Description:
New York: The Viking Press, 1956. First Edition. First Printing. Octavo (22cm); stone-patterned paper-covered boards and beige cloth backstrip, with titles stamped in dark brown on spine; rose-colored topstain; map endpapers; dustjacket; [xii],[2],3-368,[4]pp. Sunning to topstain, a few faint scuffs to right edge of textblock, else a clean, Near Fine copy. Dustjacket is unclipped (priced $3.95), gently spine-sunned and lightly edgeworn, with a few closed tears; Near Fine. Well-preserved copy of the West Virginia author's third book, and the first volume in her "Beulah Quintet," set in Colonial America between the Endless Mountains and Virginia.
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O Beulah Land: A Novel
by SETTLE, Mary Lee
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O Pioneers!
by CATHER, Willa
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Boston: Houghton Mifflin, 1913. First Edition. First printing, binding a. Octavo (19cm). Yellow-brown cloth, stamped in brown; plain endpapers; [x],[310]pp; color frontispiece. Straight and sound, lightly rubbed at edges, stamped on spine lightly worn, internally clean: Very Good. Cather's second published novel, and her first great work. The story of a Swedish-American family running a farm in Nebraska, "at once a sophisticated pastoral and a prototype for later feminist novels" (The National Willa Cather Center online). Cather took the title from a poem by Whitman. One of 2,000 copies printed. CRANE A6.A.i. HANNA 637. COAN p.10. .
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O Shana, Shana
by McCLOSKEY, Eunice [née LonCoske]
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Philadelphia: Dorrance & Company, 1973. First Edition. First printing. Warmly inscribed on front endpaper: "To my dear friend, Danny Rezmerski, God bless you, dear / Fondly," signed, undated but apparently contemporary with publication. Octavo; gray cloth hardcover, dustjacket; 194pp. Tight and straight, about Fine. In the original dustwrapper, unclipped (priced $4.95 on front flap), slightly foxed and soiled on lighter portions; Very Good. Somewhat uncommon vanity-published novel, with a Pennsylvania working-class setting, by the artist/author who would come to be known as the "Grandma Moses of Pennsylvania.
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O The Chimneys: Selected Poems, including the verse play Eli
by SACHS, Nelly (various translators; Hans Magnus Enzensburger, introd)
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New York: Farrar, Straus, Giroux, 1967. First English Language Edition. Octavo. Maroon cloth hardcover; 387pp. Front endpaper slightly darkened from a laid-in clipping, else tight and fine in a crisp and unfaded dustwrapper, unclipped (priced $7.50 on front flap); Near Fine. The first English-language publication of this selection of the German-Jewish poet's work, following her Nobel Prize in 1966.
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OBJECTS IN THE TERRIFYING TENSE LONGING FROM TAKING PLACE
by Scalapino, Leslie
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New York: Roof Books, 1993. First Edition. Glossy rose pictorial wraps. 8vo; 79 pp. Very clean copy with slight rubbing to two corners. Fine.
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OBLIVION, TYRANTS, CRUMBS
by Levy, John
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Charleston, IL: tel-let, 2003. First Edition. Glossy illustrated wrappers, plastic Velobound; 4to. 18 pp. The press has published Enslin, Eigner, Rothenberg among others, mostly in editions of 100 or fewer (none stated for this issue). Very good.
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OBLIVION: On Writing & Writers
by Justice, Donald
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Ashland: Story Line Press, 1998. First Edition. Uncorrected proof in plain wrappers; 8vo. 135 pp. Essays by Justice on poetry and poets: WC Williams, Yvor Winters; Philip Larkin and of course Weldon Kees, among others. Date inked out by publisher else fine.
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OBOE 6: An international journal of literature & art
by Anbian, Robert (ed.)
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Winchester, Virginia, United States
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San Francisco: Night Horn Press, Spring 1983. First Edition. Stapled illustrated wrappers; Folio. 48 pp. A literary and graphic magazine published from 1978-82. Cover collage by Paul Kwan. Poems by Juan Felipe Herrera, D. Nurske and others, photographs by Howard Munson, and an interview by Anbian of Jack Hirschman with bibliography and poems by Mayakovsky, Eluard and others translated by him. Corners worn else a very good copy. Robert Anbian is a poet, musician, writer, journalist based in SF long involved in the political and artistic underground.
