in London and after failing to make a living as a shoemaker, went to the opposite extreme and…
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Haggadah shel Pesach... Service for the Two First Nights of Passover. According to the Custom of the Spanish, Portuguese, and German Jews.
by [HAGGADAH]. LEVI, David (translator).
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London, David Levi, 1794. . First edition; small 4to (21.5 x 13 cm); contemporary brown calf, boards with gilt ruled borders, slightly rubbed, spine with floral decorations in gilt, edges browned; text in Hebrew, English and Ladino. [1], 39, [3] ll. Combined Ashkenazic and Sephardic Haggadah published by David Levi, one of the pioneers of Jewish printing in London. Starting from 1770s, several Hebrew prayer-books and Haggadot were printed in London for the first time by three different Jewish publishers: A. Alexander and Son; Yedidya, Gershon and Issachar; David Levi. All publications by these printers are considered to be very rare, with only a small number of surviving copies.David Levi (1740-1801), was an erudite Whitechapel cobbler and one of the most remarkable characters of 18th-century English Jewry. He was born in London and after failing to make a living as a shoemaker, went to the opposite extreme and became a hatter, meanwhile continuing his studies at the Great Synagogue of London. In…
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Haggadah shel Pesach.
by [HAGGADAH]. AGAM, Yaacov (illustrator).
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London, Capepark Ltd, 1985. . No. 3 of 9 Hors Commerce, of a total edition of 584, introductory leaf, first & last prints signed by the illustrator. 58 original serigraphs, 'pulled by hand on Rivs 270 gr. (Arjomarie-Prioux) by Atelier Arcay in Paris'. Text in Hebrew with English in Preface. Exquisite velvet binding, with gilt lettering and ornament, matching original solander box, slightly rubbed (520 x 425 mm). A fine copy. A modern Haggadah with hand-printed illustrations by Yaacov Agam: 'All colour separations were produced by the artist, all screens used for each image were destroyed'. Printed in Paris by Atelier Arcay, a total of 584 were printed of this Haggadah, numbered for three editions of 180 each, an A.P. (Artist's Proof) edition of 27, an H.C. (Hors Commerce) edition of 9 (as here) and an edition of 8 on vellum. Yaakov Agam (b. 1928) is an Israeli artist and sculptor based in Paris, best known for his contribution to optical and kinetic art. He had a retrospective exhibition in Paris…
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Seder Haggadah shel Pesach im Targum Ashkenaz. [Passover Haggadah with Ashkenzaic translation].
by [HAGGADAH]. COSCHELSBERG, Solomon (corrector).
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Basel, Wilhelm Haas, 1816. . First edition, 4to (21.6 x 17.7 cm); original decorative printed paper boards, with a fine geometric design, edges and spine rubbed, block cracked but holding; 24 woodcut illustrations in text; browning and staining to pages, pp. 3-6 professional restoration to edges, previous owners' inscription and signature in old brown ink to inside covers; text in Hebrew, Aramaic and Yiddish. [2], 54 pp. Scarce first edition of the Basel Haggadah in its original publisher's decorative binding.One of the more attractive Haggadah editions that were published in 19th-century Europe. Its text is a reprint of Joel Brill's German translation of 1785. The magnificent woodcut illustrations of this edition 'were copied from Friedrich Battier's illustrations to a German Bible published in Basel in 1710 by Johann Brandmüller, Jr. The woodcut of Moses at the Burning Bush, shown here on the title page, was taken from the frontispiece of the Amsterdam Haggadah of 1712' (Yerushalmi). Vinograd,…
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Seder Haggadah shel Pesach: Service for the Two First Nights of Passover; in Hebrew and English: according to the custom of the German and Polish Jews.
by [HAGGADAH]. LEVI, Isaac (editor).
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London, Morrice Phillips (printer), 1831. . Small 4to; contemporary blue marbled calf-backed boards with gilt title in english to spine, quite rubbed, front cover detached; marbled edges, rubbed; wine staining to leaves (as expected), small marginal tears to few, block cracked but holding; half-title in Hebrew and two separate titles in Hebrew and English; old signature of previous owners to front endpapers; [1], 40, [6] ll. Ashkenazic Passover Haggadah edited by Isaac Levi, one of the pioneers of Jewish printing in London. Hebrew text and English translation on opposing pages. The copperplate frontispiece in this Haggadah was originally published in the 1807 London Machzor, but a pastedown with the Haggadah title was placed in the middle of the page covering the original title. According to Yudlov this pastedown-altered frontispiece does not appear in all copies. Vinograd, London 292, Yaari 516; Yudlov 717; Not in Yerushalmi.
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The Haggadah. With English translation and explanatory notes.
by [HAGGADAH]. RABAN, Ze'ev (illustrator).
