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PLAN DE PARIS,
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PLAN DE PARIS,: commencé l’année 1734, dessiné et gravé sur les ordres de Messire Michel-Etienne Turgot, Marquis de Sousmons, Seigneur de St-Germain-sur-Eaulne… achevé de graver en 1739. Levé et dessiné par Louis Bretz, gravé par Claude et écrit par Aubin.

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N.p., 1739.
Folio [558 x 443 mm] bound in red morocco, covers decorated with fleur-de-lys borders, fleurs-de-lys in the corners, coat of arms in the center, spine ribbed and decorated with fleur-de-lys of various sizes, stars and gilt fillets, inner border decorated with fleurs-de-lys, gilt edges. Contemporary binding.
First issue of the most famous antique map of Paris, called " plan de Turgot ".
James de Rothschild. 2312; Cohen 807.
It is composed of one plan of combination and of 20 engraved plates on double-page (800 x 515 mm) representing the capital, house by house, in a panoramic view. "
We propose by making this engraved map to show at a glance all the buildings and all the streets of Paris " informed the editor.
"This bird's eye map, the widest of this sort ever tackled, is known under the improper designation of 'Plan de Turgot'. It is composed (besides the map of combination) of twenty leaves that, altogether, form five ranks. Each leave as a surround of 79 centim. large on 50 high. The… Read More
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Papes, empereurs, rois et hommes célèbres, dieux et déesses du paganisme.
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Papes, empereurs, rois et hommes célèbres, dieux et déesses du paganisme.

by [CHRONOLOGIE COLLEE].

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£11,300.90
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Paris, chez Jean Le Clerc, 1612-1615.
Folio [343 x 209 mm] of (2) ll. including 1 handwritten frontispiece title, 1 271 pasted portraits divided into 14 suites on 250 unnumbered pages. The portraits are numbered but are in disparate order for the first suites of the book. Bound with a suite of 19 plates of portraits in black and white. A few paper repairs.
Red sheepskin from the 19th century imitating morocco, decor "à la Duseuil" on the covers, spine ribbed and decorated with gilt fleurons, some repairs.
Precious collection of 1 271 portraits sometimes called "chronologie collée" due to its special composition that varies from a copy to another. It comes in the form of a collection of historical texts and woodcuts, all printed separately and carefully pasted on wide blank leaves.
Graesse, II, 150; J. Quétif and J. Echard, Scriptores ordinis praedicatorum, II, 414; Jonghe d'Ardoye, Armorial et biographies des chanceliers et conseillers de Brabant, III, 636; Anne-Duportal, 461; Etude, p. 159; Le… Read More
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Parallèlement.
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Parallèlement.

by VERLAINE, Paul.

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£2,173.25
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Paris, Léon Vanier, 1889.
8vo [183 x 120 mm] of (1) bl. l., (3) ll., 116 pp., two formerly bent corners. Half bookbinder's cloth bradel's style, smooth back, printed covers preserved. Binding signed G. Rouner.
First edition, printed at 500 copies, of "the last important work of 'poor Lelian'".
"A collection of poetry by Paul Verlaine (1844-1896). Published in 1889, it is the last important work of 'poor Lélian'. It is made up of pieces written at various times. Some poems from his youth, others written in Mons prison and taken from the manuscript of Cellulairement, which was never published, and finally compositions inspired by sentimental and sexual episodes, normal or otherwise (1885-1888). If eroticism seems to be the link that presided over the composition of 'Parallèlement' and avoids - rather badly - a chaotic appearance, one may wonder about the author's intention in exhuming and pasting together pieces that were already twenty years old and that had appeared in various magazines or remained… Read More
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Paul et Virginie.
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Paul et Virginie.

by BERNARDIN DE SAINT-PIERRE, Jacques-Henri.

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Paris, de l'Imprimerie de P. Didot l'aîné, 1806.
Large folio [464 x 303 mm] of (2) ll., 1 portrait, xcii pp., 194 pp., (3) ll. of Liste des souscripteurs,6 colored plates out of pagination. Quarter red straight grained morocco, elegantly decorated flat spine, olive green morocco lettering piece, gilt edges. Case. Slightly later binding.
The most beautiful ancient editionof Paul et Virginie, illustrated "with a portraitby Laffite, engraved by Ribault and 6 figures by Gérard, Girodet, Isabey, Laffite, Moreau et Prudhon,engraved by Bourgeois de la Richardière, Bovinet, Mecou, Pillement fils, Prot et Roger.
The figures are very beautiful.The touching composition of Moreau and especially his dramatic figure of Virginie's drowning by Prudhon make this volume very interesting." (Cohen, 931).
Graesse, Trésor de Livres rares, VI, 226
Paul et Virginie marks a phase in the French novel. Bernardin de Saint-Pierre crystalized in his work and in this novel, all the travel literature so abundant in those… Read More
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Philosophia moysaica In qua Sapientia & scientia creationis & creaturarum Sacra vereque...
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Philosophia moysaica In qua Sapientia & scientia creationis & creaturarum Sacra vereque Christiana...

by Fludd, Robert (alias De Fluctibus).

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Goudae, Petrus Rammazenius, 1638.Large 4to [317 x 195 mm] of (4) ll. including the engraved title, 144 ll. (wrongly numbered 152); 30 ll., (1) l. of errata bound between the ll. 28 and 29, numerous engravings in the text. Bound in contemporary full brown mottled calf, double gilt fillet around the covers, flat spine decorated with gilt fleurons, red marbled edges. Contemporary binding.Posthumous first edition of Robert Fludd's last essay, dealing with Creation.Sir William Osler, Biblotheca Osleriana : A catalogue of books illustrating the history of medecine and science, n°2629; DSB V, 47ff. - Ferguson I, 284. - Wheeler Gift 112-113. - Mottelay S. 554. - Gardner 237 & 236. - Wellcome I, 2331 & 2332. - Poggendorff I, 763 (nur Tl. I). - Osler 2629.In his work, Robert Fludd (1574-1638), one of the most famous English philosophers and alchemists, demonstrates the equality between the Sun – source of light and life – and God.'In the first half of the seventeenth century [Fludd] was one of England's… Read More
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Piscium Vivae Icones inventae ab Adriano Collardo et Excusae.
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Piscium Vivae Icones inventae ab Adriano Collardo et Excusae.

by COLLAERT, Adriaen.

