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H.M.S. Pinafore or, The Lass That Loved a Sailor An entirely Original Nautical Comic Opera...

H.M.S. Pinafore or, The Lass That Loved a Sailor An entirely Original Nautical Comic Opera Written by W. S. Gilbert... The Savoy Edition. [Piano-vocal score]

by SULLIVAN, Arthur 1842-1900

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London: Metzler & Co. [PN 5057], 1905. Quarto. Full red cloth with titling gilt to upper and spine. [i] (title), [i] (named cast list), [i] (contents), v, [4]-105, [ii] (publisher's advertisements) pp. Boards somewhat worn, rubbed and slightly discoloured; endpapers dampstained.
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H.M.S. Pinafore

H.M.S. Pinafore: or, The Lass That Loved a Sailor. Book by W. S. Gilbert. [Piano-vocal score]

by SULLIVAN, Arthur 1842-1900

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New York: Edwin F. Kalmus, 1980. Large octavo. Original publisher's green printed wrappers. 1f. (recto title, verso blank), 1f. (recto cast list, verso synopsis), 1f. (recto musical numbers, verso blank), 1f. (recto secondary title, verso blank), 167, [i] (blank) pp. Wrappers slightly worn and creased; small price label to lower.
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[H. XV:1, 2, 9, 30, 31]. [VIII Sonates pour le pianoforte, V sonates avec l'accompagnement de...

[H. XV:1, 2, 9, 30, 31]. [VIII Sonates pour le pianoforte, V sonates avec l'accompagnement de violon et violoncelle, III sonates avec accompagnement de violon]. [Violoncello part only]

by HAYDN, Joseph 1732-1809

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US$66.00
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Leipzig: Breitkopf & HĂ€rtel [without PN], 1800. Folio. Disbound. 12 pp. Typeset. Includes the first five "sonatas" (piano trios); the remaining three are duo sonatas for violin and piano. Somewhat worn and browned; lower outer corner dampstained. Hoboken Haydn catalogue I, 708, 711, and appendix Coll. Div. 1. Not in Hoboken collection. Hirsch IV, 972. RISM H2472. Volume X of Breitkopf & HĂ€rtel's early "complete" edition in twelve volumes, begun in 1800; only the piano part has a title page.
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[H. XVI:40-42]. Trois Trios Pour Violon, Viole, et Violoncelle. [Parts]

[H. XVI:40-42]. Trois Trios Pour Violon, Viole, et Violoncelle. [Parts]

by HAYDN, Joseph 1732-1809

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Vienne: Hoffmeister [PN 173], 1789. Folio. Unbound. Violin: [1] (title), 12-2 pp. Viola: [1] (title), 2-7, [i] (blank) pp. Cello: [1] (title), 2-7, [i] (blank) pp. Manuscript price added to title of violin part. Somewhat worn and soiled, especially at edges; foxed, primarily to margins; spine of violin part reinforced with paper tape. First Edition of the arrangement of the piano sonatas Hoboken XVI:40-42 first published in 1784. RISM H4184 (no copies in the U.S.).
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[H. XX:2]. Die Worte des Erlœsers am Kreuze. [Piano-vocal score]
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[H. XX:2]. Die Worte des Erlœsers am Kreuze. [Piano-vocal score]

by HAYDN, Joseph 1732-1809

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US$825.00
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Leipzig: Breitkopf & HĂ€rtel, 1801. Folio. Half dark green morocco with matching textured paper boards, raised bands on spine in decorative compartments gilt, titling gilt, marbled endpapers, original publisher's wrappers bound in. 1f. (decorative title with engraved vignette), 1f. (Haydn's preface dated Vienna, March 1801), 68 pp. Text in German and Italian. Typeset. Ex libris the noted English writer on music and collector Julian Marshall (1836-1903), with his decorative bookplate to front pastedown. Binding lightly worn, rubbed, and bumped; small loss to tail of spine. Light uniform browning; some minor soiling to corners. A very attractive copy overall. First Edition of the piano-vocal score. Very scarce. Hoboken 9, 1377. Haydn's Seven Last Words was conceived as a purely instrumental work in 1787, and is regarded as one of his finest compositions. Upon hearing an arrangement with vocal lines added by Joseph Friebert (1724-1799), Haydn was inspired to write his own version as an oratorio. This… Read more
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[H. XXI:2]. Die Schöpfung Oratorium ... Clavierauszug zu zwei HÀnden ohne Worte. Pr. 2 Thlr. 15...

