Search Results: Titles starting with E from DuBois Rare Books

London: Vision, 1948. First Edition, First Printing. Hardcover. Good. 141pp. 19 cm. Hardcover. Publisher's original black cloth over boards, gilt lettering to spine and upper cover. Book Condition: lettering dulled, cloth of outer joint split along spine at lower cover, corners pushed, spine ends frazzled. end papers foxed; text block unmarked otherwise, binding sound. Dust Jacket Condition: Lacking. Translation of L'aigle à deux têtes. Adapted by Ronald Duncan. On copyright page: "Made and printed in Great Britain by F W Dimpleby and Sons MCMXLVIII". We hold with the first contingent of those who consider the correct dating of the first English edition is 1948 (not 1947).

Southampton, N.Y.: Cracker Barrel Press, 1960. Wraps. Very Good+. 16pp. 23cm. Staplebound wraps. Book Condition: wraps toned at edges else fine. According to Worldcat the 1924 first edition of this title was published by the Register and Tribune Company (Des Moines, Ia.) with the Cracker Barrel Press edition published (best guest by them) 1960 or thereabouts. Magazine article (Vogue 1969) laid in.

Athens [Ohio]: Ohio University Press, 1992. First Edition, First Printing. [Paper Edition]. Wraps. Near Fine. 295 pages ; 22 cm. Softcover. Perfectbound wraps. Book Condition: faint signs of handling, else fine. A sharp copy. Warmly inscribed to poet Yvette Ripplinger in indecipherable French. Exceedingly rare signed by Yves Bonnefoy.

Washington: National Aeronautics and Space Administration, 1967. First Edition, First Printing. Hardcover. Near Fine/None Issued. ix, 266 p. (chiefly col. illus.) 30 cm. 4to. Hardcover. Publisher's original cloth over boards, gilt lettering to spine and upper cover. Book Condition: light wear to extremities of covers; tips and spine ends gently pushed, spine lettering dulled else fine. Text block with copious out-of-this-world photo-illustrations is pristine, presumed unread.

Berkeley: Oyez, 1980. First Edition, First Printing. Hardcover. 251 pp. 8to. Brown cloth over boards, gilt lettering to spine and front cover. Inscribed by author: "To Lee Milazzo at the literary festival ASMU. Novemer, 1980. William Everson. Lee Milazzo was a long time book reviewer for the Dallas Morning News and a premier collector of Everson's work. A nice association. A black and white photograph of Everson (looking very Haight-Ashbury) laid in. Book condition: Fine. Dust Jacket Condition: Fine.

New York: Scribner, 2006. First Edition, First Printing. Hardcover. Very Good +/Near Fine. 290 pages ; 22 cm. Hardcover. Publisher's original quarter cloth over boards, lettering stamped in gilt to spine. Book Condition: spine ends pushed, corners lightly bonked; pages toned with a small smudge to fore edge. Dust Jacket Condition: just about fine with very light wear to the extremities. Mentioned in the 2006 discussions for the National Book Award and pretty much recognized as a minor classic and scary as hell.

New York: Random House, 1994. First Edition, First Printing. Hardcover. Fine/Near Fine. 182pp.

Bogata, Columbia: Psicologia Revolucionaria, 1975. Tercera Edicion. Wraps. Very Good. [iv], 134, ii. portrait. Softcover. Perfectbound wraps. Book Condition: covers have a soft acetate handmade protector cello taped in place, wear and soiling to covers and acetate; otherwise very sound and intact both inside and out. A certain kind of roughness to printing, portrait of Samael Aun Weor and body of text block apparently reproduced on cheap, thin paper via low grade xerox process.

Rotterdam: Museum Boymans-van Beuningen, 1989. First Edition, First Printing. Wraps. Very Good +. 152 S : Ill. Text in engl. u. niederländischer Sprache. Stiff illustrated wraps. 4to. Catalog for the Paintings=Schildren exhibition that first showed at the Musée National D'art Moderne, Centre Georges Pompidou from 6/12/1989-11/2/1990, made its way to Rotterdam, Barcelona, London and finished at MOCA in L.A. Minimal wear to extremities A nice copy of a scarce exhibition catalog of Ruscha's. Limited edition of 3000 copies.

New York: Doubleday & Company, 1980. First Edition, First Printing. 272 p. : il. color ; 29 cm. 4to. Hardcover. Publisher's original paper cloth over boards, lettering to spine. Book Condition: faint signs of handling, else fine. Dust Jacket Condition: price clipped w/ very light wear to the extremities. A sharp copy. Warmly inscribed by Alex Gotfryd, who was responsible for the photography.

