Search Results: Titles starting with T from Triolet Rare Books, ABAA

New Haven: Henry W. Wenning/C.A. Stonehill, 1970. First edition. Original Wraps. Fine. 50 pp. Stapled wrappers with printed cover label. Upper corner very slightly bumped, still just about fine. One of 450 numbered copies. The piece first appeared in The Atlantic Monthly in January 1970 in a slightly different form.

New York: Howard Wise Gallery, 1967. Original wrappers. Very good +. [12] pp. Some handling wear, old stain and minor creasing to front cover. Published on the occasion of the exhibition of the works of Panagiotis "Takis" Vassilakis at the Howard Wise Gallery, April 7-29, 1967. Texts by Burroughs, Ginsberg, Corso, and Nicolas Calas. Maynard & Miles F20. Morgan E21b.

Paris: Black Sun Press, 1929. First edition. xvi, 64 pp. Original printed wrappers, in publisher's slipcase. One of 500 copies on Holland Van Gelder Zonen paper, of a total edition of 650 copies. Frontispiece portrait of Joyce by Brancusi. A fine copy with supplied later acetate wrapper, in the original slipcase, which is rubbed with tape repair at the corners, splitting at the top edge, and lacking a three-inch piece of the lower edge. Brancusi's frontispiece portrait, commissioned by the publishers Harry and Caresse Crosby, was a "Symbol of Joyce" intended to convey the sense of "enigmatic involution." When the sketch was shown to Joyce's father in Dublin, he remarked gravely, "The boy seems to have changed a good deal." (Ellmann, p. 614). Slocum & Cahoon A36. Minkoff, Black Sun, A-21.

New York: General Music Publishing Co, 1965. Original Wraps. Near Fine. Single sheet folded once, [3] pp. Musical setting by John Koch of Pound's poem for voice and piano, with dramatic cover illustration. Slight cover wear, else fine. Gallup E4n.

New York: Harper & Row, 1972. First edition. 185 pp. Brown cloth backstrip lettered in gilt over yellow boards, with the dust jacket. Creasing to top edge of rear panel of jacket with a short closed tear, some minor edgewear and handling wear to jacket. Signed by the author on the front free endpaper and denoted "numbered series," with a hand correction by her on the copyright page. In a letter to the New York Review of Books regarding Paul Auster's review of this book, the author described the book as "this product of lifelong studying how to speak so that one speaks, of what is for being spoken, that which most waits on being spoken." A shorter earlier version which appeared in Chelsea magazine in 1967.

Verona: Privately Printed by Gabriel Rummonds, 1971. First edition. Tan paper boards, lettered in red on the front board, publisher's cardboard slipcase. Slipcase shows some minor handling wear, book fine. One of 80 numbered copies, signed by the authors. Ten poems in Italian, French, English, and Latin by Max [Paolo] D'Arpini and ten aphorisms in Italian by Bruno Corridori. With a linocut by Ger van Dijck and a woodcut by Mirek [Miroslav Zahradka]. A very early Rummonds/Plain Wrapper publication.

[San Francisco]: Mudra/Zephyrus Image, 1972. Second edition, stated. Stapled printed wrappers with cover design by Michael Myers. Fore-edge a bit creased, some minor surface soiling. Johnston, p. 176.

London: Duckworth, 1922. First edition. 320, 16 pp. Blue cloth, lettered in black on the front board and the spine. Spine cocked and rubbed at head and tail, some foxing to extremities throughout. Scarce novel of the louche post-war demimonde. OCLC locates three copies in the United States: NLM, Mayo Clinic, and Harvard (Santo Domingo Library).

Los Angeles: Black Sparrow Press, 1968. First edition. Original wrappers. Near fine. One of 140 copies in wrappers, of a total edition of 150 copies. [20] pp. Sewn wrappers with dust jacket. Signed by Eigner, as called for. Extremely minor edgewear, near fine or better. Wyatt A11. Morrow & Cooney 18b (corrected issue).

Deyá, Majorca: The Seizin Press, 1935. First edition. Single sheet of cream laid paper, folded twice, unbound, to form [8] pp. [1], title-page, [2], blank, [3-6], text, [7-8], blank. Top edge cut. Some edgewear and minor browning and spotting. A poem which later became part II of "Disclaimer of the Person," which appeared in Riding's Collected Poems. This was the last text printed by Riding and Graves on their Crown Albion handpress. Wexler A25.