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I- Collaert, Adriaen. Piscium Vivae Icones inventae ab Adriano Collardo et Excusae.
[Amsterdam], Nic. Jos. Visscher, 1634.
Title and 19 plates numbered from 2 to 20.
First edition given in Amsterdam in 1634, complete with its 20 fish plates, and second general edition different from the first printed in Antwerp around 1610.
Nissen, Zoologische, p. 98.
II-Bruyn, Nicolaes de. Libellus varia genera piscium complectens Pictoribus, sculptoribus, caelatoribus, aurifabris etc. mire utilis et necessarius.
Nicolaes de Bruyn inventor, Claes J. Visscher, ca. 1630.
Antwerpen um 1550 - 1656 Rotterdam (Th.-B.)
4to with 1 frontispiece and 12 prints of fishes and amphibians numbered from 2 to 13. First plate spotted, small tears restored in the margin of pl. 3, 4, 11 and 12.
First edition described by Nissen, Zoologische, p. 69.
III- Collaert, Adriaen. Avium Vivae et artificiosissimae Delineationes.
Amstelodami, impressae apud Nicolaum Visscher, Anno 1659.
Oblong 4to, 1 frontispiece and 23 bird prints numbered 2… Read More
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Plantes usuelles, indigènes et exotiques, dessinées et coloriées d’après nature, avec la...
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Plantes usuelles, indigènes et exotiques, dessinées et coloriées d’après nature, avec la description de leurs caractères distinctifs et de leurs propriétés médicales.

by ROQUES, Joseph.

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£7,389.05
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2 volumes 4to of: I/ (2) ll. including the half-titre and the title, viii pp, 266 pp, 72 hand-colored plates including the engraved frontispiece; II/ (2) ll. 278 pp, 61 hand-colored plates, (1) l. of errata. The plates are protected by silky paper. Illustrated with 133 watercolored engravings. Bound in half-roan, spines finely decorated, lettering-pieces in old red morocco, scratched on the cover. Contemporary binding.
240 x 178 mm.
First edition of the first great French pharmacopeia of the nineteenth century.
Pritzel 509; Graesse, Trésor de livres rares, VI, 160; Nissen BBI 1674; Stafleu-Cowan TL2 9496.
This work is the result of the collaboration of Joseph Roques, an eminent physician and botanist, and Jacques Grasset de Saint-Sauveur, a prolific aquafortist, draftsman, and polygrapher.
"M. Roque preceded his work with a detailed description of the various external parts of plants; there he successively examines the roots, the stems, the leaves, the flowering parts, the sexual organs [...]; and,… Read More
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Praeceptorium divinae legis.
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Praeceptorium divinae legis.

by NIDER, Johannes.

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£42,595.70
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[Cologne, Ulrich Zell, n.d. (not after 1472)].Ia (Table) : [A] Borsus cause q sint. v. … 29a. Incipit prologus ī expositionē decalogi scŏm fratrē Iohānē Nider. sacre theologie professorem ordinis predicatoч. 329a Colophon : Explicit preceptoriū diuine legis frīs Iohānis. Nyder sacre theologie professoris eximij ordinis predicatoч. conuentualis Nurēbergensis. Folio [*10, a10, b8, c-p10, q12, r-y10, A-K10] (330) ll., the last one blank. Gothic characters. Type 2-BMC 115. 2 columns. 37 lines. Small tear in the upper margin of l. 27, not touching the text, waterstain in the upper margin of l. 212 until the end and in the margin of the last 30 ll.Full brown calf, covers decorated with triple blind-stamped fillet with a diamond shaped decoration, leather and brass ties and clasps preserved, spine ribbed preserved (very rare) with tiny restorations, vellum skin endleaves. Very well preserved contemporary binding.297 x 215 mm.Princeps edition, complete with the last blank leaf. First printed… Read More
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Promenades ou itinéraires des Jardins de Chantilly, Orné d’un Plan et de vingt Estampes qui...
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Promenades ou itinéraires des Jardins de Chantilly, Orné d’un Plan et de vingt Estampes qui en représentent les principales Vues, dessinées et gravées par Mérigot.

by MERIGOT.

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A Paris, chez Desenne, Gattey, Guyot et à Chantilly chez M. Hédouin, 1791.
8vo [217 x 134 mm] of (2) ll., 1 folding plan, 60 pp., 20 plates out of pagination. Full green morocco, gilt lattice pattern on the covers framed by gilt stars, spine ribbed and decorated with 5 red morocco gilt-rimmed medallions, red morocco lettering piece, gilt edges. Contemporary inlaid binding.
First edition and first issue of the 21 beautiful engravings of views of the gardens and buildings of Chantilly, one of the copies on large vellum paper.
Brunet, IV, 899.
It is illustrated with a folding plan and 20 mezzotint style plates by Mérigot et Fils.
"Nature and the arts seem to have contributed to Chantilly's embellishment. There are very few places in France which gather so many objects of munificence and pleasure. The luxury and wealth of the buildings, the variety and beauty of the gardens, the abundance of waters, the brightness of the various points of views, the precious collections, rarities of many kinds… it is… Read More
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