Search Results: Titles starting with T from J & J Lubrano Music Antiquarians LLC

[?Paris]: `, 1889. Folio. [1] (decorative title printed in olive green and black, [2]-[3] (music), [i] (blank) pp. With printed date of 13 Nov[embre] 1889 to page 3. With a small head-and-shoulders portrait and facsimile signature of the composer to upper wrapper. Slightly worn and soiled; edges torn and frayed. French composer, teacher, conductor and editor of early music. His famed veneration for Beethoven and Franck has unfortunately obscured the individual character of his own compositions, particularly his fine orchestral pieces descriptive of southern France. As a teacher his influence was enormous and wideranging, with benefits for French music far outweighing the charges of dogmatism and political intolerance.

Stuttgart: Cornetto-Verlag [CF 472], 2005. Hardcover. Fine. Small oblong octavo (16 x 21 cm). Decorative boards. [80] pp. A facsimile of the edition originally published in Mainz by Peter Schöffer in 1512. Faksimile-Edition Laute 7, reproduced from the exemplar in the Stadtbibliothek Leipzig (Sign. II.6.137). Contains 14 organ pieces, 12 sacred songs with lute accompaniment, and 3 pieces for lute, the voice part in staff notation, the accompaniment in German keyboard or German lute tablature. RISM B/I 1512-2.

London, 1740. Unbound. Very Good. 1 leaf, with a large elaborate vignette to head illustrating the song with music and parallel text in Italian and English below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver, Bickham jun. Ca. 326 x 200 mm. (12.75" x 7.85") [plate mark]. Slightly worn, creased, and dampstained; minor browning to edges. From the second edition of Bickham's monumental work, first published in 1737-1739. BUC p. 107. RISM BII p. 245. "[Bickham ?1706-1771] was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer, first issued in fortnightly parts, each containing four plates, from January 1737 to December 1739. The 200 plates are songs, headed and surrounded with pictorial embellishments illustrative of the song ..., and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators… Read More

New York: Broude Brothers, 1971. Large octavo. Original publisher's ivory wrappers printed in red and blue. 1f. (half-title), 1f. (recto title, verso printer's note), 1f. (blank), 1f. (facsimile of original illustrated title), 1f. (notes on first performance and named cast list), 2ff. (contents), 12 (introduction), 1f. (full-page illustration), 325, [i] (blank) pp. Wrappers slightly soiled. Number 6 in the series Chefs-d'Œuvre Classiques de l'Opéra Français.

Wien: J.B. Wallishauffer, 1818. Octavo. Original publisher's dark ivory wrappers with title within decorative border to upper and imprint within decorative border to lower. 1f. (recto title, verso cast list), 44 pp. + 2ff. (publisher's advertisements). Wrappers worn and soiled; edges frayed and with several small tears; manuscript notation ("U.F. 144") and small manuscript label ("N. 6928") to upper margin of upper; edges slightly soiled. Minor internal wear and browning; several leaves creased at outer margin. Tancredi, a "melodramma eroico" in two acts to a libretto by Gaetano Rossi after Voltaire's Tancrède, was first performed in Venice at La Fenice on 6 February 1813. It is regarded as Rossini's first international success and was the first of the composer's operas to be translated into other languages. It was first performed in Vienna on 17 December 1816 in Italian and on 12 March 1818 in German, the performance for which the present libretto was presumably published. Loewenberg col. 630.… Read More

Paris: Societe des Editions Jobert [J.J. 875], 1973. Tall folio. Original publisher's light ivory wrappers with titling within decorative border. [i] (title), [ii] (preface by Roger Blanchard), [i] (cast list and orchestration), 1f. (recto contents and copyright statement, verso illustration of costume of Jean Bérain), 236 pp. Wrappers slightly worn and soiled; small portion of lower spine lacking. "2 clarinettes" crossed out in orchestration notes.

Berlin: Ahn & Simrock [PN B. 27], 1912. Folio. Black leather-backed black cloth boards with original publisher's ivory wrappers printed in purple bound in. 1f. (title), 3-99, [1] (blank) pp. Handstamp "B. 707" to title, handstamp of Hoftheater Dresden to p. 5 and rear endpaper, with withdrawn ("Ungültig") overstamp. Binding slightly worn and rubbed; small paper label to head of spine. Occasional annotations in pencil. First Edition. Ernő Dohnányi's opera Tante Simona, composed to a libretto by Victor Heindl, premiered in Dresden at the Hoftheater on January 22, 1913. "Next to Liszt he ranks as the most versatile Hungarian musician, whose influence reached generations in all spheres of musical life. He is considered the first architect of Hungary's musical culture in the 20th century." Bálint Vázsonyi in Grove Music Online.

Genève: Éditions Slatkine, 2002. Hardcover. Very Good. Octavo. Cloth. 411 pp.

