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Berenice Abbott, Hank O'Neal: Berenice Abbott: 1st ed., Steidl, 2008. Fine Condition, Surface wear and tears to front top and bottom edge of slipcase only With this deluxe, two-volume slipcased set, photography lovers around the world will at last have a thorough retrospective of the work of Berenice Abbott. Portraitist, Atget editor, chronicler of Paris and New York and a giant of twentieth-century photography, Abbott has long gone without a publication encompassing all of the principal strands of her practice. Included herein is her early work as a portrait photographer in Paris during the 1920s, when she learned photography as Man Ray's darkroom assistant and catalogued the city's artistic life with portraits of James Joyce, Jean Cocteau, Peggy Guggenheim, Margaret Anderson, Jane Heap, Sylvia Beach, Bryher and Eugene Atget. (During this time, she adopted the French spelling of her first name, "Berenice," at the suggestion of Djuna Barnes.) Her New York photographs of the 1930s are testament to the…
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Berenice Abbott
by Berenice Abbott (Photographer), Hank O'Neal
- Used
- Fine
- Hardcover
- first
- Condition
- Used - Fine
- Edition
- 1st
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9783865215925 / 3865215920
- Quantity Available
- 1
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Alexandria, Virginia, United States
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£159.60£3.99 shipping to USA
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Water Towers
by Bernd Becher, Hilla Becher
- New
- Hardcover
- first
- Condition
- New
- Edition
- 1st
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780262022774 / 026202277X
- Quantity Available
- 1
- Seller
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Alexandria, Virginia, United States
- Item Price
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Bernd Becher, Hilla Becher: Water Towers: 1st ed., The MIT Press, 2006. New, never opened, shrink-wrapped, pristine condition.Hilla and Bernd Becher's cool, objective photographs of industrial structures have earned them a special position in international photography. Although their work is widely collected by American dealers and institutions and shown in New York galleries, this is the first time that it has been published in book form in the United States.The Bechers' 224 photographs of watertowers comprise a unique, single minded, even obsessive mission. They were taken from as many as 8 angles, over a period of 25 years, with a stylistic approach so consistent that photographs juxtaposed from the 1950s and 1980s suggest a minute to minute account deadpan portraits of unadorned metal, concrete, and wooden structures.Always taken in overcast skier, or in the hazy sunlight of industrial zones, these seemingly artless photographs belle the elaborate process and decisions involved in creating them…
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