[H. XXI:2]. Die Schöpfung Oratorium ... Clavierauszug zu zwei HÀnden ohne Worte. Pr. 2 Thlr. 15 Ngr. [Piano reduction without words]

by HAYDN, Joseph 1732-1809

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US$83.00
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Leipzig: Breitkopf & HĂ€rtel [PN 7682], 1849. Folio. Original publisher's gray printed wrappers. [1] (title), 2-67, [i] (blank) pp. Engraved. Text incipits (in German) as captions; text underlay in the initial recitative. Small publisher's handstamp to foot of title. Publisher's catalogue to verso of lower wrapper: "Friedrich Kalkbrenner's Pianoforte-Werke" listing works up to op. 190 (1849). With handstamps of "C. Breusing New York 701 Broadway" and "Horace Middleton South Millbrook, N.Y." to upper wrapper and title. Wrappers slightly stained and partially detached; minor loss to head of spine. Title detached. A later arrangement. Not in Hoboken Haydn catalogue, WorldCat, or RISM. The company of Charles Breusing, New York, was active from 1854 to 1861. Horace Middleton (1879-1961) was a British-born musician who served on the faculty of Bennett College from 1919 to the mid-1930s. He was best known for the music he composed for the Greek plays performed at the college. See obituary, Millbrook… Read more
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[H. XXI:2]. La Création Oratorio Traduit de l'Allemand et mis en vers français par Desriaux et...
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[H. XXI:2]. La Création Oratorio Traduit de l'Allemand et mis en vers français par Desriaux et en Italiens Par ***** ... Prix 36 fr. Gravée part Lobry. [Full score]

by HAYDN, Joseph 1732-1809

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Paris: Pleyel [PN 359], 1801. Folio. Contemporary vellum-backed speckled paper boards, paper label to upper with titling in manuscript. 1f. (title), 311, [i] (blank) pp. Engraved. Text in French and Italian. Outer and lower edges uncut. With publisher's facsimile signature handstamp to title. Boards somewhat worn and rubbed; label partially lacking at edges. Minor creasing, staining, and wear; tear to lower margin of pp. 139/140, slightly affecting printed area; small stab holes to pp. 290-311; small binder's hole to upper inner margins throughout. Lower outer corners of first several leaves lacking and filled in with laid paper, slightly affecting notation in several instances. Published just a short time after the first French edition by Erard. Hoboken XXI:2 (p. 37). Hoboken 9, 1395 (later issue, with price of 48 francs instead of 36). RISM H2525 (no copies recorded in the U.S.).
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[H. XXI:3]. Die vier Jahreszeiten. Cantate in Musik gesetzt... (Preis 2 ggl.). [Libretto]

[H. XXI:3]. Die vier Jahreszeiten. Cantate in Musik gesetzt... (Preis 2 ggl.). [Libretto]

by HAYDN, Joseph 1732-1809

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US$77.00
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Celle: Schweiger und Pick, 1813. Octavo (204 x 114 mm).. Sewn. 1f. (title), 3-20 pp. Typeset. Signature "Greiling" in ink to lower right corner of title. Slightly worn and soiled. Spine reinforced with green tape. The company of Schweiger & Pick was founded in 1813. It is still active, publishing the local newspaper of Celle. The author of the libretto was Gottfried van Swieten (1733-1803).
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[H. XXI:3]. Die Jahreszeiten ... Clavierauszug zu zwei HĂ€nden ohne Worte. Pr. 4 Thlr. [Piano...

[H. XXI:3]. Die Jahreszeiten ... Clavierauszug zu zwei HĂ€nden ohne Worte. Pr. 4 Thlr. [Piano reduction without words]

by HAYDN, Joseph 1732-1809

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US$110.00
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Leipzig: Breitkopf & HĂ€rtel [PN 7707], 1850. Folio. Original publisher's yellow printed wrappers. [1-2] (title), 99, [i] (blank) pp. Engraved. Text incipits (in German) as captions. Small publisher's handstamp to foot of title. Publisher's catalogue to verso of lower wrapper: "Chopin's, Henselt's und Thalberg's Pianoforte-Werke" listing works up to Chopin's op. 65 (1848), Henselt's op. 16 (1846), and Thalberg's op. 66 (1850). Handstamp of "C. Breusing New York 701 Broadway" to foot of upper wrapper and title and that of "Horace Middleton South Millbrook, N.Y." to upper right corner of upper wrapper. Upper wrapper detached and somewhat soiled and chipped at outer edge. Outer lower corners dampstained; title partially detached. A later issue of the arrangement first published in ca. 1848. Rare. Not in Hoboken Haydn catalogue or RISM. WorldCat (two copies only, at the Amsterdam University library and at the Bayerische Staatsbibliothek, Munich). The company of Charles Breusing, New York, was active… Read more
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[H. XXI:3]. Le Quattro Stagioni ... Riduzione per Pianoforte e Canto ... Completa-(B) Lire 60....

