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The Curatorial Avant–Garde – Surrealism and Exhibition Practice in France, 1925–1941 by Jolles, Adam - 2015

by Jolles, Adam

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The Curatorial Avant�Garde � Surrealism and Exhibition Practice in France, 1925�1941 by Jolles, Adam - 2015
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The Curatorial Avant–Garde – Surrealism and Exhibition Practice in France, 1925–1941

by Jolles, Adam

  • New
  • Paperback
Pennsylvania State Univ Pr, 2015. Paperback. New. reprint edition. 270 pages. 9.75x9.50x1.00 inches.
  • Bookseller Revaluation Books GB (GB)
  • Format/Binding Paperback
  • Book Condition New New
  • Quantity Available 1
  • Binding Paperback
  • ISBN 10 0271059397
  • ISBN 13 9780271059396
  • Publisher Pennsylvania State Univ Pr
  • Date Published 2015

We have 2 copies available starting at £56.17.

The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925?1941 (Refiguring...
Stock Photo: Cover May Be Different

The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925?1941 (Refiguring Modernism)

by Jolles, Adam

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  • Paperback
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Used - Good
Binding
Paperback
ISBN 10 / ISBN 13
9780271059396 / 0271059397
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1
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Newport Coast, California, United States
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paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.
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£56.17
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring...
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The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925-1941 (Refiguring Modernism)

by Jolles, Adam

  • Used
  • Paperback
Condition
New
Binding
Paperback
ISBN 10 / ISBN 13
9780271059396 / 0271059397
Quantity Available
1
Seller
Berkeley, California, United States
Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Item Price
£81.25
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Show Details

Description:
Pennsylvania State University Press, 2013. Paperback. Like New. 9x9x0. Unmarked text. French flaps. 288p. Measures 9x9.5 inches. 25 color and 68 B/W illustrations. Demonstrates the surrealists' radical transformation of the ways in which spectators encountered works of art between the wars. From their introduction in Paris in 1925, surrealist exhibitions dissolved the conventional boundaries between visual media, language, and the space of public display.
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