Search Results: Titles starting with R from L'Estampe Originale

LINCOLN, Nebraska Art Association., 1974. 4to. Exhibition catalog in fine condition. Paper bound.

The Hague., Chez Arnout Leers., 1692. Folio. Original marbled calf binding. There are 16 single and double page engraved illustrations including the title page. Landwehr, R. de Hooghe, 80; Vinet 752, Hoefer 147, Landwehr, Splendid Ceremonies, 147. The account of the arrival of King William III and the reception in the Hague gives the impression that the author's text closely followed the illustrations by de Hooghe. (Landwehr). All of the bibliographies concur that this work is one of the chefs d'oeuvre of de Hooghe. "One of his best books" (Hofer, Baroque Book illustration, 47) and is concurred by Didot, 951. This book represents a height of festivities begun by the Italians at Mantua more than a century before in the triumphant new era which began with the abdication of James II in favor of William of Orange. After the Battle of the Boyne William traveled to Holland to seek the safety of an alliance against the French and this book celebrates that visit. The Dutch text was issued in 1691, a… Read More

( DE HOOGHE, ROMEYN). GOVERT BIDLOO.The Hague., Chez Arnout Leers., 1692. Folio. Original marbled calf binding. There are 16 single and double page engraved illustrations including the title page. Landwehr, R. de Hooghe, 80; Vinet 752, Hoefer 147, Landwehr, Splendid Ceremonies, 147. Ex Library. The account of the arrival of King William III and the reception in the Hague gives the impression that the author's text closely followed the illustrations by de Hooghe. (Landwehr). All of the bibliographies concur that this work is one of the chefs d'oeuvre of de Hooghe. "One of his best books" (Hofer, Baroque Book illustration, 47) and is concurred by Didot, 951. This book represents a height of festivities begun by the Italians at Mantua more than a century before in the triumphant new era which began with the abdication of James II in favor of William of Orange. After the Battle of the Boyne William traveled to Holland to seek the safety of an alliance against the French and this book celebrates that… Read More

New York., New York University Press., 1966. (The Wrightsman Lectures. I.) New York., New York University Press. 1966. 4to. xv, 225pp. 182 plates. Red cloth bound in boards. With Dj. In very good condition. LOC 66-13550

London., The Pennsylvania State University Press., 1969. 4to. A study of the artist at work. Plates. DJ. 921 (Rembrandt) White, Christopher. REMBRANDT AS AN ETCHER. London., The Pennsylvania State University Press., 1969. Large 4to. DJ. xi, 263 pp. + 348 illustrations. 1969. Hardcover. Book Condition: Near Fine. TWO VOLUMES. Complete Set. Volume One: Text. Volume Two: Plates. Two Near Fine hardback First American Edition First Printings Very Good+ Dust Jackets in fine condition. xi, 263 pp. + 348 illustrations. complete as issued. The major catalogue raisonné and critical study of the etchings. Freitag #8059.

Amsterdam., Rembrandt House., 1972. 4to. Soft cover. 163pp. With an erratum.. In good condition. LOC 72-81872

San Francisco., Maxwell Galleries, Ltd., 1982. May 14 through June 12, 1982. Paper bound.

Virginia., The Ephemera Society of America, Inc., 1994. Rectangular 4to.publisher:New Castle, DE, U.S.A.: Ephemera Society of America., 1994. Silky black cloth hardcover stamped in gilt, in color photographic dust jacket depicting Reward of Merit cards, with pictorial endpapers. 224 pages amply illustrated with examples of these delightful little collectibles. The first (and only) book on this topic, issued by the Ephemera Society of America. 'Tokens of a child's progress and a teacher's esteem as an enduring aspect of American religious and secular education.' A wonder peek into the methods and elegance of rewarding scholarship in times past. Many of the cards are as lovely as Victorian Trading Cards. Often they were included in books to be awarded to outstanding students. This book is in as-new condition in a protective wrapper. First Edition. Hard Cover. Fine Condition/Fine DJ. Illus. by B&W and Color Illustrations. . 224 pages . In fine condition with the dust jacket.

1948. Wood engraving. Published by the Woodcut Society of New York. Contained in the original folio. Image: 7 x 7 1/8. Margins:10.5 x 10.5. Signed by the artist. SIMON, HOWARD (1902-1979). RHYTHMS OF MEN IN THE WILDERNESS.1948. Wood engraving. Published by the Woodcut Society of New York. Contained in the original folio. Image: 7 x 7 1/8. Margins:10.5 x 10.5. Signed by the artist. $ 500 Born in NYC on July 22, 1902. Simon studied for several years under Jacques Alexander, at the NAD, Académie Julian in Paris, and learned the art of wood cutting from the Japanese. His wood engravings of the Bohemian life of Paris were widely acclaimed abroad while his etchings and paintings were well received both in California and New York by art critics in the 1920s. Simon was a resident of San Francisco in 1927-32. He died in White Plains, NY on Oct. 15, 1979. Exh: Calif. Society of Etchers.

