Search Results: Titles starting with P from First Folio

Amsterdam: J. Wetstenium, 1751. First edition thus. One small cover scratch, fine in marbled cardboard slipcase. Minor interior staining to Vol. III.. First edition thus. Three volumes. 24mo (4 5/8"). (xl, 248p; (1)-2839, (x, index); (1)-301p. Half-title and engraved title page in each volume. Beautiful nineteenth century bindings in full calf, a.e.g., the spines densely gilt with red title labels. Spanish bookseller's ticket in each volume. Scarce. A lovely little set.

Tokyo: Toto Bunka CO, 1952. First edition. Upper corner bumped, else fine in d.j. and original publisher's cardboard box. First edition. 50 plates, 127p. Tall 4to. Gray-green cloth with titles and designs in brown, white, and orange.

Essex: The Workshop Press, 1990. No. 76 of 175 copies signed by the author. Fine. No. 76 of 175 copies signed by the author. viii, 47p. Illustrated throughout including five fold-out specimen samples from the Workshop Press. Bound by the author in quarter cloth over pattern paper boards, paper spine and cover labels.

New York: Appleton, 1924. First edition. Slight rubbing, VG+ in d.j.. First edition. 162p. Illustrated with 12 tipped-in color plates in different shapes. 4to. Black cloth with gilt spine titles and gilt vignette on upper cover. Rare.

Versailles: A. Bourdier, 1921. Light fading to spine and edges of wrapper, else fine. Oblong quarto. 20 lovely color plates (8 1/4" X 11 3/4") with accompanying text in English and French. Preface by Fernand Sabatte. Bound in black-printed red wraps.

London: Privately printed for subscribers by P. R. Stephensen, 1929. Definitive Edition" (same year as first). "This edition is printed complete, following the original manuscript, according to my wish. [signed] D.H. Lawrence. Copy no. 338. Very sligth wear, about fine. Definitive Edition" (same year as first). "This edition is printed complete, following the original manuscript, according to my wish. [signed] D.H. Lawrence. Copy no. 338. [xiv], 125p. Portrait drawing as frontispiece. Title-page in blue with titles surrounded with brown key design. Bound by Whitman Bennett in purple morocco with marbled sides and endpapers, t.e.g. the spine with gilt titles and simple double rules in the panels with dotted rules on the bands. Original white stiff paper wrappers bound in. Roberts A47c.

Leicester: Twelve By Eight Press, 1963. No. 77 of 500 copies signed by the author. Fine. No. 77 of 500 copies signed by the author. 96p. Foreword by Dr. Dard Hunter. Illustrated by Rigby Graham. With two full sheets and three swatches of the paper specimens. Bound in gilt-titled parchment paper boards with gilt device on the upper cover. Housed in paper slipcase witj gilt device on cover.

Surrey: The Tabard Private Press, 1988. No. 13 of 25 copies on Barcham Green Langley hand-made paper and quarter bound in leather. Fine. No. 13 of 25 copies on Barcham Green Langley hand-made paper and quarter bound in leather. Square 4to. xii, 77p. Colophon. Illustrated with a full-page wood-engraving by Michael Renton, 6 tip-ins printed by lithography, and 8 line-blocks made by G. P. E. Ltd, Guildford. Bound by The Fine Bindery, Wellingborough in quarter Oasis leather and linen-covered boards, gilt spine label. Housed in brown cloth slipcase. Prospectus laid in.

Birmingham: Birmingham School of Printing, 1930. Mild wear around the edges, all else fine. String tied wrappers. 16p. Type cast and set and printed by the students. Every page with red ruled borders. Illustrated by C. C. Webb with three full-page wood engravings. Blue wrappers with paper label on upper cover.

Deluxe edition limited to 90 copies (total edition 900). Fine. Deluxe edition limited to 90 copies (total edition 900). Quarto. 64p. Illustrated. Bound with red cloth spine with pattern paste paper sides and paper spine label. Along with a portfolio: "Parenthesis 17: The Portfolio" containing 13 pieces from various presses. All contained in a slipcase with the paste paper sides.

Fine. Quarto. 60p. Illustrated. Bound in repeating pattern paper-covered boards with paper spine label. Along with a portfolio: "Parenthesis 11: Deluxe Ephemera" containing 13 pieces from various presses. All contained in a slipcase matching the cover of the issue.

One of 90 deluxe copies (total edition 900). Fine. One of 90 deluxe copies (total edition 900). Quarto. 64p. Illustrated. Bound untitled tan cloth with color-printed dust jacket. Along with a portfolio: "Parenthesis 18: The Portfolio" containing 10 pieces from various presses. All contained in a slipcase with color-printed sides.

Fine. Quarto. 64p. Illustrated. Bound in repeating pattern paper-covered boards with paper spine label. Along with a portfolio: "Parenthesis 9: Deluxe Ephemera" containing 10 pieces from various presses. All contained in a slipcase matching the cover of the issue.

One of 90 deluxe copies (total edition 900). Fine. One of 90 deluxe copies (total edition 900). Quarto. 64p. Illustrated. Bound in quarter blue cloth over pattern paper boards with paper spine label. Along with a portfolio: "Parenthesis 16: The Portfolio" containing 12 pieces from various presses. All contained in a slipcase with pattern paper sides.

Paris: Editions Rombaldi, 1959. Edition of 4000 copies. Reproductions of earlier plates in pochoir. Fine. Edition of 4000 copies. Reproductions of earlier plates in pochoir. Folio with 9 pages of text and 24 plates laid loose in portfolio. Portfolio of heavy paper stock with pictorial cover in colors within glassine. The plates colored by hand in pochoir by Edmond Vairel. Volume from COLLECTION COSTUMES ET MODES D'AUTREFOIS.

Limoges: Dalpayrat et Depelley, 1888. Old wear, but quite sound and attractive.. 314p. Title page and one other page with large chromolithographed borders, all other pages surrounded with a red rule. 32mo. Bound in full leather with pattern silk endpapers, a.e.g., the covers with elaborate gilt borders.

[Oldham, UK: Incline Press, 2000. No. 50 of 200 copies. Fine in paper slipcase open on two sides. No. 50 of 200 copies. 65p. Written and illustrated by Ljungberg with 45 wood engravings, all but a few printed from the original wood blocks, printed in 6 different blacks. With a tipped-in frontispiece signed in pencil by the artist. Translated unto English by Rosemary & Thorsten Sjolin. Bound in quarter red cloth over patterned paper boards with paper spine label. Prospectus laid in.

Lincoln, MA: Penmaen Press, 1980. Limited to 1000 copies. Fine in d.j.. Limited to 1000 copies. Illustrated with wood engravings by Bertha Golahny. Gilt-titled wheat cloth.

Hoboken, NJ: John Wiley & Sons, 2003. First edition. Fine in d.j.. First edition. ix, 373p. Illustrated. Gilt-titled white boards.

Worcester: Stanbrook Abbey Press, 1965. No. 352 of 500 copies. Fine, two very faint postage stamp sized stains to fore-edge in slipcase with one small scrape. No. 352 of 500 copies. Quarto. xvii, (v), 81p (v). Preface by Robert Speaight. Translated into English by A Benedictine of Stanbrook. Text in French on the versos and in English on the rectos. Tipped-in portrait lithographed after a photo. Title and devices by Margaret Adams. Bound in gilt titled quarter black morocco over Japanese paper boards, t.e.g.