Search Results: Titles starting with O from Kelleher Rare Books

Dublin,Ireland: Gallery Books, 1985. Book. Very Good +. Hardcover. 1st Edition. First Edition, First Print. This is a true first edition, first printing (first impression) copy in a near fine dust jacket, internally unmarked, This the hardcover had a very small print run. Very Uncommon.

Dublin, Ireland: James Duffy & Co Limited, 1926. Book. Very Good. Hardcover. 1st Edition. First Edition, First Printing. 156 pp. 3 pp Adverts. This is a true first edition, first printing (first impression) with no reprint statement to the copyright page. Original pictorial boards, with light wear. Small contemporary name and address to the front endpaage. Offsetting to endpages, internally clean unmarked. A nice tight copy..

Dublin,Ireland: Gallery Books, 1998. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. First Edition, First Print. This is a true first edition, first printing (first impression) copy in a fine dust jacket. One of a small number of hardcover copies signed by Michael Hartnett. Clean unmarked internally. Signed by Michael Hartnett to the title page. Very Rare..

Dublin, Ireland: Anna Livia Books, 1975. Book. Near Fine. Soft cover. Signed by Author(s). 1st Edition. First Edition, First Impression unread paperback original in near fine condition, this is the true first which was published as a paperback original in very small numbers. The text is unmarked and tight with one small crease to the rear cover and the last few pages. Signed by Paul Durcan to the title page..

London, United Kingdom: Richard Bentley, 1835. Book. Very Good. Hardcover. 1st Edition. First UK Edition Thus, First Printing.442pp. This is a true first edition, first printing (first impression) of the revised and combined edition of three volumes. Quarter bound green leather, some rubbing to the covers. Some light spotting, tight binding and clean pages..

London, United Kingdom: Robert Holden & Co., Ltd, 1926. Book. Very Good. Hardcover. 1st Edition. First UK Edition, First Printing, This is a true first UK edition, First Print in an original jacket with the price of 7/6 net to the spine.. A very good copy, tight binding, writing in pencil to the front end page and rear (the pencil could be easily removed) some spotting to the fore edge of the text block, dulling to the top of the text block. Present is the very rare jacket which was designed by Ralph Keene, it has loss to the top of the spine and rear panel, some dulling, light wear to the corners, the jacket is complete. The author's very scarce first novel.

London, United Kingdom: Lawrence and Bullen, 1896. Book. Very Good. Hardcover. 1st Edition. First UK Edition, First Printing. A true first printing. Pp. 248. Green cloth, quarterbound, spine black, red title label to spine, title lettered in gilt. Internally clean with small name to preliminary page., tight binding. light wear to corners. .

London, United Kingdom: Cassell and Company, 1900. Book. Very Good. Hardcover. 1st Edition. First UK Edition, First Printing. Octavo, pp. [1-8] [1] 2-341 [342: printer's imprint] + [16]-page publisher's catalogue dated "9.00" inserted at rear, original red buckram, spine panel stamped in gold,gilt to topedge of text block, white endpapers with publisher's devices printed in gray. Original red cloth bright with light fade to the spine. Tight binding, pages clean a touch of spotting..

New York, USA: Longmans Green & Co, 1895. Book. Very Good +. Hardcover. 1st Edition. First American Edition. First Printing. pp. 452. [16: catalogue] Original brown publisher's cloth, stamped in brown and red, some darkening to the spine and boards, moderate red stain to lower front panel. Internally clean pages light spotting to the end pages, Tight binding, seems unread..

London, United Kingdom: Walker Books, 2012. Book. Illus. by Sif, Brigitta. Very Good. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First Printing. This is a true first UK edition, first printing (first impression) with a full number line to the copyright page as called for to indicate a true first print in illustrated boards. Signed to the front end page by Brigitta Sif, she has also drawn a small sketch.. some light soiling to the cover, internally clean pages. Uncommon. . .

