Chants Funebres Suivi De Pastorales Et Marines Poems by Hubert, Renee Riese - 1964

University of California Press, 1992. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of California Press, 1992. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Berkeley, CA: University of California Press, 1992. xvii, 358 pages, illustrations (some colour); 23 cm. Good+. Firm binding, with one spine crease. Previous owner's signature/flyleaf, otherwise unmarked. "This is the first book-length study of the unique collaborations between surrealist painters and authors that resulted in illustrated books. Hubert examines the interrelationships between the visual and verbal arts as both were freeing themselves from outer codification and mimesis. / Renee Riese Hubert is Professor of French and Comparative Literature at the University of California, Irvine." - Publisher. CONTENTS: Mimesis and the book; Beginnings; Surrealist collaboration; The focusing of a double talent; The text as illustration; Surrealism and the 19th century; Illustrating the precursors; Illustration and commitment; Displacement of narrative; Postwar achievements; Beyond the book; Specificity of the surrealist book. . Paperback. Good. 8vo.

University of California Press, 1992-10-01. Paperback. Very Good. 1988; illustrated soft covers; few light markings to covers; penciled note on front endpaper, otherwise interior is clean; 358 pages; illustrated; 8vo, 7 3/4" to 9 3/4" tall

University of California Press, 1992. Paperback. Clean & Unmarked. 6x1x9. A very clean and mostly straight copy. Clean text and and and uncreased spine. 358 pp.

Berkeley: University of California Press (1992)., 1992. 8vo. xvii, 358 pp. Illustrated in color and in B & W. Original stiff pictorial white wrappers. Some spinal creasing else very good; contents unmarked.. 1st Edition. Soft cover. Very Good.

University of California Press, Berkeley/Los Angeles/Oxford: 1988., 1988 pp. xvi, 358. 8vo. Original printed wraps. Well illustrated with 119 black and white figures in the text, and 38 color plates. A detailed study of surrealist book illustration, and its place in the established traditions of book making. **PRICE JUST REDUCED! REF 20 Language: eng. Soft cover. Very Good.

Ithaca, New York, U. S. A.: Department of Romance Studies, Cornell University, 1974. Softcover. Very Good with no dust jacket. Stapled booklet-style binding is tight. Pages clean but tanned. Wrappers have general light shelf wear, edge rubbing. ; Contents: Champigny, "Realism and Realities"; Mehlman, "Baudelaire with Freud: Theory and Pain"; Grossvogel, "Sinews of Revolution"; Hubert, "The Invasions of Poetry"; Aboulaffia, "Dead Scrolls" interview with Isaac Bashevis Singer; Cohn, "Nodes (Part I) "; Kavanagh, "Godard-Gorin's 'Tout va bien'"; response by Fogel and Fein. 11.0" tall; 68 pages.

Berkeley: University of California Press, 1988. First Edition, First Printing. Hardcover. Near fine/very good +. Berkeley: University of California Press, (1988). 358pp, 4to. Illustrated. First Edition, First Printing. A near fine copy in a very good + jacket. Yellow cloth boards have minor wear to edges. Text is clean and unmarked. Jacket has minor wear to edges, spine sunned, faint foxing along top edge of back cover.

Exact Change, Boston 1997 (first published in French in 1922). 20.0 x 15.0cms, 142pp, very good paperback & cover Aragon mastered and played with the narrative devices of classical episodic fiction to free himself of mimeticism in fable, meaning language and descend into the diabolic nirvana of dada.