Titus Groan. Mervyn Peake.

Red grained leather spine with gilt banding and title. Red cloth boards. A truly superb First Edition

Titus Groan is a novel by Mervyn Peake. It is the first novel in the Gormenghast series. Gormenghast is a fantasy series by British author Mervyn Peake, about the inhabitants of Castle Gormenghast, a sprawling, decaying, Gothic structure. Originally conceived as a single on-going novel, the series was ended by Peake's death and comprises three novels: Titus Groan (1946), Gormenghast (1950) and Titus Alone (1959), and a novella, Boy in Darkness (1956), whose canonical status is debated. Peake was writing a fourth novel, Titus Awakes, at the time of his death in 1968; the book was later completed by Peake's widow Maeve Gilmore in the early 1970s. After it was discovered by their family, it was published in 2009. Although the first two instalments do not contain any overtly fantastical elements, Gormenghast is almost unanimously categorised as fantasy because of the atmosphere and pseudo-medieval setting. The series has received widespread acclaim from the speculative fiction community and mainstream literary critics — Harold Bloom argues that it is a more accomplished work than the contemporary and better-known The Lord of the Rings. The series has been included in Fantasy: The 100 Best Books, Modern Fantasy: The 100 Best Novels and 100 Must Read Fantasy Novels as one of the greatest fantasy works of the twentieth century. Literary critic Harold Bloom has praised the series as the best fantasy novels of the twentieth century and one of the greatest sequences in modern world literature. Gormenghast is often credited as the first fantasy of manners novel. The books have been translated into over twenty languages.

THE PLOT BACKGROUND FOR TITUS GROAN The book is set in the huge castle of Gormenghast, a vast landscape of crumbling towers and ivy-filled quadrangles that has for centuries been the hereditary residence of the Groan family and with them a legion of servants. The Groan family is headed by Lord Sepulchrave, the seventy-sixth Earl of Groan. He is a melancholy man who feels shackled by his duties as Earl, although he never questions them. His only escape is reading in his library. His wife is the Countess Gertrude. Large and imposing, with dark red hair, she pays no attention to her family or to the rest of Gormenghast. Instead, she spends her time either in her bedroom or in walking selected areas, in the company of a legion of birds and her white cats that alone command her affections. Their daughter is 15-year-old Fuchsia Groan. Self-absorbed, childish and thoughtless, she is also impulsive, imaginative and at times fiercely affectionate. Sequestered in the south wing of the castle are Sepulchrave's identical twin sisters Cora and Clarice Groan. Both suffered from epileptic fits in their youth, as a result of which their left arms and legs are "rather starved". They have the same vague and vacant personalities, lacking intelligence to the point of mental impairment. Both crave political power and bitterly resent Gertrude, believing that she robbed them of their rightful place in the hierarchy of Gormenghast and of any involvement in its affairs. Also important to the life of the castle is Lord Sepulchrave's personal servant, Mr. Flay, who believes in strictly holding to the rules of Gormenghast. At the beginning of the novel, two agents of change are introduced into the stagnant society of Gormenghast. The first catalyst is the birth of Titus Groan, the heir to Lord Sepulchrave, which interrupts the centuries-old daily rituals which are practiced at all levels of the castle's society, from the kitchens to the Hall of Bright Carvings in Gormenghast's upper reaches. Though he is the title character and integral to the plot, Titus appears only infrequently as an infant during his first two years of life. The second is Steerpike, a ruthlessly ambitious kitchen boy, whose rise drives the plot of Titus Groan. His escape from the kitchen during the castle celebration of Lord Titus' birth introduces change into the stultified Gormenghast society. Steerpike is Machiavellian in his rise, but he can also appear charming and sometimes even noble. THE TITUS GROAN PLOT The novel begins as the imperious and ritual-driven servant Mr. Flay seeks to tell someone new of the birth of an heir to the House of Groan in a remote part of the sprawling castle of Gormenghast. A son is born to Lord Sepulchrave, Earl of Groan and monarchical ruler of Gormenghast, and his wife, Countess Gertrude. He is named Titus and entrusted to Nannie Slagg by his indifferent mother. Nannie Slagg is an elderly, somewhat senile woman who serves as the nurse and mother figure for