Search Results: Titles starting with T from Serenissima Music, Inc.

Chadwick's "Symphonic Ballad" is based upon Robert Burns' poem of the same title. Composed in 1915 at a time when the US was on the brink of World War I, the work was viewed as an affirmation of America's Anglo-Celtic heritage. The present score is a carefully restored reissue of the first edition issued by the Boston Music Co in 1917. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable, is beautifully printed on off-white stock with a quality cover.
Orchestra (3d1, 2+1, 2+1+D, 2 - 4, 3, 3, 1, timp, perc, hp, strs) ; ISMN: 979-0-58021-016-6

Though one of Russia's "Mighty Handfull", Borodin wrote very little piano music, concentrating mainly on chamber and orchestral works, when not serving as a Chemistry professor. Borodin composed his Tarantella in 1862 for piano 4 hands. It is a sparkling tour de force using the entire range of the piano. In this brilliant orchestration by Richard W. Sargeant Jr., a large orchestra employs a kaleidoscopic palate to convey the excitement of this amazing early Borodin work.

Orchestra (2+2, 3+1, 2+1+Eb, 3+1 - 4, 3, 3, 1, timp, perc, strs) ; ISMN: 979-0-58042-13-19

Completed in 1849, the Te Deum, like the earlier and more famous Grande messe des morts, is one of Berlioz's self-described "architectural" works. While the orchestral forces required for the Te Deum are nowhere near as massive as huge as those for the Requiem, the work does call for an organ which can compete on equal terms with the rest of the orchestra. It lasts approximately fifty minutes and derives its text from the traditional Latin Te Deum, although Berlioz made some changes to word order for dramatic purposes. The instrumental Prelude and Marche are seldom performed in concert. This vocal score is a digitally enhanced reissue of the one published by G. Schirmer, Inc. around 1925, itself a re-engraving of the one issued by Novello in the 1880s.
Te Deum – Hymne
Tibi omnes – Hymne
Prelude
Dignare Domine – Priere
Christe, Rex Gloriae – Hymne
Te ergo quaesumus – Priere
Judex crederis – Hymne et priere
Marche – pour la Presentation des drapeaux
Tenor solo, STB and ATB Chorus / Piano ;… Read More

A newly engraved vocal score from the piano reduction prepared by the composer's son-in-law, Josef Suk (1874-1935). Dvorak composed the Te Deum in 1892, which was given its premiere at a delayed Columbus Day quadricentennial concert on Oct. 21, 1892 in New York.

Completed in 1849, the "Te Deum", like the earlier and more famous "Grande Messe des Morts", is one of Berlioz's self-described "architectural" works. While the orchestral forces required are nowhere near as massive as huge as those for the Requiem, the work does call for a pipe organ which can compete on equal terms with the rest of the orchestra. It lasts approximately fifty minutes and derives its text from the traditional Latin Te Deum, although Berlioz made some changes to word order for dramatic purposes. The instrumental Prelude and Marche are seldom performed in concert. This new study score is a digitally enhanced reissue of the full score published as part of the Berlioz complete works edited by Charles Malherbe and Felix Weingartner in 1900-07.

T solo, STB, ATB Chorus / Orchestra ; ISMN: 979-0-800001-81-9

Unlike so many of his symphonies, Bruckner's Te Deum was an unqualified success from the very first. The composer even referred to the piece as "the pride of my life." The vocal score prepared by Bruckner's friend Josef Schalk and first published by C.F. Peters is offered here in a digitally enhanced reissue featuring measure numbers, contents, and instrumentation. Compatible with the widely available public domain orchestral from Luck's, IMSLP, etc.
Te Deum laudamus
Te Ergo quaesumus
Aeterna fac cum sanctis
Salvum fac populum Tuum
In Te, Domine, speravi
SATB Chorus / Piano ; ISMN: 979-0-800001-30-7

Newly engraved and revised edition of Gleichauf's classic vocal score. Composed in in Salzburg in 1769, Mozart modeled this youthful work closely on a similar one by Michael Haydn (for which reason its authenticity had long been questioned). Mozart's piece divides the lengthy liturgical text into three contrasting sections, including a final rousing double fugue. Musicologist Alfred Einstein described the work as "sure in construction, thrilling in its choral declamation, and having a certain rustic South-German grandeur."
Te Deum laudamus
Aeterna fac cum sanctis
In te, Domine, speravi

Arensky's final work was incidental music composed for a performance of Shakespeare's The Tempest given in 1905 in Russian. This new vocal score is an enhanced facsimile of the original 1906 Jurgenson edition which has been scaled to a larger, more readable format. In contrast to so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is actually readable.

Though originally composed for piano four-hands, Satie was persuaded to orchestrate these pieces for a concert staged by Jean Cocteau presented on 21 February 1920 featuring works by Milhaud, Poulenc, and Auric. This digitally-enhanced study score is an unabridged reprint of the first edition issued in 1921 by Editions de la Sirene, Paris. In contrast so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable, is beautifully printed on off-white stock with a quality cover.
De l'enfance de Pantagruel (Rêverie)
Marche de Cocagne (Démarche)
Jeux de Gargantua (Coin de polka)
Orchestra
1, 1, 1, 1 - 1, 2, 1, 0, perc, strs

Trumpet Mania! is a unique book of trumpet studies designed for serious students who want to bring their technique to the next level. The author, a professional with more than two decades in the field, has provided numerous exercises and warmups specially designed to enhance stamina and technique along with practical advice on how to get it done. Tichenor's volume is an absolute essential for any trumpet player wanting to move to the professional level, written in an engaging friendly style.
If you want a new challenge, Trumpet Mania is the book for you.The etudes and studies will take you to the limits of your abilities and beyond. Perhaps the best thing about this book is the way Andy is able to inform, challenge and encourage the student. His writing style and knowledgeable instruction will keep every student focused on the proper way to play.This book is a great addition to your library. -- Chris Jaudes, Jazz Trumpet instructor, Juilliard School of Music