Search Results: arakawa by arakawa madeline gins

Harry N. Abrams. Good. 1979. Paperback. 0810921650 . This book is in good condition; no remainder marks. It does have some cover shelfwear and edge wear. Inside pages are clean. ; 1963-1971,1978; 100 pages .

New York: Harry N. Abrams, Inc, 1979. First edition and first printing. Softcover. A collaboration between Arakawa and Gins. Includes 96 pages of illustrations of which 28 are in full color. A very good copy in French style wrappers with some foxing to the page edges.

Abrams, (1979) Documentation of recent stages of creation of this work in progress. First paperback edition, published simultaneously with cloth edition. 25.5 cm; 99 pp.; illustrated from photographs and drawings. Dampstain to rear cover and rear fly leaf; else a good copy in wrappers..

New York: Harry N. Abrams, Inc, 1979. Paperback. Very good. Paperback. 10" X 10 1/4". Very mild wear to pictorial paper wraps with light rubbing to covers. A small ink mark to rear cover. Dust-spotting to top edge of text block. Light foxing to front and rear flyleafs. Pages are clean and unmarked. Binding is sound. ABOUT THIS BOOK: A creative and dynamic volume by Arakawa and Gins, who have been called the most philosophical of living artists, which collects their writings and art work from a period of nearly 2 decades. They address the essential art query of our time: How does it all fit together? Art and science happens in fragments. They take fragments, and they try, by making linkages to perceiving tactics immediate, to draw these tactics, these ways of construing a demonstrably conceivable whole that are the perceiver-reader, into a unified field that they refer to as "the perceiving field." They propose to re-create and to rejoin fragments, and would-be fragments, so as to make a new… Read More

The Mainichi Newspapers, 1995. paperback. near very good condition in a dust jacket with a bit of wear

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Santa Fe, NM: Burning Books, 1994. Hardcover. Fine/near fine. Black stamped white cloth boards in dust jacket with bellyband, octavo, illustrated in color and b&w. Book has handsome boards and tight binding, text clean and unmarked. DJ has faint shelfwear, bellyband rubbed, now in archival mylar wrap. Text in Japanese.

Abbeville Pr, 1988-01-01. 2nd. Hardcover. Good+. //Good. . 11x11x0. GOOD+./GOOD. off-white illustrated jacket, dust jacket in archival plastic protector. Chips to corner and edges of jacket, torn away top spine end of jacket, surface and edges of boards show light shelf wear with small dents, text and illustrations are very clean, book is firmly bound..<p> Once Read Books, cover scan available - just ask, OnceReadBooks com<p> Orders shipped via USPS.

Mainichi Newspapers, 1995. First. Hardcover. Very good in a dj with a short tear and edge crinkles. Obl. 4to, paper-covered boards. 94 pp, 66 illustrations (47 in color) plus site plans and line drawings.

[London]: Academy Editions, [1994]., 1994. 4to. pp. 128. over 240 illus., mostly colour. wrs. (small bump at foot of spine). First Edition. An Art and Design Monograph.. 1st Edition. Soft cover. Very Good.

Munich: Galerie Art in Progress, 1977. Softcover. Wrappers soiled, some cockling to sheets. 11.5 x 9.5 inches. 111 pages. Wrappers. First edition.

Shinshokan., 2010. Tankobon Hardcover. New. 8.35x6.14x1.42 inches.

Paris: Maeght, 1977. Folio. 28 x 38 cm. Original wraps. Very goodDLM édité en mars 1977 pour l'exposition ARAKAWA à la Galerie Maeght. Textes de Madeline H. Gins et Nicolas Calas. 24 pages non reliées. 1 lithographie originale en couleurs en double page, 2 lithographies en noir et 11 reproductions dont 6 en couleurs et 1 en double page. Tirage original. Shusaku Arakawa was a Japanese artist and architect. He had a personal and artistic partnership with writer and artist Madeline Gins that spanned more than four decades

New York: Harry N. Abrams, Inc, 1979. Second edition, expanded and enlarged. Oblong 4to., 97, (2) pp., fully illustrated from b&w and color plates. Previous owner's neat signature on the blank front flyleaf. Embossed black cloth with a tiny bruise to the cloth at the rear upper tip. A near fine copy in dust jacket.

NY: HARRY N. ABRAMS. OWNER'S INS TO THE FFEP, TEXT IS CLEAN & UNMARKED. . Very Good. Hardcover. 1st Edition. 1979.

NY: H. N. Abrams, 1979. Cloth. Very Good/None. Very Good in brown-plum silky boards with a few scratches and small stain to spine at crown. 99 pages, heavily illustrated, 10" x 10.5". This copy is SIGNED and inscribed by Gins to the late L. Brandon Krall, artist, whose ex-libris stamp appears on the front free endpaper (in addition her initials and a date in pencil.) The lengthy title-page inscription from Gins, in metallic silver ink and dated 2011, also includes her typical addition "Arakawa in absentia." Endpapers have a few light marks and cloth is gently rubbed at extremities.

Guggenheim Museum, January 1997. Trade Paperback. Used - Very Good.

Guggenheim Museum, 1997. Softcover. Wrappers lightly worn at extremities, spine with vertical crease, internally clean. 12 x 12 inches. 323 pages. Wrappers. Scarce first edition.

Guggenheim Museum, 1997-01-01. Paperback. Very Good. 8x5x0. softcover; some edgewear and creasing to the wraps; spine is creased vety slightly chip to top edge; interior is clean and unmarked