Berkeley: University of California General Library, 1960. First edition. Very Good +. Single sheet, folded twice to make [4] pp. One of 200 copies printed by Kenneth J. Carpenter on an Albion handpress as a keepsake for the joint meeting of the Roxburghe and Zamorano Clubs, September 1960. Slight browning to edges, two old fold lines. B&C A17.

Iowa City: The Stone Wall Press, 1966. First edition. Hardcover. Very Good. Light gray cloth boards, spine lettered in gilt. 77 pp. The first full-length collection by a noted poet, printed in a typically elegant production by Kim Merker in an edition of 270 copies. Some minor soiling to front cover, spine slightly faded and gilt dulled. Inscribed from "The Saul Bell Family" (the name of Bell's father) on the rear endpaper upside down, dated February 1967. Berger 20.

Minneapolis: Milkweed Editions, 1988. First edition. Original Wraps. Fine. First edition of the first book of poems by the acclaimed translator and author of the classic The Gift. 64 pp. Printed glossy wrappers. A touch of wear to the corners, else a fine copy, inscribed by Hyde on the half-title and signed and dated by him on the title-page.

[Washington, D.C.]: U.S. Government Printing Office, 1943. First edition. [36] pages. Stapled printed wrappers. Slight toning to covers, very minor spotting to lower edge of front cover. Contents clean and bright. "In 1942, Geisel joined the United States' efforts in World War II. As commanding captain of the animation department, first motion picture unit, Geisel was tasked with creating animated and illustrated educational materials for US troops. These materials were intended to teach soldiers the skills and give the information they needed to stay alive." (Huntington Library) This pamphlet was created for young GIs to understand the dangers of malaria: "This is Ann ... she drinks blood! Her full name is Anopheles Mosquito and she's dying to meet you!" The text was written by fellow childrens' book author Munro Leaf. Younger 78, variant a, the earliest of multiple variants.

London: Ferry Press, 1964. First edition. Original wrappers. Very good +. First edition, one of 600 copies printed. 20 pp. Stapled wrappers with collage by Dawson on the front cover, blurb by Creeley on the back. A short prose piece. Covers a bit rubbed, creasing at spine.

New York: The Grafton Press, 1909. First edition. 279, [1] pp. Publisher's navy cloth, lettered in gilt on the front board and spine. No dust jacket, as issued, per Wilson. Mild rubbing to head and tail of spine and corners, a bright, square copy. One of 1000 copies, of which 300 were subsequently used for the 1915 first British edition. With a label to the front pastedown noting this copy is from the collection of Henry McBride. A superlative association copy of Stein's first book, published at her own expense. The book initially sold poorly (Grafton reported sales of seventy-three copies by February 1910, of which thirty-seven were to bookstores), but had what James Mellow described as "a surprisingly durable underground reputation for years." McBride had "read the book when it first appeared, admired it, and had become curious about its author." McBride was one of the prime art critics of his generation, and one of the first American supporters of the avant-garde in the early twentieth century,… Read More

Omaha: Bradypress, 1999. First edition. Original wrappers. Fine. String-sewn wrappers, printed label on front cover. One of 150 numbered copies. Fine copy.

New York: Peter Freeman, Inc, 2011. First edition. [96] pp. Printed paper boards. A book of drawings by Swiss artist Silvia Bächli with text by Jamaica Kincaid. Of a total edition of 1000 copies, this is one of 50 numbered copies, signed by Bächli and Kincaid. Fine copy.

New York: Peter Freeman, Inc, 2011. First edition. [96] pp. Printed paper boards, housed in a custom clamshell case with special insert for original drawing. A book of drawings by Swiss artist Silvia Bächli, with text by Jamaica Kincaid. Of a total edition of 1000 copies, this is one of 26 lettered copies, signed by Bächli and Kincaid, and accompanied by an original Bächli drawing. Fine copy.

Liverpool and Gloucester: Heron Press, 1954. First edition. Original Wraps. Near Fine. First edition. Stapled wrappers. Published as "Winds #2." Some slight surface wear to covers. An uncommon publication by the great poet of Gloucester.