New York: Random House, 1963. First Printing of First American Edition. Hardcover. Near Fine/Near Fine. 111 pp. ; 22 cm. Hardcover. Publisher's original red cloth over boards, gilt lettering to spine. Book Condition: front endpapers with offsetting from enclosed newspaper clipping with contemporary review by William Van O'Conner, else fine. Dust Jacket Condition: near fine with salt and pepper nics and light wear to the extremities. A sharp copy.

Jena: Diederichs, 1912. First Edition, First Printing. Hardcover. Very Good. i-xv, 1-244. [list of illus., 3 pp advertisements]. Plates, portraits, double map ; 22 cm. 8vo. Hardcover. Publisher's original 1/4 vellum & paper over boards. Book Condition: Very good with continuous light chipping to perimeter of book, soiling to vellum and approx. 2" split at the front joint. Very sound binding and interior is bright and unmarred. List of errata laid in. The plates, especially those from photographs, are extremely well done and beautiful. This is Volume I only of a two volume set. Zeitalter der renaissance ; I. ser., bd. V-VI.

New York: Pantheon/The Museum of Modern Art, 1985. First Edition, First Printing. Hardcover. Very Good +/Near Fine. xiii, 161 pages : illustrations ; 29 cm. Tall quarto. Hardcover. Publisher's original quarter-cloth over boards, red and black lettering to spine. Book Condition: faint signs of handling, remainder mark to top edge, else fine. Dust Jacket Condition: very light wear to the extremities. A sharp copy. Introduction by Ted Perry.

Guilford, Surrey: Circle Press, 1979. First Edition. Perspex and Plywood. Very Near Fine/Very Near Fine. 2 v., [6] loose plates, 1 board : ill. facsimiles. ; 45 x 35 cm.. Consists of: 1. Continuity Book 2. Notebook (facsimile), 3. Loose title-page. 4. Six large photo-offset plates (in folders). and 5. The practical homemade computer (powered by the elastic membrane of the title). When packed repacked correctly (an impressive exercise in it's own right) these elements fit together snugly in a large compartmented rectangular plywood and perspex container, a container way too elegant to be referred to as just a box. Edition is limited to 300 copies, each signed by the artist. Designed by the artist in collaboration with Jack Shirreff, the master craftsman of 107 Workshop where the work was produced. Condition of all elements: Very near fine. A mind boggling artist's book bristling with energy, pushing at the boundaries of the book arts genre. "When stretched, elasticized cloth contains energy. Only the… Read more

London: Thames & Hudson, 1959. First Printing of First UK edition. Hardcover. Very Good/Lacking. 170 pp. illustrations, portraits (part mounted color) facsimiles. 31 cm. Tall 4to. Hardcover. Publisher's original cloth over boards, gilt titling to spine and decoration to upper cover. Book Condition: faint dampstain at lower edge of front cover, light foxing to endpapers else fine. Preface by Ivor Brown. [Translated from the Italian by Isabel Quigly.].

New York: Norton, 1971. First Edition, First Printing. Near Fine/Very Good. 1 v. (unpaged) illus. 23 x 29 cm. Oblong 4to. Original publisher's cloth covered boards, gilt spine lettering. Book Condition: Minor wear to extremities else Fine. Dust Jacket Condition: Chipping with small bits of loss to spine ends and edges. Not to be confused with far more common 1990 reprint.

New York: Counterpoint Press, 2003. First Edition, First Printing. Hardcover. Near Fine/Near Fine. Barthelme's 13th work of fiction.

Brooklyn, New York: Lumière for Ugly Duckling Presse, 2015. First Edition, First Printing. Wraps. Fine. ix, 421 pages : illustrations ; 21 cm. Softcover. Perfectbound cardstock wraps. Book Condition: Virtually as-new; unread, unmarked.

New York: Princeton Architectural Press, 2004. First Edition, First Printing. Softcover. Near Fine. 168pp.: ilustr. ; 26 cm. "This is graphic novel compiles contributions from some 40 different artists, each offering their views on "empire" directly, some from the perspective of imperialism in general, others taking a stance on modernity and globalization or America and capitalism." Edited by Nicholas Blechman. Series Title: Nozone, 9.

London: Bloomsbury, 1999. First Printing of First UK Edition. Hardcover. Near Fine/Very good+. 256 pages ; 21 cm. Hardcover. Publisher's original quarter-cloth over boards. Book Condition: faint signs of handling, else fine. Dust Jacket Condition: very light wear to the extremities, pushed at crown of spine. Warmly inscribed: "Para Oswaldo, con carino, Oscar." Aslo includes author's address and contact #'s at the time of publication , written in ballpoint to the rear flap of the jacket. Certainly a very personal touch.