Search Results: Titles starting with S from Kelleher Rare Books

London, United Kingdom: Methuen & Co, 1901. Book. Good. Hardcover. 1st Edition. First UK Edition, First Printing. 8vo. (iv), 316, 47, (1) pp. Original crimson cloth, gilt lettered to the spine and upper board. Rubbing and light fading to the spine, some light loss to the top and base of the spine, bumping to the ends and the corners, some spotting to the pages, a very good overall example of the true first UK edition, with the catalogue at the rear dated "November 1900"..

London, United Kingdom: Constable & Co. ltd, 1918. Book. Very Good. Hardcover. 1st Edition. First UK Edition, First print. A first edition, ( First Impression) Limited Edition. p.p. 86 + 1, tribute by Katherine Tynan. Original black boards. light fade and rubbing. title in gilt to the spine, clean pages, light offsetting. Issued as a standard edition and as this copy a special limited edition of only 50 copies for private circulation, with extra illustrations. .

London, United Kingdom: CHAPMAN & HALL, 1888. Book. Very Good. Hardcover. 1st Edition. First UK edition, First Printing, A true first issue of the one volume issue published the same year as the triple decker. 8vo,399pp [1] endpages, adverts., pages clean, original green illustrated cloth, lettering in black to front panel, gilt to the spine. complete, tight binding, there is mild rubbing to the extremities. Tight Binding. Neat owner name to front end page. .

New York & London: George G Harper & Company Ltd, 1919. Book. Illus. by Howard Pyle / Wilfred J. Jones. Good. Hardcover. 1st Edition. First American Edition, First Printing. xiii, [3], 32 pp.. Three Colour plates present, frontis is missing and not present. This is a true first edition, first printing (first impression) with 'Published May 1919' and D-T code beneath on the copyright page. Original black cloth, gilt text edge, decorated end pages. colour plate mounted on the front cover. Small inscription to front end page. All points correct, with the figure on p. 18 in upright position..

New York, USA: Three Sirens Press, 1931. Book. Illus. by Aubrey Beardsley. Near Fine. Hardcover. 1st Edition. First American Edition THUS, First Printing. nd. 121 pp. Not the regular Three Sirens Press edition this copy is not numbered, its binding is superior to the regular edition, this one featuring yellow cloth, woven yellow, gilt borders, gilt to top of text block its publisher is given on the spine as De Luxe Editions even though the title page still has Three Sirens Press. deckle edge pages. Internally clean unmarked pages. a sprinkly of spotting to the bottom corner of the front board.

New York, USA: E.P. Dutton and Co, 1927. Book. Illus. by John Vassos. Very Good. Hardcover. 1st Edition. First Edition, First Printing. 57 pp. Quarto. Original Black boards, gilt lettering on front cover and spine, black and gilt decorated endpagess. 1927 to copyright page and no mention of reprint. A Very good copy, cover unevenly faded. especially to front panel, rear panel and spine. Internally clean unmarked pages..

London, United Kingdom: Victor Gollancz, 2000. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First print. A first edition, ( First Impression) In a fine as new priced jacket. A fine as new unread copy signed and dated by Adam Roberts to the title page. [Adam Roberts 15th Sept 2000].

London, United Kingdom: Orion, 2007. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. First UK Edition. First printing. One of a edition of 40 numbered, signed, Lined and dated by the author to the title page. "The only possible explanation was one she wasn't yet ready to entertain" London 23rd August 07] [ 5/40 ] Raymond Khoury.

Edinburgh & London: William Blackwood & Sons Ltd, 1930. Book. Very Good. Hardcover. 1st Edition. First UK edition THUS, First Printing. of the Popular edition Octavo, pp. 432, with the date 1930 to the title page and Popular edition above it. Tight binding, clean pages, in a good jacket with chipping and loss to the edges, corners and spine. .

London & New York: Sheed & Ward, 1951. Book. Very Good. Hardcover. 1st Edition. First Edition, First Printing. pp. 506 B&W plates and illustrations throughout. First edition, (first impression) in the scarce original dust jacket which has some wear and rubbing to the extremities, price is clipped. Contemporary owners name and date to front end page, pages clean, tight binding, very uncommon in jacket. .

London, United Kingdom: TOR, 2006. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. First UK Edition,First Print. A true first print with a numberline beginning with [1] to the copyright page therefore indicating a true first print in a fine jacket. SIGNED by Alan Campbell to the title page..

Loughcrew, Oldcastle Co Meath, Ireland: Gallery Press, 1998. Book. New. Hardcover. Signed by Author(s). 1st Edition. First Edition, First Printing. This is a true first edition, first printing (first impression). in a fine as new jacket. Signed by Sean Lysaght to the title page..

Newbridge, Co Kildare, Ireland: The Goldsmith Press, 1977. Book. Near Fine. Soft cover. 1st Edition. First Edition, First Printing. This is a true first edition, first printing (first impression) near fine unread copy. Uncommon..

London, United Kingdom: Scribner, 2003. Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. First UK edition, First Printing. A true first edition first printing in a near fine jacket, which is not price clipped, This is the true first edition, first printing (first impression). Near fine unread copy, light bumping to spine. SIGNED by Gerard Donovan to the title page..

London, United Kingdom: Andre Deutsch, 1993. Book. Near Fine. Hardcover. 1st Edition. First UK Edition, First Printing. This is a true first UK edition, first printing (first impression) with no statement of reprint to the copyright page therefore indicating a true first print in a fine to near fine Dust Jacket. Small name and date to the top of the front end page else fine. Uncommon first work and an uncommonly nice copy. .

London, United Kingdom: Doubleday, 2013. Book. As New. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First Printing. This is a true first edition, first printing (first impression) with a full number line beginning with "1" to the copyright page to indicate a true first print. Signed and Dated by S.J. Watson to the title page. [S.J. Watson 20th March 2015].

London, United Kingdom: George G Harraap, 1935. Book. Good. Hardcover. 1st Edition. First UK Edition Thus, First Printing.P.p. 288. First published by Harrap in 1933 this edition was released as part of the Harrap One Shilling Library series. Original red boards decorated in black. some spotting to the title page, tight binding. The original jacket has loss to the crown and base of the spine and to the bottom section of the front panel, wear to the corners and edges. Uncommon edition especially with the original jacket present..

London, United Kingdom: Macdonald, 1964. Book. Very Good. Soft cover. 1st Edition. First UK PROOF Edition, First Print. 324pp. frontis, B&W plates. A true first of the proof edition, first published in France in 1961, this is a proof copy of the first english translation. A very good copy with light creases to the bottom corners. In France, Marguerite Maury single-handedly reestablished the reputation of aromatherapy. Exceptionally uncommon. .

Dublin, Ireland: Hachette Books Ireland, 2014. Book. Near Fine. Soft cover. Signed by Author(s). 1st Edition. First Edition, First Printing. This true first edition, first printing (first impression) with the number "1" to the copyright page to indicate a true first print. No hardcover edition was produced, this edition preceded both the UK and USA edition making it a true world first. Near fine unread copy, light toning to pages. Signed by Tana French to the title page. Now very uncommon..

London, United Kingdom: Faber and Faber, 1984. Book. Near Fine. Hardcover. 1st Edition. First UK Edition, First Print. 445 Pp. This is a true first edition, first printing (first impression) published simultaneously as a paperback and hardcover produced, this is the latter. The hardcover had a very small print run, seems unread with clean tight pages a touch of toning, light spotting to the spine of the jacket.