[H. XXI:3]. Le Quattro Stagioni ... Riduzione per Pianoforte e Canto ... Completa-(B) Lire 60. [Piano-vocal score]

by HAYDN, Joseph 1732-1809

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Milano: G. Ricordi & C. [PNs 28731-54], 1934. Folio. Blue cloth-backed patterned paper boards, titling gilt to spine. 1f. (recto title, verso blank), 1f. (recto table of contents, verso blank), 5-300 pp. From the collection of Italian conductor, vocal coach, and close associate of Puccini and Mascagni, Luigi Ricci (1893-1981). Binding slightly rubbed and bumped. Slightly worn; light uniform browning; very occasional markings in lead and red pencil; pp. 17/18 with small tear to blank lower margin. First Italian edition (1856), later issue (based on the publisher's blindstamp). This second collaboration between Haydn and librettist Gottfried von Swieten was based on the poem by James Thomson (1700-1748) published in 1730. The work was first performed on April 24, 1801 in a private premiĂšre at the Schwarzenberg Palace in Vienna; its first public production took place on May 19, 1801. "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed… Read more
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Haddon Hall. Written by Sydney Grundy... Arranged from the Full Score by King Hall. [Piano-vocal...

Haddon Hall. Written by Sydney Grundy... Arranged from the Full Score by King Hall. [Piano-vocal score]

by SULLIVAN, Arthur 1842-1900

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US$39.00
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London: Chappell [PN 19348], 1911. Quarto. Original publisher's printed wrappers. [i] (title), [ii] (copyright statement), [iii] (characters), [iv] (contents), 169 + 4 additional pages between pp. 52-53, [iii] (publisher's advertisements) pp. Wrappers slightly worn.
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US$39.00
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No cover image available

Haendel

by SOKOŁOWSKA ,Zofia

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KrakĂłw: Polskie Wydawnictwo Muzyczne, 1972. Quarto. Cloth. 220 pp. In dustjacket.
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No cover image available

Half a Century of Music in England. 1837-1887. Essays Towards a History

by HUEFFER, Francis

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  • fair
  • hardcover
Condition
Used - Fair
Binding
Hardcover
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US$33.00
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London: Chapman and Hall, 1889. Hardcover. Fair. Octavo. Original publisher's full dark green pebbled cloth, spine with titling gilt. 240 pp. + 40 pp. "A Catalogue of Books published by Chapman & Hall, Limited. Binding quite worn, rubbed, and bumped; hinges split. Light uniform browning; edges dusty; first signature split. Ex-library, with label removed from front free endpaper and small oval library handstamp to title.
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Half-length portrait engraving of this Alsatian composer, teacher and choral director, aged 57,...

Half-length portrait engraving of this Alsatian composer, teacher and choral director, aged 57, by Jacob van den Heyden

by WALLISER, Christoph Thomas 1568-1648

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1625. 167 x 99 mm. Slightly browned and spotted. Apparently drawn from life according to a note in the plate: "Iacob ab HeydĂ© Sculpsit ad Vivum." Reproduced in MGG Vol. 14 col. 174. "Walliser's several musical appointments and his compositions show him to have been the most important musician in Strasbourg during the period 1600-50. In addition, the wide dispersion of his works attests to his reputation elsewhere." Clyde William Young and Édith Weber in Grove Music Online.
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US$330.00
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Half-length portrait lithograph by Francis Davignon [D'Avignon] after a daguerrotype by P. Haas...

Half-length portrait lithograph by Francis Davignon [D'Avignon] after a daguerrotype by P. Haas of the pianist in formal dress on the cover of his "Postillon Polka," the 7-page score of which is included

by STRAKOSCH, Maurice 1825-1887

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New York: William Hall & Son. 353 x 270 mm. Somewhat worn and browned; chipped at edges; small handstamp to lower left margin. D'Avignon (ca. 1813-1861), born in France, was active in America from 1840 to 1860. He went into partnership with Mathew Brady in 1849 and went on to publish the noted Gallery of Illustrious Americans in 1850 reproducing Brady's daguerrotypes. "Mr. D'Avignon has incontestably no superior in the world as a lithographer." The Daguerrotype: An archive of source texts, graphics, and ephemera in the research archive of Gary W. Ewer. daguerreotypearchive.org.
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US$275.00
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Half-length studio portrait photograph, inscribed and signed in full, dated October 1926
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Half-length studio portrait photograph, inscribed and signed in full, dated October 1926

