Lipstick Traces

Cambridge, MA: Harvard University Press, 1990. 496 pages, [4] pages of plates, illustrations (some colour); 24 cm. Good+. Firm binding, clean inside text. Gift inscription/dedication page, otherwise unmarked. Light shelfwear, age toning.. Paperback. Good. 8vo.

Harvard University Press, 1989-04-05. First Edition. Hardcover. Very Good. 1st edition 2nd printing - no dust jacket - minor sun fade to cover - minor ding to bottom corner of cover - minor staining to page edge - otherwise binding strong contents clean - enjoy

Harvard University Press. Used - Acceptable. Paperback The item is fairly worn but still readable. Signs of wear include aesthetic issues such as scratches, worn covers, damaged binding. The item may have identifying markings on it or show other signs of previous use. May have page creases, creased spine, bent cover or markings inside. Packed with care, shipped… Read more about this item

Belknap Press of Harvard University Press, 2009-11-30. Paperback. Used: Good.

Belknap Press of Harvard University Press, 2009-11-30. 20 Anv. Paperback. Used:Good.

Harvard University Press, 1989-04-05. hardcover. Acceptable. 7x1x9. used hardcover copy with edge of pages stained, no dust jacjet,

Harvard University Press, 1990. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust… Read more about this item

Harvard University Press, 1990. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Harvard University Press, 1989-04-05. Hardcover. Good.

Martin Secker & Warburg Ltd. Hardcover. Used; Good. Simply Brit – welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there’s something for every literary palate. All… Read more about this item

Paperback. Very Good.

Harvard Univ Pr, September 1990. Paper Back. Good.

Very Good. Same day dispatch. A nice clean and unmarked copy.

Cambridge, Massachusetts: Harvard University Press, 1989. First Edition. Hardcover. Fine/Fine. Large 8vo 9" - 10. Superior copy, gift-quality condition, inside and out, no discernible wear, bright and shiny dust jacket, protected. Stated First Edition, First Printing, with "1" or "a" in "number" line present. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography.… Read more about this item

Harvard University Press, 1989-04-05. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Harvard University Press, Cambridge, 1990, Fine Softcover, 496 pages, 7.5" x 9.25". Greil Marcus (born June 19, 1945) is an American author, music journalist and cultural critic.

Secker & Warburg, 1989. Hardcover. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Cambridge: Harvard University Press [0-674-53581-2] 1990. (Trade paperback) Very good. 496pp. Signed with an inscription by the author. Photographs, illustrations, bibliography, index. The spine is faded and the covers are lightly worn around the edges. Time Period. Locale: England; United States. (Ideas, Cultural History, Entertainment, Modernism, Music, Popular Culture, Punk Culture).

Cambridge MA: Harvard University Press, 1989. 1st. Hardcover. Very Good/Good. 496 pages, hardcover with dust jacket. Secret history of the twentieth century, a cult favorite. Moderate rubbing and edgewear to dust jacket. Half-inch tear to spine and quarter-inch tear to rear dust jacket panel top edge. Unmarked. A clean and tight copy. Record # 952387

Paperback / softback. New. This is a secret history of modern times, told by way of what conventional history tries to exclude. Lipstick Traces tells a story as disruptive and compelling as the century itself.