the Groan children. She is often unsure of herself but relishes the small bit of power that comes with raising the heir to the house of Groan. Her first duty is to go to the dwellings of the Bright Carvers just outside the walls of Gormenghast to choose a wet nurse for Titus. Keda, the widow of a well-respected Carver who has recently lost a child from her late husband, volunteers to take on the role. Keda comes to live in the castle for a time helping to raise Titus. Later, she leaves the castle walls and is impregnated by one of her previous two suitors. The suitors promptly kill each other in a duel for her hand in marriage. On the same day as Titus' birth, an ambitious kitchen boy of seventeen by the name of Steerpike escapes from the kitchens and the grossly fat, sadistic chef, Abiatha Swelter. Lord Sepulchrave's chief servant, Mr. Flay (Swelter's archenemy), comes upon Steerpike who has become lost in the confines of the castle, and takes him through the castle (large parts of which are uninhabited) to a room outside the quarters of the Earl and the Countess. Here, Steerpike takes the opportunity to spy on the Groan family. Despite having led him there, the fiercely loyal Flay is angered by Steerpike's eavesdropping and locks him in a small room. Steerpike, however, escapes out of a window, risking his life above a sheer drop. He manages to climb up onto the roofs and towers of Gormenghast, and from there begins his rise to power. After spending twenty-four hours clambering over the enormous castle searching for a means to enter, Steerpike manages to climb in through a window into the secret attic of Lady Fuchsia Groan. Fuchsia, who has a great affinity to the large area of long-abandoned attic space she has had all to herself, is at first appalled and outraged by his entry. He senses the importance of her naivety and seizes her attention by putting on an elaborate performance. She is the first of the royal characters on whom Steerpike will use his cunning to exploit. A while later, Steerpike accompanies Fuchsia to the house of Dr. Prunesquallor, and becomes his apprentice for a while. Dr. Alfred Prunesquallor is the castle's resident physician. He is an eccentric individual with a high-pitched laugh and a grandiose wit which he uses on the castle's less intelligent inhabitants. Despite his acid tongue, he is an extremely kind and caring man who also is greatly fond of Fuchsia and Titus. (In a few places in the text, Dr. Prunesquallor is given the first name of Bernard, but this was an error by Peake.) He lives with his sister Irma Prunesquallor. Though she is anything but pretty, she is considerably vain. She desperately desires to be admired and loved by men. In this position, Steerpike is able to come into even closer contact with members of the Groan family, in particular Lord Sepulchrave's twin sisters, Cora and Clarice Groan. The sisters are not very bright and are power-hungry and resentful, believing that Countess Gertrude holds the position that they rightfully deserve. Burning of the library Steerpike manages to use the twins' ambition for his own ends. He promises them power and influence and convinces them that they could achieve their goal by burning down Sepulchrave's beloved library. Steerpike prepares meticulously for the act of arson. He arranges for the burning to happen when the entire Groan family and their most important servants are inside the library for a family gathering (Steerpike intentionally failed to tell the twins that they were invited as well, strengthening their feeling of bitterness towards Sepulchrave and Gertrude). He intends to lock the doors to prevent an escape, and then come through the window and save everyone inside from the fire, appearing as a hero and possibly strengthening his position and granting him more power in the castle. Everything goes according to plan: the entire Groan family (including the Earl and his heir) and most of the retainers are saved. Sourdust, the old Master of Ceremonies, dies of smoke inhalation and all the books in the library are destroyed in the flames. This comes as a great blow to Sepulchrave, a rather melancholic man, to whom the library was the only joy in his otherwise monotonous life, dominated by the ritualistic duties he must perform every day, every week, every month and every year at appropriate times. Steerpike hoped to become Master of Ritual (a very prestigious job in Gormenghast) after Sourdust died, but the title, like so many things in the castle, is hereditary, and so goes to Sourdust's seventy-four-year-old son Barquentine, who has lived almost completely forgotten in a remote part of the castle for sixty years. He is lame in his one leg, hideous, and unbelievably dirty. Barquentine