London, United Kingdom: George Routledge & Co, 1850. Book. Very Good. Hardcover. 1st Edition. First UK Edition, xi, 213pp Original cloth binding, stamped decoration to front and rear panel, gilt to the spine. Slight wear to extremities and rubbing to the upper and lower spine. Spine dulled. Original pale yellow end pages have some marks, small hole to top corner, internally generally clean, some light smudging. Very uncommon in original binding..

London, United Kingdom: Methuen & Co Ltd, 1923. Book. Very Good +. Hardcover. 1st Edition. First UK Edition, First Printing. Octavo. 217 pp. [8. catalogue ] True first printing with 'First Published in 1923' to the copyright page. A very good plus copy, tight binding, light signs of use, clean pages.

Dublin, Waterford: M.H. Gill & Son Ltd, 1917. Book. Very Good +. Hardcover. 1st Edition. First Edition, First Print. This is a true first edition, first printing (first impression) Octavo, pp. 72. T,J O'Mahony D.D. D.C.L. Professor of Philosophy to the foreign missionary, College of All Hallows, Dromcondra. Original quarter bound leather, raised bands. marbled end pages. Light spotting in places, tight binding. This collection inspired by HOWTH, Dublin, was Dedicated to his students of 1915 - 1917. Scarce. .

London, United Kingdom: Faber And Faber, 2007. Book. Near Fine. Soft cover. Signed by Author(s). 1st Edition. First UK, First Print. This is a true UK first edition (First Impression), a paperback original, signed and dated by Nick Laird to the title page a week before the official publication date [ Nick Laird 12.08.07 ].

London, United Kingdom: Hamish Hamilton, 2003. Book. Fine. Hardcover. 1st Edition. First UK Edition, First Printing. This is the true first edition, first printing (first impression) with a single [1] to the copyright page therefore indicating a true first print. In a fine jacket which is not price-clipped (£16.99). Unread, internally clean..

London, United Kingdom: Bloomsbury, 2006. Book. As New. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First Printing. 264 Pp. Octavo. Original brown cloth, titles gilt to spine. Internally as new, unread in a as new jacket which is not price clipped. Signed by Paul Rusesabagina to the title page. Laid in is a flyer to the books signing. The book inspired the film 'Hotel Rwanda'.

Dublin & Cork, Ireland: Talbot Press, 1918. Book. Good. Hardcover. 1st Edition. First Edition. Pp. 383. This is the true first edition, first printing (first impression) with 1918 to the title page and no statement of reprint on the copyright page. Original blue boards rubbed and faded, pages toned, clean and a tight binding, A solid copy with an inscription to the front end page, verso of the front end page half title page and recto of the half title page. First novel of the Monaghan born Irish comic playwright..

London, United Kingdom: Chatto & Windus,, 2008. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First Print. A true first edition, first printing in a fine as new jacket. Signed and dated to the title page by the author [ Sadie Jones September 13th, 2009, DUblin].

London, United Kingdom: Michael Joseph, 1979. Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. First UK Edition, First printing. This a true first edition first Impression with '1979' to the copyright page and no statement of reprint. A fine tight copy in a near fine price clipped jacket with a small neat gift inscription to the front end page, otherwise unmarked. Signed by the author Arthur Hailey to the title page. Uncommon Signed..

Dublin,Ireland: Goldsmith Press, 1973. Book. Illus. by Fionola Graham. Near Fine. Soft Parchment. 1st Edition. A limited edition broadside produced by Goldsmith Press. N.L.I. states that 100 were produced however it was unlikely all were finally produced and of those many were not hand coloured - this one is. Illustrated by Finola Graham and containing 'The Oat Woman' by Michael Hartnett. Black text and illustrated image on thin laid paper. (12.5 by 9 inches) Suitable for framing. Numbered 28/100 to the lower front and hand written mistakingly by the publisher on the back as [ No 31, Limited Edition of a hundred hand-coloured copies]. Hand Coloured by the artist Fionola Graham..