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E. codicibus eruit F. HALKIN.

by HAGIOGRAPHICA INEDITA DECEM.

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Turnhout, Brepols, 1989. XV,166 p. Cl. 25 cm (CCSG 21)
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E recensione J.M. GESNERi cum ejusdem praef. et lexico rustico. Volumen secundum continens Columellam.

by COLUMELLA.- SCRIPTORES REI RUSTICAE VETERES LATINI.

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Biponti, Ex typ. Societatis, 1787. 566 p. Hardb. 20 cm (Cover sl. scuffed)(Burkhard 181/185, reissue of the edition of Gesner of 1735)
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EISAGÔGÊ STÊ GRAMMATIKÊ B.

by HOOKER,J.T.

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Athens, 1994. 4to. 325 p. Wrs. (Orig. title: Linear B, an introduction)
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EISAGÔGÊ STÊ GLYPTIKÊ TOY 4ou AI p.CH. Meros A. MARMARINA PRÔTOTYPA. Panepistèmiakes paradoseis.

by LADOPOULOU-PALAGGIA,O.

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Athens, 1982. 63 p., ills. Cl. 24 cm
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EISSFELDT,O. Palestine in the time of the 19th dynasty, (a) the exodus and wanderings. (And:) FRANKEN,H.J. Idem, (b) archaeological evidence.

by CAMBRIDGE ANCIENT HISTORY, THE.-

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Cambr., CUP, 1965 - 1968. 32,11 p. Wrs. (Fasc. 31 & 68: Vol. II,26)
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Antwerpen (Antverpiae), Ex officina Christophori Plantini, 1582. 4to. 2 parts in 1: (VIII),447,(1 blank);182 p. Calf 23 cm. 'Editio princeps' (Ref: Not in STCV; Hoffmann 3,270; Schweiger 1,272; Speeckaert/Sorgeloos no. 386; Voet, Plantin Press, 2081; Graesse 5,395: 'un jugement très honorable est porté sur cette éd. et sur le man. dont Ursin s'est servi, par Schweighaeuser'; Dibdin 2,351, note; Sandys, 'A history of classical scholarship' 1,405) (Details: Back with 5 raised bands, its compartments gilt with double fillet, and a starry ornament. Double fillet gilt borders on the boards. Edges marbled. Woodcut printer's device on title, motto 'Constantia et Labore'. The first part, p. 1-294, contains the Greek text of Polybius' 'Selecta de legationibus'; p. 295-447 contain the 'Selecta de legationibus' of Dionysius Halicarnassensis, Diodorus Siculus, Appianus and Dio Cassius. The first 148 pages of the second part contain… Read More
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EMPORIUM, Rivista mensile illustrata d'arte e di cultura. Vol. LXV, Anno V, No. 387, Marzo 1927. Direzione e Amministrazione Istituto Italiano d'Arti Grafiche, Bergamo.

by EMPORIUM.

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Bergamo, 1927. 65 p. Numerous illustrations. Plates. Wrappers. 20 x 27 cm (Contributions: N. Zingarelli, 'Madonna Laura', P. Molmenti, 'Daniele Manin e la rivoluzione veneziana del 1848', U. Nebbia, 'La raccolta Franchetti e la Ca' d'Oro', Nezi,A., 'Sistemazioni urbane e questioni edilizie: Padova, il piano regolatore e la zona monumentale', et alia) (Cover somewhat worn, its edges chipping) (Note: Emporium was a famous illustrated Italian periodical of arts and graphic arts, printed in Bergamo by the Italian Institute of Graphic Arts. Founded in 1895, the publication continued until 1964. For many decades, the magazine was an important point of reference for Italian art. It was inspired by the English publication 'The Studio', an illustrated magazine of fine and applied art, appearing in London in 1893. It also drew inspiration from other such magazines, in particular to the German 'Pan' (Berlin 1895) and 'Jugend - Münchner… Read More
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EMPORIUM, Rivista mensile illustrata d'arte e di cultura. Vol. LXV, Anno V, No. 386, Febbraio 1927. Direzione e Amministrazione Istituto Italiano d'Arti Grafiche, Bergamo.

by EMPORIUM.

