Relational Painting #93, 1962 - Postcard by Glarner, Fritz

Fidia edizioni d'arte, 1993. Soft cover. Good/Good. For German & Italian readers. Jacket is shelf worn and is slightly creased, particularly on the front cover. The back jacket cover is rubbed. Cover is shelf worn, otherwise it is in great condition with no other visible flaws. Spine is creased, but binding is secure. Inside is clean, bright, and unmarked.

Galerie Louis Carre, 1966. Paperback. Used: Good. picture on the front; no pictures in text. there is some wear to the spine and edges, no marks inside; this is an essay by Frigerio and a list of the paintings in the show, in French and English; the single painting is on the cover

New York: Graham, 1980. 4to. 5 pp. Good, some creasing on outside. BW Plates. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Biennale di Venezia, , 1968. Brossura (wrappers). Molto buono (Very Good). Introduzione di Max Bill e André Kuenzi. Con 25 tavole in bianco e nero e 4 a colori. Biografia, attività espositiva, bibliografia. 8vo. pp. 70 circa. Molto buono (Very Good). .

Lugano: Fidia Edizioni d'Arte, , 1993. Brossura (wrappers). Ottimo (Fine). Catalogo di mostra, Museo Cantonale d'Arte, Lugano 4 settembre - 7 novembre 1993 e Stiftung fur konstruktive und konkrete Kunst, Zurigo 21 gennaio - 27 marzo 1994. Testi di Manuela Kahn-Rossi ed Elisabeth Grossman. Con 112 tavole in nero e a colori e numerose ill. in nero n.t. Testo italiano e tedesco. 4to. pp. 216. Ottimo (Fine). .

um 1989. 90 x 70 cm, Zustand: A Abbildung: Fritz Glarner Relational Painting, Tondo Nr. 43/1956.- Das Museum Haus Konstruktiv befindet sich im Zentrum Zürichs zwischen Paradeplatz und Stauffacher in einem Zürcher Industriebau, dem ehemaligen Unterwerk Selnau. Die Institution pflegt, nach eigener Angabe als einzige in der Schweiz, die konstruktiv-konkrete Kunst, zu deren Vertretern Max Bill, Camille Graeser, Verena Loewensberg und Richard Paul Lohse gehören. Auf fünf Stockwerken werden eine eigene Sammlung und pro Jahr sechs bis neun Wechselausstellungen gezeigt. Eine permanente Installation und gleichzeitig das Herzstück der Sammlung bildet der «Rockefeller Dining Room», der 1963/64 vom Schweizer Künstler Fritz Glarner für das Ehepaar Nelson A. Rockefeller in New York konzipiert und ausgeführt wurde. Es handelt sich um ein Beispiel für das Prinzip des «Relational Painting» und ein einmaliges Zeugnis konkreter Raumgestaltung. 010

Kunsthalle. As New. 1972. Paperback. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** – – *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW, THE TEXT BLOCK IS PRISTINE, CLEAN, UNMARKED, AND IN EXCELLENT CONDITION - - Text in German. 62 pp. With 17 ills. 21 x 21 cm. -- with a bonus offer-- .