Search Results: Titles starting with K from Florilegius

Very good Japanese woodblock print by Utagawa Kunisada II
Depicting a rather unusual scene from a Kabuki play with two actors holding up another actor as though he were a puppet in a Bunraku play.
Nakamura Fukusuke I is paraded like a Puppet of Yaoya Hanbei by two supporting actors Arashi Kangoro I as Yoshida Kango (right), and Nakamura Kangoro I as Yoshida Kanta (left).
The play is Na Nomi Yaoya Ryori no Futsutsuka, from Wakaki no Ume Satomi no Yatsufusa.
Published by Hayashiya Shogoro in Tokyo in Ansei 4 of the Edo Era (1857).
Utagawa Kunisada II (1823-1880) was a Japanese ukiyo-e print maker and head of the Utagawa school. He worked in many genres including theatre actors (yakusha-e), beauty pictures (bijinga), erotica (shunga), literary scenes. He never achieved the level of success of his master.
Good impression with deep colour and rich black, slight age toning to the paper.
On verso, four adhesive stains to the bottom and top edges from a previous mount easily covered if matted. Small mark in… Read More

Kaishien Gaden (Manual of the Mustard Seed Garden) is an Edo-Era Japanese edition of the very popular Chinese painting guide Jieziyuan Huazhaun by Wang Gai, first published in the Qing Dynasty in China (1701). The manual was reprinted many times from 1748 onwards in Japan.Four volumes from the Second Collection, with drawing instructions and examples for ume plums and kiku chrysanthemums. (Lacks the four volumes on ran orchids and take bamboo.)Vol. 1 Plums: 28pp text, 22 b/w plates; 6pp text, 40 color platesVol. 2 Chrysanthemums: 16pp text, 22 b/w plates; 12pp text, 20 b/w plates The woodblock prints in the plum volume, part 2, are double-page full-color reproductions of botanical art by famous Chinese artists with their seals.Condition: Covers browned and scuffed with some minor worm damage, interior solid and woodcuts mostly clean and bright, but with some browning and worming mostly outside the image.

Very good copy of this collection of chromolithographs of Medieval and Renaissance costumesWith 12 plates from A. Mazuy's Types et Caracteres Anciens, d'apres des Documents Peints ou Ecrits.A dozen romantic figures from history in three colours (red, black and white) on a sepia background by the artists Theophile Fragonard and Dufey, lithographed by Louis Rene Letronne. With many curious vignettes in the text.The subjects include:Venetian courtesan or cortigna onesta, 17th century. La courtisane Venitienne.
La Chatelaine, Dutch woman wearing a fashionable chatelaine belt clasp with purse, keys, etc., 16th century.
Student with book, sword, and knife hanging from his belt, in doublet, cape, hose and shoes, 17th century. L'ecolier.
Dandy in cap, lace ruff collar, short cape, quilted doublet, hose, buckle shoes, wearing a sword. Le Mignon, 16th century.
Romany or Gypsy dancing girl, La Bohemienne, 17th century. Dancing with her hair in pigtails, barefoot, anklets and hitting a tambourine above her… Read More

Rare complete copy of Keika Hasegawa's Keika Hyakugiku (100 chrysanthemums by Keika)(The British Museum only has Volumes 1 and 2, the Smithsonian only 2 and 3.)75 colour woodblock prints (all published), including eight double-page, from this seminal book on the cultivation of chrysanthemums. Volumes 1 and 2 published in July 1893 and Volume 3 published in December 1903. Chrysanthemum cultivation came to Japan from China in the 8th century and the flower was later adopted as the Emperor's crest. Over the centuries, extraordinary hybrids of elegant shapes and vibrant colours were produced, many of which are recorded in this book.Little is known about the artist Keika Hasegawa. (The name Keika is usually a woman's name.) Active in the final years of the 19th century, he also produced books of patterns for kimono and washi paper such as Biko Zukan (Art Book) 1894, and Kyoka Zuan (Patterns of Kyoto), 1897. Original wraps are grubby and worn, interior slightly browned and edges worn. A few prints with… Read More

Very good complete copy of Hermann Köhler's celebrated German study of medicinal botanyWith 283 dynamic botanical chromolithographs mainly signed W.M. (Walther Otto Muller), with others by Carl Friedrich Schmidt and K. or E. Gunther. The botanical plates are justly famous for their attractive design, with all parts of the flower, leaf, branch, fruit and seed displayed over the entire plate.This monumental German herbal was written principally by Hermann Adolph Köhler, edited after his death by Gustav Pabst, and published by Franz Eugen Köhler from 1887-1890. The third volume was published later in 1898 with the subtitle Latest medicinal plants and confusions (Neueste Medizinalpflanzen und Verwechslungen), revised by Max Vogtherr and M. Gürke, curators at the Botanical Museum in Berlin.With an advert for the fourth volume with another 100 plates (never published).Hermann Adolph Köhler (1834-1879) was a Prussian German physician and chemist. He was awarded the Iron Cross for his work as a military… Read More

A beautiful copy of Ernst Haeckel's influential book on natural history that married art and science.

Set of the first five (5) parts only.

With 50 beautiful chromolithographed plates in the original printed wrappers and pictorial box.

The 50 fine plates, some printed in colour, chromolithographed by Adolf Giltsch after sketches by Ernst Haeckel.

"First edition of this famous and marvelous work which had a considerable influence on decorative design in the Jugendstil and Art Nouveau period during the beginning of the 20th century and depicts fantastic, real forms and structures found in animal and plant life."

Many artists of the era, such as French glass designers Emile Galle and Rene Lalique, kept a copy of Haeckel's illustrations at home. French architect Rene Binet incorporated forms of Radiolarians in his work on the Porte Monumentale at the 1900 Paris Exposition. Dutch architect Henrick Petrus Berlage designed a chandelier based on Discomedusae jellyfish. German photographer Karl… Read More

A beautiful copy of Ernst Haeckel's influential book on natural history that married art and science.First complete book edition following the original edition in parts published from 1899-1904. With the 51-page supplement. 100 fine plates, some printed in colour, chromolithographed by Adolf Giltsch after sketches by Ernst Haeckel. "First edition of this famous and marvelous work which had a considerable influence on decorative design in the Jugendstil and Art Nouveau period during the beginning of the 20th century and depicts fantastic, real forms and structures found in animal and plant life." Many artists of the era, such as French glass designers Emile Galle and Rene Lalique, kept a copy of Haeckel's illustrations at home. French architect Rene Binet incorporated forms of Radiolarians in his work on the Porte Monumentale at the 1900 Paris Exposition. Dutch architect Henrick Petrus Berlage designed a chandelier based on Discomedusae jellyfish. German photographer Karl Blossfeld also explicitly… Read More