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OBSERVATIONS
by Bruce, Lennart
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San Francisco: Kayak Press, 1968. First edition. Blue patterned stapled wrappers; 8vo. 68 p. Inscribed to Allan Brilliant, publisher of Unicorn Press, with a letter Tls on onion skin laid in thanking him for the Unicorn Folios (not present) and conveying this book. illustrated with prints by George Hitchcock. 800 copies printed on heavy multi-colored papers. Extremities sunned, otherwise a fine copy.
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OCLOCK: Poems
by Higgins, Mary Rising
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Elmwood, CT: Potes & Poets Press, 2000. First Edition. Photographic wrappers; 4to. Signed in full by the author on the title page. Language/experimental poetry. Fine copy.
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OCTOBER
by Tarn, Nathaniel
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London: Trigram Press, 1969. First Edition. Illustrated wrappers; small 4to. "A sequence of ten poems followed by Requiem Pro Duabus Filiis Israel, with twelve drawings by Paul Vaughn." A few minor marks to wraps, and a small crease in rear wrap, related to binding. The final piece is a long requiem for the suicide of a friend. Inscribed at length by the author, on the front free endpage. Inscribed by Author(s).
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THE ODD LAST THING SHE DID
by Leithauser, Brad
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- ISBN 13
- 9780375401411
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- 0375401415
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New York: Knopf, 1998. First edition. An uncorrected proof copy in tan wraps of his fourth collection.
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THE ODD LAST THING SHE DID
by Leithauser, Brad
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New York: Knopf, 1998. First edition. An uncorrected proof copy of the poet's fourth collection. Very near fine, with publisher material stapled in.
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THE ODD LAST THING SHE DID
by Leithauser, Brad
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New York: Knopf, 1998. First edition. The tail of the jacket has a short tear and about 1/2" is crushed (not the binding) (in removable protective archival cover).
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THE ODD LAST THING SHE DID
by Leithauser, Brad
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- 0375401415
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New York: Knopf, 1998. First Edition. First edition. A Review copy with slip laid in. Fine in Fine DJ.
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THE ODD LAST THING SHE DID
by Leithauser, Brad
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New York: Knopf, 1998. First edition. An uncorrected proof copy of the poet's fourth collection. Very near fine.
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ODDS WITHOUT ENDS: A New Book of Light Verse
by McCord, David
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Boston: Little Brown & Co, 1954. First edition. Blue cloth in dust jacket; small 8vo. 137 pp. Inscribed by the poet twice to two different owners of the book; laid in is a letter (tls) to Alice Mumford on his Wadsworth House, Cambridge stationary. Very good copy, with a few white (paint) spots in a good only dust jacket.
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ODES
by Carroll, Paul
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Chicago: Big Table, 1969. First edition. A Review copy with slip laid in of the poet's first collection. Long foldout poem "Ode to Severn Darden" intact. Trifle dusty, otherwise fine in like complete dust jacket. An unused copy of the uncommon hardcover issue. Carroll is probably best known for his co-editing the Chicago Review issue and subsequently founding BIG TABLE that published excerpts from Burroughs' NAKED LUNCH that were eventually found by the courts to not be "obscene
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ODES à CHACUN
by Pichette, Henri
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Paris: Gallimard, 1961. First edition thus. L'edition originale sur papier ordinaire (apres 40 numerotes I a 40). [Original publisher wrappers (there were an additional 40 numbered copies)] 8vo. In original French. An about very good copy; lightly used.
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ODYSSEY [Science Fiction Magazine] Vols. 1 & 2 (complete run)
by ELWOOD, Roger (editor) with Frederick Pohl, Larry Niven, Robert Silverberg, et al.
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Winchester, Virginia, United States
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New York: Gambi Publications, 1976. First Edition. Quarto (27.5cm); large format, full color, glossy stapled wrappers; priced $1.00 on the upper right corner; each issue has 80pp,; cover art by Kelly Freas [vol.1] and John B. Gaughan [vol.2]. Both volumes have light browning to the pages of the text; else minimal edge wear; vol. 1 has a few short, closed tears to upper rear cover, else Fine. "The mid-seventies, during which Odyssey's two issues appeared, were characterized by contradictory events in the science fiction periodical market...Distribution, a crucial factor in a magazines survival, was poor. It's shoddy appearance worked against it- coarse, pulpy paper, confession-mgazine advertisements and a content page strewn with exclamation points and hype. The result was poor sales and subsequent cessation of publacation." TYNN and ASHLEY, p.442.
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