Leipzig: VEB, 1966. Hardcover. Good. Octavo. Half dark red cloth with decorative paper boards. 400 pp. Slightly worn and browned.

New York: Broude Brothers, 1971. Large octavo. Original publisher's ivory wrappers printed in red and blue with patterned overlay. 1f. (half title), 1f. (recto title, verso printing statemenet), 1f. (blank), 1f. (facsimile of original title illustrated by B. Delaroche), 10 (introduction), [i] (named cast list), 12-15 (contents), [i] (blank), 1f. (full-page illustration), 439, [i] (blank) pp. Named cast includes Joinville, Chardiny, Chéron, Lainez, Chateaufort, Adrien, Moreau, Maillard, Gavaudan, Rousseau, Carbonel, Le Rous, and Dessaules. Slightly worn. A reprint of the edition first published in Paris. Number 40 in the series Chefs-d'Œuvre Classiques de l'Opéra Français. First performed at the Académie Royale de Musique on 8 June 1787.

Paris: Choudens [PN A. C. 14889], 1919. Large octavo. Quarter black cloth with plain light brown boards, titling in white ink to spine. 1f. (title), 1f. (dedication), 1f. (cast list), 1f. (notes on first performance and named cast list), 1f. (recto index, verso notes), 270 pp. Named cast includes Kousneoff, Brohly, Delécluse, Mauroy, Béryl, Huchet, Gien, Bourbon, Friant, Durand, Carbelly, Palier, Berkin, Arnna, Mille, Eyraud, Oger, Chauvet, Hazart, Rossel, and Ferney. Binding slightly worn. Some signatures split; former owner's signature in pencil and publisher's handstamp to free front endpaper, decorative bookplate to verso; small handstamp to second leaf. First Edition.

Paris: Choudens [PN A. C. 14889], 1919. Large octavo. Original publisher's light brown wrappers. 1f. (decorative title), 1f. (dedication), 1f. (cast list), 1f. (notes on first performance and named cast list), 1f. (recto index, verso notes), 267, [i] (blank) pp. Named cast includes Kousnezoff, Brohly, Delécluse, Mauroy, Béryl, Huchet, Gien, Bourbon, Friant, Durand, Carbelly, Palier, Berkin, Arnna, Mille, Eyraud, Oger, Hazarty, Rossel, Ferney, and Chauvet. Wrappers slightly worn; head and tail of spine slightly chipped and torn; small circular handstamp to upper wrapper. Some signatures split or partially split. Second version.

München: Prestel Verlag, 1962. Hardcover. Very Good. Small quarto. Illustrated boards printed in sepia and black. With illustrations in text and illustrative plates, some in color tipped-in. From the collection of American musicologist and critic Edward O. D. Downes (1911-2001), with his small address label to front pastedown.

Budapest: Preszler Mihály, 1937. Folio. Stapled. Original wrappers with decorative title illustrated by E. Cservenka. 3, [1] (catalog of works) pp. + Violin part (verso of one leaf). Arranged by Imre Bocskai for violin and piano. With an autograph inscription in ink to title, signed and dated Budapest, March 9, 1940: "Zsidek Béla Barátomnak igaz szeretettel és hálas köszönettel" (To my dear fried Béla Zsidek, with love and sincere gratitude). Together with: TINKOVAI, M.G. A Hegedű. Budapest: Cantate [C. 9], 1939. [4] pp. Lithographed. Decorative color title with reproduction of photograph of Albert holding violin. 1 page. For voice and piano. Text in Hungarian. Signed and inscribed to Zsidek as above. Wrappers slightly browned and soiled; very minor rust stain from staples. Rare (no copies located). Hungarian composer and violinist Ferenc Albert (Franz/Franćois d'Albert) was a popular performer and composer during the interwar period in Budapest. He left Hungary following the war,… Read More

Bloomington, Indianapolis: Indiana University Press, 1999. Hardcover. Very Good. Octavo. Full dark green cloth with titling gilt to spine. xix, 311 pp. With illustrative plates. In dustjacket.

London: Grant Richards, 1900. Octavo. Full maroon cloth with medallions gilt to upper, titling gilt to spine. ix, 232 pp. Binding somewhat worn, rubbed and bumped; spine faded; endpapers foxed and slightly browned; small oval handstamp to verso of rear free endpaper. Browned.

London: John Calder, 1962. Hardcover. Very Good. Octavo. Boards. 192 pp. With illustrative plates. In dustjacket.

Bloomington: Indiana University Press, 2002. Hardcover. Very Good. Octavo. Boards. xvi, 349 pp. Includes CD. In dustjacket.

Bloomington & Indianapolis: Indiana University Press, 1999. Hardcover. Very Good. Octavo. Original publisher's full dark green cloth. 311 pp. With illustrative plates. In dustjacket.

New York: Knopf, 1943. Hardcover. Very Good. Octavo. Boards. xii, 386, xxx pp. With illustrative plates. Slightly worn. Inscribed and signed by the author.