Rare books from Jeff Hirsch Books, ABAA

New York: The Eakins Press Foundation, 1976. First edition. Large oblong hardcover. One of 2000 copies. A beautiful production with 213 black and white photographs printed in half tone and bound in green cloth binding with 3 bolts holding the sheets. A clean very near fine copy in green cloth boards. No dust jacket as issued. Signed by Friedlander. A nicer than usual copy. (Roth 236-237, Parr & Badger v2, 28) This is a heavy and oversized book and will require extra shipping.

New York: Harcourt Brace, 1929. First edition. Hardcover. Number 901 from an edition of only 925 copies. The first major monograph on Steichen. A stunning production which shows the wide range of his talents and includes portraiture, abstractions and pastoral scenes. A clean and tight near fine copy in cloth boards and with some very faint scattered foxing to the page edges in an about very good example of the scarce tissue jacket that is also foxed and with a number of chips and tears. Lacking the very scarce slipcase. Signed by both Steichen and Sandburg on the limitation page. A very nice copy of this classic. (Roth 54-57) This is a heavy and oversized book and will require extra shipping.

Atlanta, GA: Nexus Press, 1980. First edition. Hardcover. 111 pages. Copy 12 of 15 Artist Proof copies. A monograph on the African American photographer P.H. Polk. Features an essay by Pearl Cleage Lomax. Includes 62 black and white images. A fine copy in cloth boards and in a fine cloth covered two part box. No dust jacket as issued. Signed by Polk on the limitation page and Lomax at her text. Includes an original gelatin silver print of "The Boss." Image is on an 8" by 10" sheet of paper and is window matted and is in very fine condition. Signed by Polk under the image.

[Miami, FL]: Pandanus Press, 1951. First edition. Softcover. Justice's first book printed in an edition of 240 copies by Preston H. Dettman. A slim collection of nine poems that precedes his first regularly published book "The Summer Anniversaries." Justice went on to win the 1980 Pulitzer Prize in Poetry A very good copy in blue wrappers with paper label affixed to the front cover and with laid in folded sheets with some slight faint foxing but lacking the single thread that holds the pages to the wrappers. Signed by Justice on the title page and with his minor holograph correction to one poem. Housed in a custom three quarter leather clamshell box.

Cummington, MA: The Cummington Press, 1946. First edition and first printing. 49 pages. Number XVIII from an edition of 50 copies hand printed on Kelmscott Crown & Sceptre paper from England. A short story from the author of the Pulitzer Prize winning novel "All the King's Men."Features illustrations by Wright Williams. A clean near fine copy in paper covered boards with leather spine with some very minor wear to the spine. No dust jacket. Signed by both Warren and Williams on the colophon page. A lovely copy of this beautiful book.

Pawlet: Claude Fredricks/ Banyan Press, 1958. First edition. Hardcover. Letter I of only 26 copies from a total edition of 526. A slim early book of poems from this Pulitzer Prize and National Book Award winning author. A near fine copy in paper covered boards with a leather spine that has some minor wear and housed in a custom cloth chemise and cloth and leather slipcase. Signed by Berryman. A very nice copy of one of the scarcest titles in the Berryman canon.

Tokyo: Bijutsu Shuppan-sha, 1969. First edition and firstq printing. Hardcover. 223 pages. Ishimoto's second major monograph. Features a foreword by Harry Callahan in English and Japanese. While the book was released in 1969, the images are all from the 1950s and early 1960s and capture an innocence and grace that would soon be a memory in the turbulent later years of the decade. The influence of Ishimoto's years at The Institute of Design is unmistakable but he has his own voice that is beautifully expressed in this striking collection of black and white images. A clean and tight very near fine copy in black cloth boards and in a near fine photographically illustrated slipcase that has some very minor wear Signed by Ishimoto on the title page and dated in 1982. A very pleasing copy of this classic. (Parr & Badger v1, 289).

Atlanta, GA: Nexus Press, 1987. First edition. Hardcover. First printing of only 1000 copies. Burke's best known and most important book that revolves around his travels in Southeast Asia. A fine copy in photo-illustrated boards. No dust jacket as issued. Signed by Burke and with his rubber stamp "actual signature" below it. Also with a laid in original gelatin silver print of the cover image. The photograph is on an 11" x 14" sheet of paper and is in very fine condition and is signed by Burke on the verso. Also with an additional laid in sheet about the printing process. A terrific copy of what is widely considered one of the more important photography books of the last 50 years as evidenced by it's inclusion in the following books: (Roth 258-259: Parr & Badger v2, 40-41).