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Tel Aviv, Sinai, 1961. . 4to (31 x 22.3 cm), publisher's blue velvety boards with a gilt title, edges rubbed, small crack to bottom of spine. 35 coloured illustration plates; gilt frontispiece attached to the back of the front endleaf, crisp and clean pages; text in Hebrew and English; 84, [4] pp. Passover Haggadah with '35 coloured illustrations by Ze'ev Raban, "Bezalel" Jerusalem', and a 'Musical supplement'.The Bezalel school was founded in 1906 in Jerusalem by the artist and professor Boris Schatz and was the first art school to be established in the Holy Land in the 20th century. The establishment of Bezalel was initiated by Schatz, who discussed his vision of opening an art school in the Land of Israel with Herzl, while the two met in Vienna in 1903 at the sixth Zionist Congress. Schatz chose to call the school 'Bezalel' after the biblical artist Bezalel ben Uri ben Hur, mentioned in the book of Exodus as the artist chosen by God to build the Tabernacle (hamishkan in Hebrew). According to the…
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Sefer Halakhot Ktanot [bound together with] Sefer Korban Hagiga.
by HAGIZ, Ya'akov ben Shmuel. GALANTE, Moshe b. Yonatan.
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Venice, 1704. . 4to, later morroco-backed boards, rubbed, with gilt floral ornaments and Hebrew title to spine; red-stained edges, staining and worming to leaves, a few small tears affecting text, front endpaper missing, first title page partially detached with old repairs. Responsa work by Hagiz, bound together with sermons by Galante, both published in Venice the same year.Ya'akov ben Smuel Hagiz (aka Jacob Hagiz, 1620-1674) was a Sephardi Jewish Talmudist born at Fes, Morocco. In about 1646, Hagiz went to Italy for the purpose of publishing his books, and remained there until after 1656, supporting himself by teaching. About 1657 he left Livorno for Jerusalem, where the Vega brothers of Livorno had founded a Beit Midrash for him and where he became a member of the rabbinical college. He had a large number of eager young students as his followers, among whom were Moses ibn Habib, who became his son-in-law, and Joseph Almosnino, later the Rabbi of Belgrade. Hagiz was active in the opposition to…
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A compleat body of husbandry. Containing rules for performing, in the most profitable manner, the whole business of the farmer, and country gentleman, in cultivating, planting, and stocking of land; in judging of the several kinds of seeds, and of manures; and in the management of arable and pasture grounds: together with the most approved methods of practice in the several branches of husbandry...
by HALE, Thomas.
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London, printed for T. Osborne... [1755-]56. . First edition. Folio (27 x 41.7 cm) iv, [8], 719, [1] pp., text in double columns, with engraved frontispiece and twelve engraved plates, 1 folding, with the additional leaf on improvement of fences with engraved plate in text, small old marginal worm track to 5 leaves and 1 plate towards end, not touching letters or illustration, contemporary calf, headcap, joints, and corners repaired, covers scuffed, red morocco label, a clean attractive example. An attractive example with the rare additional leaf between pages 112 & 113. This voluminous work was compiled by the prolific horticultural writer John Hill, supposedly from the papers of one Thomas Hale, about whom nothing is known. The plates are good examples of the horticultural illustration of the mid eighteenth century. Kress 5528; Goldsmiths' 9099; Perkins 737.
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Statement respecting the Earl of Selkirk's Settlement of Kildonan, upon the Red River, in North America; its destruction in the years 1815 and 1816; and the massacre of Governor Semple and his party.
by [HALKETT, John].
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London, J. Brettell, 1817. . First edition. 8vo, viii, 194, c, pp., folding frontispiece map. Original drab boards with spine label, uncut (rubbed, label slightly chipped), a fine copy. Born near Dunfermline, Scotland, John Halkett (17681852) was Governor of the Bahamas and Governor of Tobago. As a member of the Hudson's Bay Company's London committee he supported the Red River Settlement project of his cousin, Lord Selkirk, and visited Montreal and Red River in 1821 after Selkirk's death as executor of his will.
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Account of a Voyage of Discovery to the west coast of Corea and the Great Loo-Choo Island;
by HALL, Capt. Basil.
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London, John Murray, 1818. . First edition, 4to., 9 engraved plates including 8 hand-coloured aquatints, by Robert Havell after drawings by William Havell from sketches by members of crew, 6 maps and plans, some folding. This expedition formed part of the Amherst embassy and explored the relatively little known East China Sea and the Yellow Sea. Visits were made to Korea and the Ryukyu Archipelago.
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Mundus Alter et Idem... Authore Mercurio Britannico... [Bound with] CAMPANELAE, Thomas. Civitas Solis [with] BACON, Francis Bacon. Nova Atlantis.
by HALL, Joseph.
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Utrecht, Johannes Waesberg, 1643. . Third, second & second editions, 3 works in 1 volume, 12mo, xiv, 213, [23]; 106; 96pp., engraved title, five folding maps by Kaerius and an engraved plate in first work; 3 portraits added as frontispieces, 3 blanks before each work, contemporary ink-lettered vellum, a fine copy. SEVIST A collection of three influential imaginary voyages and works of utopian fiction, here first collected together: Mundus Alter et Idem by Joseph Hall (in its third edition - first published in 1605); Civitas Solis, Ida Republic Philosophic by Thomas Campanella (in its second edition - first published in 1623); and Nova Atlantis by Francis Bacon (in its second edition - first published in 1638).Hall's work is the earliest utopia set in Terra Australis, and Campanella's City of the Sun and Bacon's New Atlantis were two of the most reprinted (often together with More's Utopia and Harrington's Oceana) of all the seventeenth century works on the ideal republic. The narrator of Mundus…
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The George Edwardes Birthday Book. From "A Gaiety Girl", "An Artist's Model,", and "The Geisha," three musical comedies all written by Owen Hall, composed by Sidney Jones, with Lyrics by Harry Greenback, and produced by George Edwardes/
by HALL, Owen.
