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Jacob blesses his sons
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Jacob blesses his sons

by Flemish School, 18th century

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Engraving on light wove paper with a large Amsterdam Coat of Arms watermark, 9 5/16 x 7 1/2 inches (236 x 190 mm), narrow margins. Scattered light areas of discoloration, handling creases and pencil notations on the verso.
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Jan Cornelis Sylvius
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Jan Cornelis Sylvius

by Rembrandt van Rijn (after)

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1880. Heliogravure on cream laid paper, 6 1/2 x 5 1/2 inches (164 x 138 mm), thread margins. Uniform toning on the recto, and scattered light foxing and various notations in purple ink and pencil on the verso. Printed late 19th century. [Bartsch 22 (copy)].
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Jan Six
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Jan Six

by Basan, Pierre Francois (after Rembrandt van Rijn)

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Used
ISBN 13
1941032711103
ISBN 10
1941032711100
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Paris: Henri Louis Basan, 1810. Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin with Rembrandt's facsimile signature and date: "Rembrandt f. 1647." On the verso of the mount is an area of adhesive residue at the lower right corner, and paper tape tabs at the top and bottom right corner from a former mount (also on the verso of the mount). Inscription in orange pencil in the lower left corner on the verso of the mount. In very good condition with excellent inking. With the 6 and 4 in the date appearing in reverse as described in New Hollstein. [New Hollstein 238a]. A portrait of Jan Six; whole-length, standing in a dark interior, reading a paper at a window at right. A copy in the same direction after Rembrandt's etching of the same title from an edition of the Recueil published by Henri Louis Basan around 1810. An impression of this work may be viewed in the permanent… Read More
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Jess
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Jess

by Haggard, H. Rider

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  • Fine
  • first
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Used - Fine
Edition
First Edition
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London: Smith, Elder, & Co, 1887. First Edition. Fine. 8vo. 7 1/4 x 4 3/4 (184 x 120 mm); viii, 336. Handsomely bound in polished red calf by Bayntun (stamp on first endpaper), gilt fillets on covers, decorations to edges and turn-ins, 5 raised bands, gilt decorations in compartments, with title on green and blue morocco labels, marbled endpapers; original red cloth covers bound in; a.e.g. Very occasional spotting, else pages clean and fresh and binding tight and square. FOYLE COPY copy with gilt-stamped red roan Wm. A. Foyle Beeleigh Abbey label to front pastedown [McKay 6]. A beautifully bound volume from the distinguished library of bibliophile and bookseller William A. Foyle. This novel, set in South Africa, is the fifth work of fiction by Sir Henry Rider Haggard KBE (1856-1925), know for his adventure fiction romances set in exotic locations, and sometimes considered the father of the Lost World genre. Jess, like several of his other works including King Solomon's Mines and She, were… Read More
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Jeune Femme Cousant; Madame Helleu
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Jeune Femme Cousant; Madame Helleu

by Helleu, Paul César1088

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Paris: Gazette des Beaux Arts, 1892. Etching and dry point on cream laid paper. 7 9/16 x 5 7/8 inches (191 x 148 mm), full margins. Signed in pencil, lower right margin. A dark, inky impression of this touching portrait of the artist's wife. Scattered marginal mat tone and light tone, tab marks on top left and right visible on recto, well outside of the image area.
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Jeune Israelite

Jeune Israelite

by Planat, Pierre

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Used
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£160.60
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Paris: Pierre Langlume, 1820. Lithograph on cream wove paper, 14 1/2 x 9 3/4 inches (367 x 246 mm), margins trimmed. Adhered to a wove paper support, scattered moderate staining, foxing and surface soiling. There is a loss at the lower left corner, top left corner, and minor losses at the top right corner. Two significant vertical tears appear at each the top right sheet edge, and bottom center sheet edge. Both extend into the image area but are repaired by the support.
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Jeune Tigre jouant avec sa mère

Jeune Tigre jouant avec sa mère

by Delacroix, Eugène

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1831. Lithograph on on white wove paper, 4 1/2 x 7 3/8 inches (112 x 187 mm), wide margins. First state (of 6). A very good impression with minor scattered spots of very light discoloration. [Delteil 91.1]. At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil in 1822 in the Salon. His success in 1822 having brought him fame, Delacroix for a time led a busy social life.  He was a friend of Richard Parkes Bonington, who frequented the studio of Gros, and he became acquainted with Thales Fielding. Tradition has it that after seeing one of Constable's landscapes at a Parisian art dealer's, in the four days remaining before the opening of the Salon, Delacroix re-painted the… Read More
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Jeux de boules; Near the city gate
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Jeux de boules; Near the city gate