New York: Limited Editions Club, 1992. First edition thus. Hardcover. 121 pages. Number 18 from an edition of only 300 copies with type set in Fournier at the Golgonooza Letter Foundry by Dan Carr and Julia Ferrari. The text was printed by Wild Carrot Letter Press on Lana Royal. An attractive edition of this classic short novel from Joseph Conrad. Includes four full page and four half-page etchings by Sean Scully. A fine copy in full black leather binding with gilt lettering and in a fine cloth clamshell box. No dust jacket as issued. Signed by Sean Scully on the colophon page. This is a heavy and oversized book and will require extra shipping.

Tokyo: Hitachi, 1963. First edition and first printing. Hardcover. Smith was hired by Hitachi to photograph the company work and workers. Features text by Carole Thomas and includes numerous black and white images. A very good plus copy in paper covered boards with some minor wear to the spine ends, some light bumping to the corners and some other minor wear. No dust jacket as issued. Signed by Smith on the title page in 1964. A very nice copy of this richly printed book that is fairly uncommon and even more so when signed.

Chicago, IL: Illinois Institute of Technology, 1969. Portfolio. Number 79 of 100. A collection of thirteen original gelatin silver prints of various sizes all dry mounted in white boards. The highlight of the portfolio is one of the best known images from Aaron Siskind: "Jerome, AZ" The print measures 4.5" wide by 6" high and is pencil signed by Siskind beneath the image. The other photographers in the portfolio are: Jerry Aronson, Constance Brenner, Thomas Brown, Barry Burlison, Linda S. Connor, Joe Crumley, Antonio Fernandez, Joseph Jachna, James Newberry, Stephen Ryan, Arthur Siegel, and Karin Vanek. All images are in fine condition and are in a fine plexiglass box that can be used to display the images. All photographs are signed.

New York: Alfred A. Knopf, 1992. First edition and first printings. Harcovers. McCarthy's acclaimed trilogy of novels. All three books in near fine condition or better and in very near fine dust jacket. "All The Pretty Horses" is signed by McCarthy on the half title page and includes a handwritten note from Gary Fisketjon presenting it to a publisher representative. "The Crossing" and "Cities of the Plain" are both signed by McCarthy on tipped in pages done by the publisher. Signed sets are uncommon as McCarthy while not being a recluse didn't do public events or readings for the majority of his later years. A lovely set obtained directly from a publisher representative.

London: Duckworth & Co, 1913. First edition and first printing. Hardcover. Coburn's first book of portraits. Features a long text by Coburn. A collection of 33 tipped in photogravure plates with facsimile signatures of the subjects. Includes images of George Bernard Shaw, G.K. Chesterton, George Meredith, H.G. Wells, August Rodin, Henry James, Theodore Roosevelt, W.B. Yeats, Mark Twain, Max Weber, Henry Matisse, and 22 others. A clean and bright near fine copy in cloth boards with some bumping to the corners, some toning to the endpapers, the tissue guards have the usual toning and also have some minor wear and some tears and in a very good plus dust jacket that has a large chip from the base of the spine and some other smaller chips and tears. Laid in is a four page prospectus/order form for this book that includes a list of the plates, list of other books. Prospectus is in near fine condition with a couple of small checks to the plate list. A very nice copy in the very uncommon dust jacket and with… Read More

New York: Modern Library, 1934. First Modern Library edition and first printing. Small hardcover. 218 pages. Fitzgerald's classic novel with a new introduction by him for this edition. A near fine copy in green cloth boards with some very minor wear and in a very good plus first issue dust jacket that mentions only 225 titles and with some tiny edge chips, slight wear and some very slight fading to the spine. A very nice copy of this elusive edition in any dust jacket.

New York: Harcourt Brace Jovanovich, 1975. First edition and first printing. Hardcover. A memoir of sorts from the pop art icon that was adapted in part from conversations. A tight very near fine copy in a very near fine dust jacket. Signed by Warhol with his initials on the half title page and additionally signed and inscribed in full by him and with a drawing of a Campbell's tomato soup can. A better formed and less rushed drawing than usual.