New York., Burroughs Wellcome & Co.., 1934. 8vo. This volume bound in red cloth was created for the Chicago Century of Progress Exposition, 1934 probably as a souvenir copy. Silver endpapers. 161pp. Fine.

MOSKOW, La Maison de la Presse (The Printing House)., 1923. 1917-1922. Dom Petchati. Russian Graphic Artists during the Years of the Revolution 1917-1922. Moscou. 1923. 4to, 24.5 x 18cm. 113pp. One of an edition of 3000. Stapled. Lithograph covers printed in black by A. Kravchenko. The finest bibliography of Russian graphic art during the revolutionary years. A study in Russian by the art historian, Alexei Sidorov. (1981-1978). Director of the Museum of Fine Arts of Moscow, an academician. There are over 50 Illustrations (drawings, woodcuts, lithographs of the work of Chagall, Kandinsky, Konachevitch, Lebedev, Mayakovsky and Rozanova and many others (See below). The most detailed documentation of the period. The book is scuffed and soiled but in relatively good condition. The staples are old and there is some tearing near the staples on the first page. In old Cyrillic writing, (called slavon), This illustrated edition has been published in Paris, in Russian language first, a quite… Read More

Lithograph from Views of Paris. c. 1840. Lithographs with hand-coloring. With stamp of publishers Goupil & Cie. editeurs. Image: 6¾ x 10¾. Margins: 11 x 16¾.

Paris, 1890. Watercolor. 1890. Signed, titled, and dated in ink, lower right. Sheet: 21 1/4 x 13 1/4. Watercolor in blue and grey for the etching #10 "Rue St. Vincent". There were 10 original etchings in the set "Vues of Montmartre" published in 1890, among them 1) Rue du Mont Cenis, 2)Rue des Saules, 3) Place de Tetre, 4)Rue de l'Abreuvoir, 5)Rue Cortot, 6)Rue du Mont Cenis, 7)Rue Norvins, 8)Moulin Debray, 9)Rue Becquerel, and 10) Rue St. Vincent. The set is catalogued in I.F.F.T. VI, p.168, no.2.

Paris, 1890. Watercolor Signed, titled, and dated in ink, lower right Sheet: 21 1/4 x 13 1/4 Watercolor in blue and grey for the etching #10 "Rue St Vincent" There were 10 original etchings in the set "Vues of Montmartre" published in 1890, among them 1) Rue du Mont Cenis, 2)Rue des Saules, 3) Place de Tetre, 4)Rue de l'Abreuvoir, 5)Rue Cortot, 6)Rue du Mont Cenis, 7)Rue Norvins, 8)Moulin Debray, 9)Rue Becquerel, and 10) Rue St Vincent The set is catalogued in IFFT VI, p.168, no. 2.

Paris, 1890. Watercolor Signed, titled, and dated in ink, lower right Sheet: 21 1/4 x 13 1/4 Watercolor in blue and grey for the etching #10 "Rue St Vincent" There were 10 original etchings in the set "Vues of Montmartre" published in 1890, among them 1) Rue du Mont Cenis, 2)Rue des Saules, 3) Place de Tetre, 4)Rue de l'Abreuvoir, 5)Rue Cortot, 6)Rue du Mont Cenis, 7)Rue Norvins, 8)Moulin Debray, 9)Rue Becquerel, and 10) Rue St Vincent The set is catalogued in IFFT VI, p168, no. 2

BONNARD, PIERRE (1867-1947). RUE VUE D'EN HAUT. Ambroise Vollard, 1899. 1st Edition. Lithograph in colors. 370mm x 220mm ,14 5/8 x 8 1/4". One of an edition of 100. From the set of 13 lithographs, Quelques Aspects de la vie de Paris, Several Views of Parisian Life. 1895. Printed by August Clot. Bouvet 92. Roger Marx 60.

Fine with full margins.. [2641] $5,000.00

BONNARD, PIERRE (1867-1947). RUE VUE D'EN HAUT. Ambroise Vollard, 1899. 1st Edition. Lithograph in colors. 370mm x 220mm ,14 5/8 x 8 1/4". One of an edition of 100. From the set of 13 lithographs, Quelques Aspects de la vie de Paris, Several Views of Parisian Life. 1895. Printed by August Clot. Bouvet 92. Roger Marx 60.

Fine with full margins.. [2641] $5,000.00

1658. Etching. H12 II(2). Sopher 30. Provenance: S. Coster (Lugt 462). Image: 5 x 6 . Trimmed to the platemark.

Santa Monica, CA., The Getty Research Institute for the History of Art and the Humanities., 1997. 4to. Soft Cover. 215+pp.1st edition, Indispensible reference to Modern Russian Literature. With bibliography of works referenced, list of Soviet organizations and acronyms, and index. 866 items from the Getty collection.

New York., Leonard Hutton Galleries., 1971. October 16- December 18, 1971. 4to. In fine condition. Paperbound.