by CIMINI, Pietro 1874-1971

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  • Signed
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Used
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Inscribed "To Miss Elsie Milbrath From Pietro Cimini with sincere good wishes Los Angeles October 1926" and with studio copyright mark "Alfred's L.A." at lower right. Matted, glazed, and framed, image size 213 x 162 mm, overall size 369 x 305 mm. From the collection of the distinguished American mezzo-soprano Marilyn Horne (b. 1934). Italian conductor Pietro Cimini worked under Toscanini at La Scala, then took up posts in Warsaw, Chicago, and throughout California. He directed performances at the San Francisco Opera from 1925 to 1937 and also guest conducted the Hollywood Bowl Orchestra and the Los Angeles Philharmonic. "Horne had a voice of extraordinary range, rich and tangy in timbre, with a stentorian chest register and an exciting top... In concert she once achieved the feat of singing in a single programme Rossini arias and BrĂŒnnhilde's Immolation Scene, proof of her exceptional versatility. Throughout her lengthy career she was an admired recitalist, singing lieder, mĂ©lodies, Spanish and… Read more
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US$110.00
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Half-length oval portrait stipple engraving

Half-length oval portrait stipple engraving

by ARNE, Thomas Augustine 1710-1778

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[?London], 1791. 138 x 96 mm. The image within an ornamental border within yellow hand-coloured frame and hand-drawn rules. Hinged at upper margin; slightly worn and foxed. Arne is considered to be the most significant figure in 18th century English theatre music.
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US$275.00
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Half-length portrait lithograph by Heinrich von Wintter (1788-1825)

Half-length portrait lithograph by Heinrich von Wintter (1788-1825)

by DITTERSDORF, Karl Ditters von 1739-1799

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US$418.00
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With the artist's name and a date of 1816 in the plate. 225 x 145 mm. + wide margins. With unidentified collector's stamp ("N.B.") to verso. A fine impression on wove paper. Slightly browned at edges. In all likelihood based (in reverse) on the engraving by C.T. Riedel (Komma 474).
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US$418.00
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Half-length woodcut portrait, ca. 1612

Half-length woodcut portrait, ca. 1612

by MANCINUS, Thomas 1550-1611/12

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Printed within decorative oval border incorporating open partbooks and musical instruments. 118 x 98 mm. With letterpress text to margins: "Haec est effigies Mancini, Musica samam Cui dedit, & verum Calliopea decus. Quae gravitas frontis! culto quis splendor in ore! Ingenii dotes illud & illa refert. Vive tuo longum cum principe sospes: habebis Ipsius merito nomen, & ille tuo." Laid down to a larger sheet. "From 1579 until 1581 [Mancinus] was a tenor at the court in Berlin, and from 1583 at the latest he was at Gröningen in the service of the Bishop of Halberstadt, who later became Duke Heinrich Julius of Brunswick-WolfenbĂŒttel; from 1584 he was Kapellmeister in Gröningen. In 1587 Duke Julius, the bishop's father, entrusted Mancinus with the founding of the WolfenbĂŒttel Hofkantorei, which, from 1589 under the reign of Duke Heinrich Julius, became one of the leading court music colleges in Germany. Mancinus directed the Kantorei until his retirement in 1604. He paved the way there for the… Read more
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Half-length portrait engraving by A. Laluze of the noted French soprano, ca. 1870

Half-length portrait engraving by A. Laluze of the noted French soprano, ca. 1870

by CARVALHO, Caroline-Marie 1827-1895

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  • Signed
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Used
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Signed by the artist in the plate. On laid paper. 127 x 85 mm. + wide margins. Slightly worn and creased. Carvalho, wife of the impresario Léon Carvalho, had an extensive operatic career in Paris and toured in Germany, Russia and England. She made her début in a benefit performance for Gilbert Duprez at the Paris Opéra on December 14, 1849, "singing in the first act of Lucia di Lammermoor and the trio from the second act of La Juive. She was immediately engaged for the Opéra-Comique. In 1853 she married Léon Carvalho. From 1856 until 1867 she sang at the Théùtre-Lyrique, creating four roles by Gounod: Marguerite (1859), Baucis in Philémon et Baucis (1860), Mireille (1864) and Juliet (1867). Her other roles there included Zerlina, Cherubino and Pamina." Harold Rosenthal in Grove Music Online.
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