Beyond the Prado: Museums and Identity in Democratic Spain

Washington D.C.: Smithsonian Institution Press, 1999. xiv, 222 pages, illustrations, map; 24 cm. Tight, clean copy. Dust jacket protected in a mylar book cover. "When Francisco Franco's long dictatorship of Spain ended with his death in 1975, the transitional government set out to create a democracy that celebrated rather than suppressed regional and ethnic diversity. In Beyond the Prado, Selma Reuben Holo argues that Spanish state and regional leaders consciously used the power of museums to foster democratic identity in the country's citizens. In case studies such as the Guggenheim Museum Bilbao, the Sephardic Museum in Toledo, and IVAM, the modern and contemporary art museum in Valencia, she tells how museums and their exhibitions have touched off vigorous debates around such issues as Basque autonomy, the relationship of art museums and politics, Catalan identity, and the opposing pull of local and global cultures. Holo chronicles how neglect of the Prado and government acquisition of the renowned Thyssen-Bornemisza Collection have affected Spain's public image and describes the controversies surrounding Picasso's Guernica." - Publisher. CONTENTS: Preface: Why Spain? Why Spanish Museums? Why Now?; Introduction: Center versus Regions and the Historical Struggle for Cultural and Political Identity; The Long Arm of the Center; Inside Madrid; Outside Madrid: The Sephardic Museum in Toledo; Military and Ecclesiastical Museums inside and outside Madrid; Progressive Private Foundations Legitimized by the State; The Power of the Regions; Seeking Balance with the Center; Negating the Center in Bilbao; A Nation within a Nation: Catalonia; Visions and Revisions in Andalusia.. 1st. Hardcover. Fine/Fine. 8vo. Collectible.