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[London], [c.1895]. . 'Third Edition'; large 8vo (225 x 170 mm); photogravure title-page, printed in blue throughout with decorative borders, 9 photogravure plates, tissue guards, red endpapers stamped in silver; publisher's red roan blocked in gilt, worn at edges with sight loss to spine ends. An intriguing 1890s production of a theatrical bent, preceded only by issues that were distributed to audience members; the book serves as a diary, interspersed with plates featuring actors, often in Japanese character. George Edwardes was an impresario who ruled a theatrical empire including the Gaiety, Daly's Theatre, the Adelphi Theatre and others, and sent touring companies around Britain and abroad. The photographs include Marie Tempest, Letty Lind, Hayden Coffin and Rutland Barrington. Owen Hall wrote many highly successful musical comedies in the 1890s, including A Gaiety Girl, An Artist's Model, The Geisha and A Greek Slave, but was undone by gambling; his pseudonym was 'Payn Nunn', a pun on 'Owing All'.
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Narrative of the voyages and services of the Nemesis, from 1840 to 1843; and of the combined naval and military operations in China: comprising a complete account of Hong Kong, and remarks on the character and habits of the Chinese. From notes of Commander W.H. Hall, R.N. with personal observations, by W.D. Bernard...
by HALL, William Hutcheson; BERNARD, W[illiam] D[allas].
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London, Colburn, 1845. . Second edition, 8vo, xvi, 488 pp., 4 engraved plates, 4 folding maps (1 with short tears and neat repair to verso), woodcuts in text, nineteenth century tan half morocco gilt, marbled boards, edges sprinkled red, a fine example. Important account of the First Opium War. Includes a fine map of Hong Kong. The Nemesis was designed to draw only six feet of water, enabling her to sail anywhere a junk might go, and offer close support to landing parties. Cordier, Sinica, 2371; Lust 558; Hill 120.
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Camera in Paris.
by [HALÁSZ, Gyula] BRASSAÏ (pseud.).
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London, The Focal Press, 1949. . First edition, first printing; 4to; 62 photographic illustrations in black and white, folding chart to the rear, internally fine; publisher's blue cloth, gilt lettering to spine, with the unclipped pictorial dustjacket, small nick to lower edge of front panel without loss, fractionally faded spine, minor edge-wear; a near-fine example. A charming photobook of Paris, compiled from a series of photographs by the popular twentieth century photographer Brassai.
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Guggenheim (Black)
by HAMILTON, Richard
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. Perspex form, vacuum formed acrylic and spray painted black, 1970, signed and dated verso, from the edition of 106, although an edition of 750 was planned it was not fully executed, published by xartcollection, Zurich, 59 x 59 x 9.8 cm. (23.2 x 23.2 x 3.9 in.) In 1970 British-Pop artist Richard Hamilton was invited to produce an edition of 750 small-scale multiples of the Guggenheim. The intention was to produce vacuum-form reliefs in Perspex and offset the costs of expensive molds by creating a large edition. In the end, the project proved more technically difficult than anticipated. Of the three colours (black, white and chrome), only a total of 271 were realised, 106 in black.The xartcollection was created in 1968 in Zurich, Switzerland by Sandro Bocola and three partners: Heinz Bütler, Rolf Fehlbaum and Erwin Meierhofer.Xartcollection's concept was to industrially produce three-dimensional "Multiples" in limited and signed editions. The company's philosophy was to make Contemporary Art…
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The Stock Market Barometer. A Study in its Forecast Value Based on Charles H. Dow's Theory of Price Movement. With an Analysis of the Market and Its History Since 1897.
by HAMILTON, William Peter.
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New York & London, Harper & Brothers, 1922 [i.e. October 1923]. . First edition, later printing 'K-X'; 8vo (20 x 14 cm); illustrated with charts and appendix of Dow Jones stock averages, 2 half-titles; publisher's red cloth, blindstamped, title in gilt to upper panel, spine ends rubbed, minor staining; [12], 325, [3]pp. stock23 William Peter Hamilton (1867-1929) was editor of the Wall Street Journal from 1908 to 1929 and a leading proponent of the Dow Theory, a trend-following trading strategy which called for 'soulless barometers, prices indexes and averages to tell us where we are going and what we may expect' (p.4). The Stock Market Barometer is advertised alongside other works on Dow Theory on the jacket of Harris Nelson's Commonsense Speculation (1938): 'This book... contains many reminiscences and sophisticated suggestions, all interesting to students of the price movement, and should be read by all those who may wish to become familiar with every authoritative work on the subject of Dow's…
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