by Swanevelt, Herman Van

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Used
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1650. Etching on cream laid paper, 6 7/8 x 10 7/8 inches (175 x 275 mm), thin margins. Some minor surface soiling and paper tape residue in four areas along the top sheet edge, verso, otherwise in good condition. From a series of 12 Landscapes, fourth state (of 4), printed in the 18th century [Hollstein 96].
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Jewelry Choir Stalls of the Cathedral of St Cecilia, Albi; The Reredos, St. Cecilia, Albi
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Jewelry Choir Stalls of the Cathedral of St Cecilia, Albi; The Reredos, St. Cecilia, Albi

by Arms, John Taylor

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Used
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1938. Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before the addition of drypoint and the ornament on the reredos. Although this impression is inscribed with an edition number of 150 in the artist's hand, Fletcher states an edition of 204 impressions of the second state (before the added ornamentation on the reredos). Printed by David Strang. With an unidentified accession number written in pencil on the verso (73.27993). No. 21 from the Minature Series; No. 3 from the Brooch Series. [Fletcher 316A].
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Jorrocks's Hunt Breakfast -- A Terrible Surprise.; Sporting Anecdotes
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Jorrocks's Hunt Breakfast -- A Terrible Surprise.; Sporting Anecdotes

by Alken, Henry Thomas

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£60.22
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London: Kegan, Trench, Trubner & Co, 1838. Engraving with hand coloring in watercolor, 4 1/8 x 6 3/4 inches (104 x 170 mm), full margins. In good condition with minor handling creases and a pencil notation in the lower right corner, outside of the image area. From Jorrocks's Jaunts and Jollities; or, The Hunting, Shooting, Racing, Driving, Sailing, Eating, Eccentric and Extravagant Exploits of That Renowned Sporting Citizen, Mr. John Jorrocks, of St. Botolph Lane and Great Coram Street, by Robert Smith Surtees. A scene depicting one of the many humorous adventures of Mr. Jorrocks, a Cockney grocer who aspires to the sporting life of a country gentleman.
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Joseph Hill, the Bell-Ringer (with a stand for his bells), from Costume of the Lower Orders of...
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Joseph Hill, the Bell-Ringer (with a stand for his bells), from Costume of the Lower Orders of London

by Busby, Thomas Lord

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London: Baldwin & Craddock, 1820. Engraving with hand coloring in watercolor and collage on cream wove paper, 7 x 5 3/4 inches (187 x 145 m), margins significantly trimmed. Publishing information has been trimmed out of the bottom margin. Scattered foxing; adhered to grayish wove paper. Thomas Lord Busby's 1820 volume, Costume Of The Lower Orders of London, was part of a genre of popular books that featured images of colorful working folk found in the streets of London. Drawn from life by Busby, the portraits are of real people who were well known street personalities. Each portrait is accompanied with a fascinating and often moving passage regarding the life and circumstances of the subject. The following passage accompanies the image of Joseph Hill: "JOSEPH HILL, the Bell-ringer. THE unfortunate subject of the present sketch is a religious enthusiast. He says he was born in Bedfordshire, that he has been married twenty-two years, happily without a family. Formerly he attached the Bells to… Read More
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Journal of Sentimental Travels in the Southern Provinces of France Shortly Before the Revolution;...
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Journal of Sentimental Travels in the Southern Provinces of France Shortly Before the Revolution; Embellished with Seventeen Coloured Engravings, from Designs by T. Rowlandson, Esq

by Combe, William (uncredited). Illustrated by Thomas Rowlandson

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  • near fine
  • first
Condition
Used - Near fine
Edition
First Edition
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London: Rudolph Ackermann, 1821. First Edition. Near fine. Thomas Rowlandson (1757 - 1827). 8vo, 9 5/16 x 6 in. (245 x 155 mm); pp. tile page + ii + 291 + [1] + 18 bound-in hand-colored aquatint plates from designs by T. Rowlandson (although the title page calls for only 17 engravings this copy contains 18, as called for in the list of "Directions to the Binder"). Each plate bears the imprint, Pubd. at R. Ackerman's Repository of Arts No. 101 Strand date 1820 or 1821. Printed on cream wove paper, light foxing on front pages and versos of some engravings, some plate offsetting, else clean and bright. Later three quarter red mottled calf binding by Riviere with gilt fillets on corner and spine pieces, marbled cloth, five raised bands with gilt compartments, black morocco title labels, marbled end-papers, t.e.g., slight wear to joints and corners. [Tooley 415; Abbey Travel 89]. A complete specimen (with advertisement at end) of this humorous and engaging social and political satire just before the… Read More
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The Journey of Thomas the Rhymer
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The Journey of Thomas the Rhymer

