Search Results: Titles starting with E from DuBois Rare Books

London: Vision, 1948. First Edition, First Printing. Hardcover. Good. 141pp. 19 cm. Hardcover. Publisher's original black cloth over boards, gilt lettering to spine and upper cover. Book Condition: lettering dulled, cloth of outer joint split along spine at lower cover, corners pushed, spine ends frazzled. end papers foxed; text block unmarked otherwise, binding sound. Dust Jacket Condition: Lacking. Translation of L'aigle à deux têtes. Adapted by Ronald Duncan. On copyright page: "Made and printed in Great Britain by F W Dimpleby and Sons MCMXLVIII". We hold with the first contingent of those who consider the correct dating of the first English edition is 1948 (not 1947).

Athens [Ohio]: Ohio University Press, 1992. First Edition, First Printing. [Paper Edition]. Wraps. Near Fine. 295 pages ; 22 cm. Softcover. Perfectbound wraps. Book Condition: faint signs of handling, else fine. A sharp copy. Warmly inscribed to poet Yvette Ripplinger in indecipherable French. Exceedingly rare signed by Yves Bonnefoy.

Berkeley: Oyez, 1980. First Edition, First Printing. Hardcover. 251 pp. 8to. Brown cloth over boards, gilt lettering to spine and front cover. Inscribed by author: "To Lee Milazzo at the literary festival ASMU. Novemer, 1980. William Everson. Lee Milazzo was a long time book reviewer for the Dallas Morning News and a premier collector of Everson's work. A nice association. A black and white photograph of Everson (looking very Haight-Ashbury) laid in. Book condition: Fine. Dust Jacket Condition: Fine.

New York: Scribner, 2006. First Edition, First Printing. Hardcover. Very Good +/Near Fine. 290 pages ; 22 cm. Hardcover. Publisher's original quarter cloth over boards, lettering stamped in gilt to spine. Book Condition: spine ends pushed, corners lightly bonked; pages toned with a small smudge to fore edge. Dust Jacket Condition: just about fine with very light wear to the extremities. Mentioned in the 2006 discussions for the National Book Award and pretty much recognized as a minor classic and scary as hell.

New York: Grove Press, 2003. First Edition, First Printing. Hardcover. Fine/Near Fine. 272 pages ; 22 cm. Hardcover. Publisher's original paper over boards, gilt lettering to spine. Book Condition: Fine. Dust Jacket Condition: fine but for one small kerfufle at the head of the spine. A sharp copy of an extremely well received first novel by Olympia Vernon, signed by the author.

New York: Random House, 1994. First Edition, First Printing. Hardcover. Fine/Near Fine. 182pp.

Bogata, Columbia: Psicologia Revolucionaria, 1975. Tercera Edicion. Wraps. Very Good. [iv], 134, ii. portrait. Softcover. Perfectbound wraps. Book Condition: covers have a soft acetate handmade protector cello taped in place, wear and soiling to covers and acetate; otherwise very sound and intact both inside and out. A certain kind of roughness to printing, portrait of Samael Aun Weor and body of text block apparently reproduced on cheap, thin paper via low grade xerox process.

New York: Doubleday & Company, 1980. First Edition, First Printing. 272 p. : il. color ; 29 cm. 4to. Hardcover. Publisher's original paper cloth over boards, lettering to spine. Book Condition: faint signs of handling, else fine. Dust Jacket Condition: price clipped w/ very light wear to the extremities. A sharp copy. Warmly inscribed by Alex Gotfryd, who was responsible for the photography.

New York: Random House, 1963. First Printing of First American Edition. Hardcover. Near Fine/Near Fine. 111 pp. ; 22 cm. Hardcover. Publisher's original red cloth over boards, gilt lettering to spine. Book Condition: front endpapers with offsetting from enclosed newspaper clipping with contemporary review by William Van O'Conner, else fine. Dust Jacket Condition: near fine with salt and pepper nics and light wear to the extremities. A sharp copy.

Jena: Diederichs, 1912. First Edition, First Printing. Hardcover. Very Good. i-xv, 1-244. [list of illus., 3 pp advertisements]. Plates, portraits, double map ; 22 cm. 8vo. Hardcover. Publisher's original 1/4 vellum & paper over boards. Book Condition: Very good with continuous light chipping to perimeter of book, soiling to vellum and approx. 2" split at the front joint. Very sound binding and interior is bright and unmarred. List of errata laid in. The plates, especially those from photographs, are extremely well done and beautiful. This is Volume I only of a two volume set. Zeitalter der renaissance ; I. ser., bd. V-VI.

