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The Lens of Impressionism; photography and painting along the Normandy coast, 1850-1874

The Lens of Impressionism; photography and painting along the Normandy coast, 1850-1874

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The Lens of Impressionism; photography and painting along the Normandy coast, 1850-1874

by McNamara, Carole; Aubenas, Sylvie (editor)

  • Used
  • Hardcover
Condition
Extremely mild bumping to corners, faint soiling to fore-edges, binding is tight, bright pages, extremely gentle wear to DJ spin
ISBN 10
1555953255
ISBN 13
9781555953256
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About This Item

Ann Arbor: University of Michigan Museum of Art, 2010. Hardcover. Extremely mild bumping to corners, faint soiling to fore-edges, binding is tight, bright pages, extremely gentle wear to DJ spine head and foot, small crease mark to front DJ, light soiling to DJ, else near fine(+) in near fine(+) DJ. in near fine dust-jacket. Folio in black color illus DJ, 208 pages, chiefly b&w illustrations (some color), 32 cm. DJ protected in archival mylar sleeve. "The Normany coast ... has long captured the interest of artists. Its seascapes are featured in the work of Impressionist masters Monet, Manet and Boudin. Its seafaring life is well-documented in the work of writers such as Victor Hugo and Guy de Maupassant. Through a stunning selection of paintings, photographs and drawings, [this work] argues that a unique convergence of forces - social, artistic, technological and commercial - along the Normandy coast impacted the development of early Impressionism and made Normandy a nexus for photographers and the avant-garde painters of the late nineteenth century ... The framing dates are 1850, when artists began photographing in Normandy ... and 1874, the year in which Claude Monet's painting Impression:Sunrise was exhibited ... The Lens of Impressionism explores the dialogue between the two media and the backdrop against which both evolved"--Publisher's description. Contents: The aesthetic of the instant: painting and photography in Normandy / Carole McNamara -- Section I: The romantic view. Representing Normandy: painting, printmaking, and photography / Stephen Bann -- Section II: The new tourism. The crossing of art and tourism in Normandy / Dean MacCannell -- Section III: The influence of photography. Photographing the Normandy coast: a technical and artistic challenge / Sylvie Aubenas -- Section IV: Site as subject and motif. Aspects of modern life in Normandy during the Second Empire: pictorial and photographic representations / Dominique de Font-Réaulx -- Capturing the moment -- Checklist of works in the exhibition. Impressionism (Art) -- France -- Normandy -- Exhibitions.

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Details

Bookseller
Bibliope by Calvello Books US (US)
Bookseller's Inventory #
92315
Title
The Lens of Impressionism; photography and painting along the Normandy coast, 1850-1874
Author
McNamara, Carole; Aubenas, Sylvie (editor)
Format/Binding
Hardcover
Book Condition
Used - Extremely mild bumping to corners, faint soiling to fore-edges, binding is tight, bright pages, extremely gentle wear to DJ spin
Quantity Available
1
ISBN 10
1555953255
ISBN 13
9781555953256
Publisher
University of Michigan Museum of Art
Place of Publication
Ann Arbor
Date Published
2010

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About the Seller

Bibliope by Calvello Books

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This seller has earned a 5 of 5 Stars rating from Biblio customers.
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About Bibliope by Calvello Books

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Fine
A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
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Used to mean that the binding of a book has not been overly loosened by frequent use.
Folio
A folio usually indicates a large book size of 15" in height or larger when used in the context of a book description. Further,...
Spine
The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
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A new book is a book previously not circulated to a buyer. Although a new book is typically free of any faults or defects, "new"...
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