Moses Striking the Rock in the Wilderness - Postcard by Leyden, Lucas van

Amsterdam: Rijksmuseum; Nieuw Amsterdam, 2008. 67 pages, chiefly illustrations (some colour); 24 cm. English Edition. Firm binding, clean inside copy. "Lucas van Leyden (1494-1533) was as important for his age as Rembrandt was for the 17th century. He introduced the Renaissance to the Netherlands and was influenced by both D rer and Raphael. His paintings are lively, colorful, and full of narrative; his prints are refined and playful. The triptych The Dance around the Golden Calf (c. 1530) is one of his best-known works, and in this detailed study, Jan Piet Filedt Kok, the leading expert on Lucas van Leyden, explores the sources, iconography, narrative, and technique of this remarkable work. / Jan Piet Filedt Kok was senior curator of early Netherlandish painting at the Rijksmuseum, Amsterdam, until his retirement in 2008. He is also a professor of workshop practices at the University of Amsterdam." - Publisher. CONTENTS: The rediscovery of a masterpiece; The Old Testament story; The life… Read More

MUNCHEN: STAATLICHE GRAPHISCHE SAMMLUNG, 1979 Illustrated Card covers ( Paperback) 240 x 210 mm approx.80 pp. Exhibition catalogue of Copper Engravings and Etchings held Oct - Dec 1979. Text in German (Please see our images of the actual catalogue offered for sale for further details and condition. VG (Covers- very minor shelf wear and no notable soiling. "Munchen" in longhand to spine. Book block clean with no previous owner name or insc. Binding Sound).

Galleria Lorenzelli - Milano, 1962. Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

L'arte Antica / Silverio Salamon. New in New dust jacket. 1994. First Edition. Hardcover. New hardcover, not issued with a dust jacket. Text in Italian. Price list and exhibit card laid in. "Lucas van Leyden is the first great Renaissance master printmaker produced by the Netherlands. Something of a child prodigy, he was first influenced by Albrecht Durer's works toward the end of the first decade of the sixteenth century." -- Spaightwood Galleries, Inc. May require extra shipping to outside U. S. A. ; Black and white illustrations; 8 by 11; 129 pages .

Etching with borders after Lucas van Leyden, probably from the second half of the 18th century. Lettered below: S. MATTHEVS.; signed on the top: Ll Etching on paper, with margins; platemark: 130 x 94 mm, total: 140 x 104. PB01SSM(Mattheus)

Firenze: La Societa Editrice, circa 1841-1846.. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas.“Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262.

National Gallery of Art, 1983. Very Good. Leyden, Lucas Van. The Prints of Lucas Van Leyden & His Contemporaries.. Jacobowitz, Ellen S.; Stepanek, Stephanie Loeb. Washington, D.C.: National Gallery of Art, 1983. 336pp. Illustrated. Bibliography. 4to. Beige cloth. Book condition: Very good with gently bumped edges.. Dust Jacket Condition: Very good with light overall soiling..

The Resurrection: Christ emerges from his grave in front of some men. Dated on the bottom left:'1421' and monogrammed on the bottom right: 'L'. Possibly from the 19th century reprint of the series engraved by Muller.For the full original set see also nr. 24783 on our website. Engraving on paper with some margin; plate mark: 123 x 81 mm, total: 125 x 85; state II/2; New Hollstein 55; Bartsch 56.

London: Thames and Hudson [1967], 1st edition. (4to) Very good plus in very good plus dust jacket. 173pp. Illustrations. Minor edgewear to dust jacket, light waterstains to top of pages. Art of Pieter Bruegel & Lucas Van Leyden. (Art).

1510. Engraving on cream laid paper laid down to wove paper, 4 1/4 x 2 5/8 inches (109 x 68), thread margins. Scattered discoloration and uniform age tone, all consistent with age. Initials in ink in the top right on the verso, as well as a shield with three marbles ink stamp. A reverse-image impression of Van Leyden's circa 1510 engraving, perhaps done by Jan Muller in the early to mid 17th century. [New Hollstein 115].