Search Results: Titles starting with T from L'Estampe Originale

From the Views of The Remains of Ancient Buildings in Rome and its Vicinity. c. 1820. Hand-colored lithographs with extant binding and accompanying text. Image: 9 x 12¼. Margins: 12¾ x 15½.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 32. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 37. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

San Francisco., Thames and Hudson., 1991. 4to. In fine condition. Paperbound.

Philadelphia., Philadelphia Museum of Art., 1973. Large 4to. A collectiobn of 18th and 19th Century Japanese Woodblock Prints in the Philadelphia Museum of Art. Paperbound.

New York, The Macmillan Company, 1966. Large 4to. First edition , second printing. Fine in Fine DJ, like new. Printed in Italy by Fratelli Fabri Editori. Hardcover with pictorial boards. Author Sasek presents SAN FRANCISCO, with dozens of lovely color paintings --the bridge across the bay; Golden Gate Park, Stow Lake, Chinatown, Union Square, Foggy Days/Bright Days; Cable Cars, etc. Author also later published books on Paris, London, Rome, New York, Edinburgh, Munich, and Venice.

Published on newsprint from, "Le Charivari". 14 ¾ x 10. From "Les Baigneurs"(The Bathers). Lithograph. Delteil 782, Vol. III.

PECHSTEIN, MAX (1881-1955).TITLEPAGE OF EIN DORF. Kruger 193. Fechter H.124. Image: 12 1/2 x 16. One woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 .

London, Humphrey Milford Oxford University Press, 1925. 8vo. First edition. Original grey wrappers. 30pp. Includes a reprint of a review of Tolstoy's "What is Art?" by Shaw which appeared in the Daily Chronicle in 1898. A fine copy preserved in a custom-made folding case.

London., Philip Wilson Publishers Limited., 1985. London / New York: Sotheby's Publications .Fine complete set (two volumes), boards covered in green cloth with Lautrec seal embossed on fronts, and gilt spines, in fine dust jackets , both in the fine original slip case. The complete catalogue raisonne of Toulouse Lautrec's prints. Describes in detail all known trial proofs, proofs, states, editions and re-editions of the 368 prints (lithographs, drypoints, monotypes and posters) created between 1891 and 1900 by the artist. Each print is illustrated in one or more stages of its creation. One hundred are reproduced in color. Original green cloth covered slipcase. Volumes I and II.

New York., John Weatherhill, Inc., 1973. 4to. The Heibonsha Survey of Japanese Art. Volume 22. Hardcover with DJ. In fine condition.

Leipzig., Bernhard Tauchnitz., 1860. 8vo. First edition with two volumes in one. Bound in full PERIOD vellum with gold decoration around the borders binding with gilt stamping, marbled eps & red edge stain ("The Marble Faun" [the US title] on spine. Illustrated with numerous early photographs of statues, scenery, architecture, and landscapes of various places in Rome. Early printing of this book with copyright edition on title page. Published the same year as the first edition. 8vo. 6-1/4" x 4-1/4". 1st edition thus. 2 volumes in 1 A good copy. Per the note to Todd & Bowden's entry for this title, the work often used as a guide by the 19th c. traveler to Rome. The number of photographs, as well as photographic images, will vary from copy-to-copy. Illustrated with 59 mounted photographs (Vol I:34 Vol II 25: ) depicting Rome, divers sculptures, paintings and art, street scenes, personalities of the time, etc. The most photographs in any 2 vol. is 98. William B. Todd, acknowledged Tauchnitz… Read More

Shanghai., California Arts Council., 1983. 4to. Paperbound. Fine condition.

Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾.

New York., Literary Guild., 1932. Englished Anew by George Philip Krapp with wood engravings by Eric Gill. 309 pp. In original jacket. Small 4to. Fine interior.

1897. Lithograph. From the suite "Chansons des femmes" in which there were 15 images of women represented. Crauzat 189. Image: 7 x 5.

Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾.

Massachusetts., Harvard University., 1970. Art Nouveau- Jugendstil Books. 4to. In fine condition. Paperbound.

Mishan Publishing Co. Editions d'art "La Cible., 1920. Goncharova, Natalia (1881-1962) and Mikhail Larionov [Russian Cubist Painter, (1881-1964) Khudojestvienoe izdatelstvo "Michen". The TWELVE AND THE SCYTHIANS. Dvenadtsat. Paris, Mishan Publishing Co. Editions d'art "La Cible., 1920. Khudojestvienoe izdatelstvo "Michen". [Art Editions "The Target"]. 13, rue Bonaparte. Paris. 1920. 8vo (24 x19,5 cm), (27) ff. : flexible printed card covers. This book contains the two most famous poems of Alexander Blok, One of Russia's most famous poets. Two plates by Gontcharova, six plates and a small illustration by Larionov, refined typography. Natalia Gontcharova (1881-1962) was one of the most famous artists of the Russian Avant-garde. Trained in Moscow where she met Larionov (1881-1964), he was to become her life companion. She contributed to a great number of important exhibitions and both Gontcharova and Larionov played a crucial role in the… Read More

Paris, Mishan Publishing Co. Editions d'art "La Cible., 1920. Khudojestvienoe izdatelstvo "Michen". [Art Editions "The Target"]. 13, rue Bonaparte. Paris. 1920. 8vo (24 x19,5 cm), (27) ff. : flexible printed card covers. This book contains the two most famous poems of Alexander Block, One of Russia's most famous poets. Two plates by Gontcharova, six plates and a small illustration by Larionov, refined typography. Natalia Gontcharova (1881-1962) was one of the most famous artists of the Russian Avant-garde. Trained in Moscow where she met Larionov (1881-1964), he was to become her life companion. She contributed to a great number of important exhibitions and both Gontcharova and Larionov played a crucial role in the development of Russian art. They settled in Paris shortly before the present edition, became French citizens in 1938 and were married in 1955. Larionov exhibited his Rayonnist works at The Target exhibition in 1913 in Moscow. . The illustrations by Larionov showed his freedom in… Read More