Search Results: Titles starting with U from Thomas A Goldwasser Rare Books

Washington, D.C., 1835. First edition. 28 pages, disbound. "An important document on island, reefs, rocks, etc., in the Pacific Ocean" Forbes 970.

Wrappers, very good. First publication of "By Nilus Once I Knew ." Not in Schwarz and Schweik.

16 pieces:             4 10 x 8 inch color photographs of the project, by Wolfgang Volz.              2 10 x 8 Volz color photos of drawings for the project.             2 10 x 8 b & w photos of maps annotated with project locations,             Announcement for exhibition at Annely Juda Fine Art. 1988             CHRISTO THE UMBRELLAS. Joint Project for Japan and The U.S.A. Tokyo: Satani Gallery, 1988. Wrappers, 67 pp. Japanese and English texts. Illustrated. Inscribed by Christo to Peter Selz, and signed.             Fact Sheet. 2 pp. Creased             Project Notes. 2 pp.              Press release for the opening. 1991             Price list for the original preparation works… Read More

[Paris]: Gallimard, 1950. First edition, on ordinary paper. 315 p. Fictive mention of "2eme edition," colophon dated 30.5.1950. Original wrappers, text browned and with some edge wear and stains to the covers. A review ("S.P.") copy with perforation on back wrapper.

Paris: Éditions du Seuil, 1967. First edition. 220 p. 22 cm. Original wrappers, fine. Copy number C.57 of 80 on vélin for the members of the Club de l'Édition Original. Signed by both authors. Ink drawing inserted inside front cover. In cloth and acrylic slipcase.

Paris: Les Éditions de Minuit, 1986. First edition. 108 p. . Wrappers, fine.

Philadelphia: University of Pennsylvania Press, 1950, 1950. First edition. Cloth, a very nice copy in used dust jacket. First edition.

Vancouver: Heavenly Monkey, 2013. First edition. Printed boards, 75 x 75 cm. 48 pages. This miniature book was made from off-cuts of the twelve different hand- and mouldmade papers used in the publisher's Paper Should Not Always be White. The title page, foreword, and colophon were set by hand in Perpetua and printed on the Pratt-Albion handpress. The edition of 26 press-lettered copies was uniformly cased and the boards were covered in Reg Lissel's paper custom dyed by Barbara Hodgson. As new.

New York: Dutton, 1920. Black cloth, labels, Fine in lightly worn dust jacket.

New York: George Braziller, 1960. First edition. [22] pp. Nathan Lyons, Syl Labrot [and] Walter Chappell. 36 plates (part col.) 22 x 27 cm.; Cloth in dust jacket, faint crease in front endpaper and half title, otherwise fine, jacket has some edge wear, and a small tape repair.

Paris, 1981. First edition. Quarto, 7 inches x 12 inches. One of 62 copies on handmade Moulin de Larrogue paper, from a total edition of 84 copies, signed by the author and artists. The work, conceived as an all-female production, was bound by Paule Ameline in full pale green box calf with onlays of dark green lizard, cut out in a triangular shape at the bottom of the front panel to reveal white iridesencent leather outlined in green onlay, back panel with parallel onlays of dark green lizard and white iridescent leather, pale green suede doublures, chemise and slipcase in matching suede-lined box calf with paper boards. A beautiful binding created in sympathy with the five women's text and illustrations.

Cambridge, Mass: Printed by the Adams House and Lowell House Printers, 1965. First edition. Orange printed wrappers, 8 pp. 3-1/2 x 4-3/8 inches, very fine. One of 77 copies, numbered and signed.

New York: New Directions, 1963. First edition. Wrappers. Inscribed inside front cover "To Kenneth [Patchen], San Francisco, April 1964 from Lawrence (Ferlinghetti)." The inscription in felt-tip pen shows through to the front of the wrapper, slightly discoloring it. Morgan A9a.

1978. Staritsky, Ania. Painted leather, mounted on a wooden hoop, approximately 44 cm. in diameter. Illustrated (one side) in "Ania Staritsky. Matières et Talismans," J.-M. Place, 1978.

London: Thomas Martyn, 1785. First edition. Martyn, Thomas. Folio, two volumes, 32.5 cm. x 27.5 cm. Engraved title leaf in each volume; that in Vol I within a gilt Greek key border; Vol II title trimmed within the plate-mark. Each volume has 40 exquisitely hand-colored plates. Contemporary dark green goatskin, pink endpapers, all edges gilt; large damp marks on the front cover of Vol. I and the back cover of Vol. II.modern ex-libris. Only some seventy copies are thought to have been completed, and the eighty plates in the first two volumes were re-drawn (and another 80 plates added), for what might be considered the second issue. On the engraved title Martyn's address is given as No. 16 Great Marlborough Street (instead of 26 King Street); modern bookplate. While the binding has suffered loss of color in two large patches,the, text and plates are in excellent condition, with only a little offsetting or spotting.The beautifully executed plates include shells collected on all three of Cook's voyages,… Read More

Milan: Giampaolo Prearo Editore and Galleria Toselli, 1973. First edition. Baldessari, John. Baldessari's third artists' book contains 12 plates, each depicting three balls. This is a bonus 13th photographic plate produced, in unknown circumstances, depicting four balls, sometimes it is found as an addition in copies of the portfolio. Fine condition.

Berkeley: Poltroon Press, 1975. First edition. Wrappers, near fine. 22 unnumbered pages. Poetry and printing by Alastair Johnson; calligraphy by Arne Wolf. One of 75 copies.

2000.

London: Whitefriars Press, 1958. First edition. Original printed wrappers with splits; tape repairs at ends of the spine, internally very good.

Paris: GLM, 1938. Miró, Joan. xiv, 415 p. comte de Lautréamont. ill. ; 20 cm. Half title: Œuvres complètes d'Isidore Ducasse comte de Lautréamont. Trade edition.Crack iun cover paper but a very good copy."Contenant Les chants de Maldoror, les poésies, les lettres, une introduction par André Breton, des illustrations par Victor Brauner, Oscar Dominguez, Max Ernst, Espinoza, René Magritte, André Masson, Matta Echaurren, Joan Miro, Paalen, Man Ray, Seligmann, Tanguy , une table analytique, des documents, répercussions." Box 150.