is a consummate misanthrope who only cares for the laws and traditions of Gormenghast. During the weeks following the burning, Lord Sepulchrave becomes increasingly insane, starting to believe that he is one of the Death Owls living in the Tower of Flints (the tallest tower in the castle). Flay versus Swelter Flay learns that Swelter intends to kill him. Flay had hit him across the face with a chain before Titus' christening, escalating a mutual loathing into plans for vengeful murder. Flay observes Swelter practising the blow with a large cleaver, and so prepares himself for an attack, acquiring a sword for his protection, in case Swelter should ever attempt to murder him while he is sleeping in front of his master's door. Things happen differently though: Steerpike, now a full-time retainer of the twins, having quit Doctor Prunesquallor's service, angers Flay by sarcastically imitating Sepulchrave's madness. Flay loses control and hurls one of the countess' white cats at Steerpike. At that moment, the Countess enters the room, and seeing that one of her beloved cats has been abused, immediately banishes Flay from Gormenghast. Flay is forced to learn how to survive outside the castle, and he sets up various homes in the nearby forest and on Gormenghast Mountain. Having a strong attachment to the castle, and feeling a need to watch over Steerpike and to protect Titus, Flay returns secretly to Gormenghast during the night. Four nights after Titus' first birthday, Flay finds Swelter wandering the castle with a meat cleaver. Swelter does not know of Flay's banishment, and expects him to be sleeping where he has always slept up until now. Flay follows him to just outside Sepulchrave's door, where Swelter discovers that Flay is not there, and soon realizes that he has been followed. Flay lures Swelter to the Hall of Spiders (making use of the fact that Sepulchrave—who is by now quite insane—is sleepwalking), and there they fight a long duel. Eventually, Flay kills Swelter. Lord Sepulchrave arrives on the scene and decides that Swelter's body should be taken to the Tower of Flints. After helping Sepulchrave carry the body to the tower, Flay is ordered to stay where he is. The mad Earl babbles about possible reincarnation, bids Flay farewell, and then drags the body into the tower by himself and is attacked and eaten by the starved Death Owls, along with Swelter's remains. After the disappearance of the Earl and the chief cook (the exiled Flay is not able to tell anyone what has happened), Steerpike leads a search for them. Naturally, their remains are not found, but Steerpike is able to gain a good knowledge of all the rooms in the castle. Flay lives in the mountains, making two caves and a shed for himself—living in seclusion but adept as a naturalist. He later witnesses Keda's suicide as she throws herself off a ledge. Initially just one of a number of minor background characters, Keda's story shows some of the world outside the castle, and her choices, journey and resolution are among the most emotive parts of the story. The Earling Nine days after Sepulchrave's disappearance, Steerpike has a conversation with Barquentine. The Master of Ceremonies tells Steerpike that Titus is now to become Earl of Groan, despite the fact that he is only one year old. He also gives Steerpike the position of his assistant and heir to his post, since Barquentine does not have a child. As the apprentice to the Master of Ceremonies, Steerpike has a good, stable position in the castle, and can now study its inner workings. Steerpike fears that Cora and Clarice are too careless and may tell others that he convinced them to burn down Sepulchrave's library. Steerpike dresses as a ghost and convinces the twins they will die if they ever speak of the fire. By this stage, Steerpike has considerable influence in the affairs of Gormenghast, even if he is not yet a recognised figure of authority. He still has to influence people to do his work for him. Despite this, both the Countess and Dr. Prunesquallor are disturbed and uneasy about all that has happened and disturbed about Steerpike's sudden rise. Yet neither is able to connect Steerpike as the cause of the tragic events, as he was their apparent saviour from the fire in the library. Soon afterwards, the "Earling" takes place, and young Titus is officially made Earl of Gormenghast. In a ridiculously elaborate ceremony on a nearby lake, little Titus holds aloft the sacred symbols of his status—the stone and ivy branch—and to the horror of observers, promptly drops them both into the lake. The scene is silent except for the shout of Titus and for the shout of Keda's unnamed baby, with a surrogate parent across the lake with the Bright Carvers.

