From Art to Theatre Form and Convention in the Renaissance by Kernodle, George R - 1947

University of Chicago Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

University of Chicago Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

University of Chicago Press, 1945. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

University of Chicago Press, 1944. Hardcover. Presentation copy inscribed by author. Very good clean condition in a worn and chipped dust jacket.. 255pp.

Chicago: University of Chicago Press, 1947 Book. Very Good +. Hardcover. Third Printing. 4to. ix, 255 pp, acknowledgments, list of 62 b&w illustrations, Introduction: The Problem of the Renaissance Theatre; PART I. THE ROOTS OF THEATRE FROM AND CONVENTION: PAINTING, SCULPTURE, AND THE TABLEAUX VIVANTS: I. The Beginnings of the Scenic Background: Primitive Ceremonial, The Greek Theatre, and Medieval Art; II. Show-Picture and Show-Architecture: The Tableaux Vivants. PART II. THE THEATRES OF ARCHITECTURAL SYMBOL: THE TERENCE ACADEMY FACADE; THE FLEMISH, ELIZABETHAN, AND SPANISH POPULAR THEATRES: III. The First Stage Facade: The Rederyker Stage in the Netherlands; IV. The Second Stage Facade: The Elizabethan Stage; V. Arcade Facade and Curtain Facade: The Curtain Stages of Germany and Spain; The Schools; the Jesuit Stage; and the Teatro Olimpico. PART III. THE THEATRES OF PICTORIAL ILLUSION: THE ITALIAN PERSPECTIVE SCENE; COMPROMISE IN FRANCE AND ENGLAND; THE BAROQUE SETTING OF WING AND BACKDROP, OF… Read More

Chicago, IL: University of Chicago Press, 1944. Book. Near Fine. Hardcover. 255 pp, acknowledgments, list illustrations, introduction, bibliography, index; b/w plates; 4to, blue cloth, near fine; dust jacket flap clipped, very worn edges with some loss, fair.

Chicago: University of Chicago Press, 1944. Very Good/Very Good. Chicago: University of Chicago Press, 1944. First Edition. Octavo; ix + 255pp, including bibliography and index. Sixty-two B&W primary source documentary illustrations, some full page, others embedded in text. Brown dust jacket with curtained proscenium outline on front panel. Royal blue boards. Gilt spine lettering. Top of text-block stained marigold. Price-clipped dust jacket slightly faded at spine; slight chipping and tiny tears on edges and at corners. Binding spine faded, somewhat erratically, and apparently through the jacket. Textblock unmarked, tight, square; pages lightly and evenly age tanned. Kernodle was a leading mid-20th-century theater scholar who analyzed the relationship between the Western pictorial tradition and the visual presentation of staged productions. The extensive, nearly exhaustive, bibliography remains authoritative.

University of Chicago Press. Near Fine in Very Good dust jacket. 1964. Hardcover. 255 pp; Previous owner's name on front pastedown. DJ is slightly scuffed and edge worn and has a few closed tears and tiny chips. Book is clean and tight. Dust jacket protected in clear Brodart cover.; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books. .

University of Chicago Press 1947. Quarto hardcover (VG+) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs

Chicago and London: University of Chicago Press, 1970. 5th Impression. ix, 255p., b/w illus., quarto format, original blue cloth.