by Lemaire, Angela / OLD STILE PRESS

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  • Fine
  • first
Condition
Used - Fine
Edition
First, Limited Edition
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£120.45
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Llandogo, Monmouthshire, UK: Old Stile Press, 2000. First, Limited Edition. Fine. 4to, 11 x 8 5/8" (280 x 220mm); 44 pp. printed on Zerkall mould-made paper and set in Van Dijck type, with 19 wood engravings and 3 linocut borders printed from original blocks in sepia and three different tones of black. Casebound in light green paper with designs by the artist; gilt spine titling; scarlet end-papers. Blue cloth slipcase, incorporating label printed with "Four Seasons" engravings. Bound by The Fine Bindery, Wellingborough. Limited edition of 220 numbered copies of which this is no. 128, SIGNED by the AUTHOR. [McDowall & Campbell p. 22-25]. Thomas the Rhymer, also known as Thomas of Erceldoune, was a real person who lived in the 13th century. While wandering alone in the forest lands of Melrose Abbey, Roxburghshire, Thomas saw a beautiful lady riding on a palfrey. He took her to be the Queen of Heaven. She denies it and tells him she is from 'another country'. She is, rather, the Queen of the… Read More
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Journey of the Magi; Drawings by E. McKnight Kauffer
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Journey of the Magi; Drawings by E. McKnight Kauffer

by Eliot, T. S.

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  • very good
  • first
Condition
Used - Very Good
Edition
First Edition
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£385.44
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London: Faber & Gwyer Ltd, 1927. First Edition. Very Good. Edward McKnight Kauffer. 12mo, 7 1/4 x 4 3/4 (183 x 120 mm). Cover title, 4 pp, including one color illustration by E. McKnight Kauffer. Stab-stitched yellow paper wrapper printed in black on pages i (color frontispiece) and iv (series title and no.), folded over heavy blanks; back wrapper neatly separated at the seam, but wrapper clean and crisp. No. 8 of the Ariel Poems [Gallup A9a]. This is one of the early "Ariel Poems" series published by Faber & Gwyer (later ones by Faber & Faber) which included each one poem by T. S. Eliot accompanied by a color illustration done by one of several artists who contributed to the series. Each was printed in a run of 3000 to 5000 copies. From the estate of Robert Cecil Bald (1901 - 1965), an Australian scholar of English Literature, who moved to the US to teach at Cornell University in 1937 and was then a professor at the University of Chicago from 1952 to 1965.
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A Journey to the Western Islands of Scotland
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A Journey to the Western Islands of Scotland

by Johnson, Samuel

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  • first
Condition
Used - Very good +
Edition
First Edition, First State
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London: W. Strahan and T. Cadwell, 1775. First Edition, First State. Very good +. 8vo, 8 3/8 x 5 1/4 (212 x 132 mm); Title, 284 pp, 1 leaf (errata with 11 items on 12 lines). Printed on laid paper, some foxing and offset. Later binding in crushed light tan morocco with gilt fillets, raised bands, gilt flower motif in compartments, and labels in red and green morocco. [Courtney & Smith, pp. 117 ff.; Clifford, pp. 29 ff.; ESTC T84319]. A Journey to the Western Islands of Scotland (1775) is a travel narrative by Samuel Johnson (1709-1784) about an eighty-three-day journey through Scotland, in particular the islands of the Hebrides, in the late summer and autumn of 1773. The sixty-three-year-old Johnson was accompanied by his thirty-two-year-old friend of many years James Boswell, who was also keeping a record of the trip, published in 1785 as A Journal of a Tour to the Hebrides. Johnson and Boswell toured the Highlands and islands by carriage, on horseback and by boat, planning the stages of their… Read More
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Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the...
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Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right

by Sirani, Giovanni Andrea (after Guido Reni)

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Condition
Used
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£1,606.00
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1640. Etching on cream laid paper with a foolscap watermark, 10 x 7 inches (254 x 177 mm), thin margins. In good condition with some light discoloration around the margins, mostly in the area of the margins on the verso. Light handling creases, minor skinning in the lower left corner on the verso. All condition issues are consistent with age. Potentially an early impression before the addition of extra horizontal lines in the area of drapery. [Bartsch XVIII.314.1]. An impression of this work may be viewed in the permanent collection on the Metropolitan Museum of Art, Accession Number: 26.70.4(127).
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Juvenile Monstrosities

Juvenile Monstrosities

by Cruikshank, George

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Condition
Used
Edition
Second Edition
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London: Thomas McLean, 1835. Second Edition. Etching with hand-coloring in watercolor on cream wove paper. Second (and final) edition. 5 x 6 ½ inches (125 x 164mm), full margins. Printed by Thomas McLean, London. Light dampstain in left sheet edge, extending in two bows, approximately 1 3/8 inches into the margin, well outside of the image area. Minor dampstain at lower-center sheet edge, approximately ¼ inch. Three small pieces of non archival tape at equidistant points along top sheet edge from a former mount, well outside of image area. All condition points are unobtrusive, and colors are fresh.
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