Mervyn Laurence Peake (9 July 1911 – 17 November 1968) was an English writer, artist, poet, and illustrator. He is best known for what are usually referred to as the Gormenghast books. The four works were part of what Peake conceived as a lengthy cycle, the completion of which was prevented by his death. They are sometimes compared to the work of his older contemporary J. R. R. Tolkien, but Peake's surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology. Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children (Letters from a Lost Uncle, 1948), stage and radio plays, and Mr Pye (1953), a relatively tightly structured novel in which God implicitly mocks the evangelical pretensions and cosy worldview of the eponymous hero. Peake first made his reputation as a painter and illustrator during the 1930s and 1940s, when he lived in London, and he was commissioned to produce portraits of well-known people. For a short time at the end of World War II he was commissioned by various newspapers to depict war scenes. A collection of his drawings is still in the possession of his family. Although he gained little popular success in his lifetime, his work was highly respected by his peers, and his friends included Dylan Thomas and Graham Greene. His works are now included in the collections of the National Portrait Gallery, the Imperial War Museum and The National Archives. In 2008, The Times named Peake among their list of "The 50 greatest British writers since 1945". Mervyn Peake was born of British parents in Kuling town located on top of Mountain Lu in Jiujiang in 1911, only three months before the revolution and the founding of the Republic of China. His father, Ernest Cromwell Peake, was a medical missionary doctor with the London Missionary Society of the Congregationalist tradition, and his mother, Amanda Elizabeth Powell, had come to China as a missionary assistant. The Peakes were given leave to visit England just before World War I in 1914 and returned to China in 1916. Mervyn Peake attended Tientsin Grammar School until the family left for England in December 1922 via the Trans-Siberian Railway. About this time, he wrote a novella, The White Chief of the Umzimbooboo Kaffirs. Peake never returned to China but it has been noted that Chinese influences can be detected in his works, not least in the castle of Gormenghast itself, which in some respects echoes the ancient walled city of Beijing, as well as the enclosed compound where he grew up in Tianjin. It is also likely that his early exposure to the contrasts between the lives of the Europeans and of the Chinese, and between the poor and the wealthy in China, also exerted an influence on the Gormenghast books. His education continued at Eltham College, Mottingham (1923–29), where his talents were encouraged by his English teacher, Eric Drake. Peake completed his formal education at Croydon School of Art in the autumn of 1929 and then from December 1929 to 1933 at the Royal Academy Schools, where he first painted in oils. By this time, he had written his first long poem, A Touch o' the Ash. In 1931 he had a painting accepted for display by the Royal Academy and exhibited his work with the so-called "Soho Group". The five years between 1943 and 1948 were some of the most productive of his career. He finished Titus Groan and Gormenghast and completed some of his most acclaimed illustrations for books by other authors, including Lewis Carroll's The Hunting of the Snark (for which he was reportedly paid only £5) and Alice in Wonderland, Samuel Taylor Coleridge's The Rime of the Ancient Mariner, the Brothers Grimm's Household Tales, All This and Bevin Too by Quentin Crisp and Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde, as well as producing many original poems, drawings, and paintings. Peake designed the logo for Pan Books. The publishers offered him either a flat fee of £10 or a royalty of one farthing per book. On the advice of Graham Greene, who told him that paperback books were a passing fad that would not last, Peake opted for the £10. A book of nonsense poems, Rhymes Without Reason, was published in 1944 and was described by John Betjeman as "outstanding". Shortly after the war ended in 1945, Edgar Ainsworth, the art editor of Picture Post, commissioned Peake to visit France and Germany for the magazine. With writer Tom Pocock he was among the first British civilians to witness the horrors of the Nazi concentration camp at Belsen, where the remaining prisoners, too sick to be moved, were dying before his very eyes. He made several drawings, but not surprisingly he found the experience profoundly harrowing, and expressed in deeply felt poems the ambiguity of turning their suffering into art. In 1946 the family moved to Sark, where Peake continued to write and illustrate, and Maeve painted. Gormenghast was published in 1950, and the family moved back to England, settling in Smarden, Kent. Peake taught part-time at the Central School of Art, began his comic novel Mr Pye, and renewed his interest in theatre. His father died that year and left his house in Hillside Gardens in Wallington, Surrey to Mervyn. Mr Pye was published in 1953, and he later adapted it as a radio play. The BBC broadcast other plays of his in 1954 and 1956.