Guilford, Surrey: Circle Press, 1979. First Edition, First Printing. [Ltd. Edition of 300]. Perspex and Plywood. Very Near Fine/Very Near Fine. 2 v., [6] loose plates, 1 board : ill. facsimiles. ; 45 x 35 cm.. Consists of: 1. Continuity Book 2. Notebook (facsimile), 3. Loose title-page. 4. Three photo etchings and three photo lithographs (each one signed and titled by artist and contained their own individual folders, each folder a different color). and 5. The practical homemade computer (powered by the elastic membrane of the title). When packed & repacked correctly (an impressive exercise in it's own right) these elements fit together snugly in a large compartmented rectangular plywood and perspex container, a container way too elegant to be referred to as just a box. Edition is limited to 300 copies, each signed by the artist. Designed by the artist in collaboration with Jack Shirreff, the master craftsman of 107 Workshop where the work was produced. Condition of all elements: Virtually flawless,… Read More

London: Thames & Hudson, 1959. First Printing of First UK edition. Hardcover. Very Good/Lacking. 170 pp. illustrations, portraits (part mounted color) facsimiles. 31 cm. Tall 4to. Hardcover. Publisher's original cloth over boards, gilt titling to spine and decoration to upper cover. Book Condition: faint dampstain at lower edge of front cover, light foxing to endpapers else fine. Preface by Ivor Brown. [Translated from the Italian by Isabel Quigly.].

New York: Norton, 1971. First Edition, First Printing. Near Fine/Very Good. 1 v. (unpaged) illus. 23 x 29 cm. Oblong 4to. Original publisher's cloth covered boards, gilt spine lettering. Book Condition: Minor wear to extremities else Fine. Dust Jacket Condition: Chipping with small bits of loss to spine ends and edges. Not to be confused with far more common 1990 reprint.

New York: Counterpoint Press, 2003. First Edition, First Printing. Hardcover. Near Fine/Near Fine. Barthelme's 13th work of fiction.

Brooklyn, New York: Lumière for Ugly Duckling Presse, 2015. First Edition, First Printing. Wraps. Fine. ix, 421 pages : illustrations ; 21 cm. Softcover. Perfectbound cardstock wraps. Book Condition: Virtually as-new; unread, unmarked.

New York: Emma Lazarus Federation of Jewish Women's Clubs, 1967. 3d rev. and enl. ed. Wraps. Near Fine/Very Good+. 110 pages illustrations 22 cm. Softcover with glossy jacket.

New York: Emma Lazarus Federation of Jewish Women's Clubs, 1967. 3d rev. and enl. ed. Wraps. Near Fine/Very Good. 110 pages illustrations 22 cm. Softcover with glossy jacket. Jacket showing wear to spine ends, corners and edges; mild crease to top corner.

New York: Princeton Architectural Press, 2004. First Edition, First Printing. Softcover. Near Fine. 168pp.: ilustr. ; 26 cm. "This is graphic novel compiles contributions from some 40 different artists, each offering their views on "empire" directly, some from the perspective of imperialism in general, others taking a stance on modernity and globalization or America and capitalism." Edited by Nicholas Blechman. Series Title: Nozone, 9.

London: Bloomsbury, 1999. First Printing of First UK Edition. Hardcover. Near Fine/Very good+. 256 pages ; 21 cm. Hardcover. Publisher's original quarter-cloth over boards. Book Condition: faint signs of handling, else fine. Dust Jacket Condition: very light wear to the extremities, pushed at crown of spine. Warmly inscribed: "Para Oswaldo, con carino, Oscar." Aslo includes author's address and contact #'s at the time of publication , written in ballpoint to the rear flap of the jacket. Certainly a very personal touch.

New York, Chicago, Boston: The American Historical Society, 1916. First Edition. Hardcover. Good. 394pp. including index, illus. (some color), frontis., 28cm. 4to. 3/4 crushed red morocco and cloth over boards, gilt stamped spine lettering. Book Condition: spine split along most of the length of the upper cover, with cracking and splitting and chipping to leather in several other places. Binding very sound, interior, including plates bright and umarred for the most part. Good Only. An assortment of plates, the majority of which are portraits of the New York notables featured, the remainder being various family coat-of-arms. Portraits are an assortment of photographic reproductions, woodcuts, and engravings in steel. A roster of artisans responsible for the illustrations include: W.T. Bather, Campbell Bros., E.G. Williams and Bros., Marcus Ulbrichtz, J.C. Buttre, and H.B. Hall's Sons.