Search Results: Titles starting with L from Thomas A Goldwasser Rare Books

No. 4944.Paris, December 1937. Original wrappers, very good.

Paris, 1930. Folio, 14-7/8 in. x 11-1/4 in. Embossed felted wrappers, spine rubbed, otherwise very good. Christmas 1930 number, including the work of F.-L. Schmied, A. E. Marty, Paul Jouve, and others. Numerous full-color tipped-in plates, as well as lavishly printed in-text color illustrations. There is a wonderful (illustrated in color) article about Art Deco bindings.

No. 4735. Paris, December 1933. Original wrappers, very good.

No. 4892. Paris, December 1936. Original wrappers, very good.

[Paris]: Gallimard, 1972. 198 p. l8 cm. 195 pp; slight fading, else fine.

1969. 26 cm; periodical, illustrated. Wrappers, very good. Includes texts of Beckett's "La Derniere bande", Pinget's "Lettre morte," and "Une demande en mariage," by Simone Dubreuilh.

1970. 26 cm; periodical, illustrated. Wrappers, very good. Includes texts of Pinget's "Lettre morte," and "Architruc," also two by Ionesco.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: 2 plates displaying engraving of letters, maps and music and the tools used to engrave letters, sheet music, maps. And two descriptive text sheets. Plates are numbered 1-2.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: 3 plates and 1 text sheet. The plates display a vignette that represents the interior of the atelier where the furnace is seen in the chaudiere from which the lead is melted ; and where the mixture of the oprin is done, plus the drawings of all the tools and equipments for the casting of bullets.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: Three plate plus one descriptive sheet.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: 3 plates describing an atelier and the smith engraving on lockets and all tools that are used in this art. Plates are numbered 1-3. 2 plates displaying two engravers in their attractive atelier and their tools. Plates are numbered 1-2. Included also one text sheet demonstrating the use of equipments and tools for engraving lockets and seals.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: 3 plates of engraving on gemstones including equipment and tools. One descriptive text sheet. Plates are numbered 1-3.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: The 37 plates includes two sections : first section numbered 1 -11 plates are drawings describing the Pipe Organ with minute details. Plate 11 is an index to a tuning scale. Second section, plates numbered, 1- 22 describes foreign, ancients, modern instruments & percussion plus different sorts of beautifully made instruments. Plate 10 on this section is doubled, and on which described all tools needed in the making of the wind instruments. Plate 13 is damaged, with a missing corner affecting text and border but not drawings. Plate 22 is double page. Four descriptive text sheets.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: The 14 plates are breath taking drawings of different marble pavings for churches, salons palaces . That still can be enjoyed in the Sorbonne, Notre Dame de Paris, des Invalides, and more. 3 double plates numbered 9,10 & 11 are marvelous plans for works done on some historical buildings in Paris and more. Plates 12, 13, & 14 contain drawings of tools needed in the making of this art. Including 1 text sheet.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: This suite of 71 plates comes in divided sections, and each section is devoted to the explanation of a different branch of science, thus each one of these 17 sections is numbered individually followed by 16 text pages. GÉOMÉTRIE 5 plates numbered 1-5 are an extensive work showing all the figures and instruments used in the practice of science of geometry. TRIGONOMÉTRIE 2 plates numbered 1-2 demonstrate the relationship involving lengths and angles of triangles and shows how this science emerged from applications of geometry to astronomical studies. ARPENTAGE 3 plates numbered 1-3 illustrate the science of surveying it's tools and the way are used in land and sea mapping . These science is known since human built the first large structures. ALGEBRE ET ARITHMÉTIQUE 2 plates numbered 1-2 demonstrat figures practiced in this science and on plate two we… Read More

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: 32 plates divided into six suites showing engravers in ateliers, equipment, tools, and several types of engraving: 8 plates containing attractive drawings of different steps in the art of engraving such as etching, copper-plate engraving, mezzotint engraving, crayon engraving, black engraving and including the tools needed. With their accompanying 9 text pages . Plates are numbered 1-8, and plate 1 is a double plate.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins. 17 text pages plus one folio and 25 plates . plates numbered 3, 6, 7, 8, 24, and 25 are all double plates. This 25 fascinating plates detail the art of casting cannons, the machines, the moulds for the casting of cannons, bombs, and bullets. In fact each plate from 1 to 25 is a fascinating journey through drawings of craftsmen working on different design of cannons specially on the double plates, also on plates 1, 2, 3 display general plans of impressive furnaces foundations on minute detail.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: 14 plates including one double-page plus 1 page of descriptive text. 253 x 393mm. The folio represents all the buildings of all the royal manufacture of Langlee close to Montargis, seen from the channel of Montargis and shows details of the giant mills. The drawings illustrate beautiful giant mills each one in it's own atelier & details of their mechanism plus the tools needed in the making of this art.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins: 3 plates displaying an attractive atelier and engravers on wood and tools, plate numbered 3 in this section is a display of the principles, and 1 descriptive text sheet. Plates are numbered 1-3.

Paris, 1767. The following plates come from a defective copy of Volume 5 and are generally in excellent condition, with full margins. 8 plates followed by their 4 text sheets. Plates are numbered 1-8. Plate 1 is a double plate showing samples and tuning forks. Plates 2, 3, 4, 5 are drawings of the fabrication the molds, plan and elevation of the furnace, and the operation. Plate 6 is a drawing of a factory where the operation of cooling the bells is in the process. Plates 7, 8 are drawings of the towers and the suspension of the bells.