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Bergamo, 1927. 80 p. Numerous illustrations. Plates. Wrappers. 20 x 27 cm (Contributions: Adriano Lualdi 'Nel primo centenario della morte di Beethoven', Jahn Rusconi 'I nuovi scavi di Pompei', Nunzio Vaccalluzzo 'La casa di Victor Hugo', Ettore Janni 'Il signore della Farnesina' et alia) (Cover somewhat worn, its edges chipping) (Note: Emporium was a famous illustrated Italian periodical of arts and graphic arts, printed in Bergamo by the Italian Institute of Graphic Arts. Founded in 1895, the publication continued until 1964. For many decades, the magazine was an important point of reference for Italian art. It was inspired by the English publication 'The Studio', an illustrated magazine of fine and applied art, appearing in London in 1893. It also drew inspiration from other such magazines, in particular to the German 'Pan' (Berlin 1895) and 'Jugend - Münchner illustrierte Wochenschrift für Kunst und Leben' (Munich 1896). Because of… Read More
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EMPORIUM, Rivista mensile illustrata d'arte e di cultura. Vol. LXV, Anno V, No. 388, Aprile 1927. Direzione e Amministrazione Istituto Italiano d'Arti Grafiche, Bergamo.

by VERGILIUS- EMPORIUM.

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Bergamo, 1927. 65 p. Numerous illustrations. Plates. Wrappers. 20 x 27 cm (Contributions: Ettore Janni, 'O Mantovano'; Giovanni Bertacchi, 'Lungo il Mincio Virgiliano'; Enrico Cocchia, 'Virgilio a Napoli'; P. d'Ancona, 'Virgilio e le arti rappresentative'; G. Cristofori, ' Il monumento di Virgilio a Mantova'; U. da Como, 'La 'Vittoria' die Brescia', et alia) (Cover somewhat worn, its edges chipping) (Note: Emporium was a famous illustrated Italian periodical of arts and graphic arts, printed in Bergamo by the Italian Institute of Graphic Arts. Founded in 1895, the publication continued until 1964. For many decades, the magazine was an important point of reference for Italian art. It was inspired by the English publication 'The Studio', an illustrated magazine of fine and applied art, appearing in London in 1893. It also drew inspiration from other such magazines, in particular to the German 'Pan' (Berlin 1895) and 'Jugend… Read More
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EPIGRAPHAI ERETRIAS.

by PETRAKOS,B.

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Athens, 1968. 4to. 19 p.; 4 plates. Stiff wrappers. 28x20.5 cm (Offprint Archaiologikon Deltion, 23, 1968)
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EPIKTÊTOY Egcheiridion, KEBÊTOS thêbaiou Pinaks; kai THEOPHRASTOY Êthikoi...
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EPIKTÊTOY Egcheiridion, KEBÊTOS thêbaiou Pinaks; kai THEOPHRASTOY Êthikoi Charaktêres. Epicteti Enchiridion, Cebetis Thebani Tabula; et Theophrasti Characteres Ethici. Cum versione latina. Denuo recognita & notis illustrata.

by EPICTETUS.

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Oxford (Oxonii), E Theatro Sheldoniano, 1670. 8vo. (XV)(1),143(1);95(1),8 p. Calf 15.5 cm (Ref: Oldfather 175, see also 114; Ebert 6771; not in Hoffmann; only 2 copies in the British Libraries; cf. Brunet 2,1012, who mentions an edition of 1707) (Details: Back ruled gilt, and with 4 raised bands. Black morocco shield in second compartment. Boards ruled with double fillet borders. Greek text with facing Latin translation) (Condition: Cover scuffed and worn at the extremes. Head of the spine gone for 1 cm. Front joint beginning to split. Corners bumped) (Note: This book is the first publication for the market, i.e. 'real book', printed in the famous Sheldonian Theatre, which was named after the Chancellor of the University, and archbishop of Canterbury, Gilbert Sheldon. The building, a work of Christopher Wren, was completed in 1668. The Vice-Chancellor of the University John Fell 'the most powerful man on the University' in those days 'persuaded Sheldon that, when not in use, the… Read More
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EPISTAMAI and religio. Religion as a source of knowledge and insight and other philologic & folkloristic studies.

by VIJLBRIEF-CHARBON,Th.A.

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(Dordrecht 1988). 89 p. Stiff wrs. 24 cm
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EPISTAMAI and religio. Religion as a source of knowledge and insight and other philologic & folkloristic studies. (Dordrecht 1988). 89 p. Pb.

by VIJLBRIEF-CHARBON,Th.A.

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EPISTAMAI and religio. Religion as a source of knowledge and insight and other philologic & folkloristic studies. (Dordrecht 1988). 89 p. Pb.

by VIJLBRIEF-CHARBON,Th.A.

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EPITYMBION ROMAN HAKEN.

by HAKEN,R.-

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Pragae, Soc. Arch. Bohemoslovenica, 1958. 144 p., 16 pls., portrait. Wrs. (Festschrift, to commemorate R. Haken, 1934-1958; 29 essays in German)
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EPMHNEIA. Festschrift Otto Regenbogen. Zum 60. Geburtstag am 14. Febr. 1951 dargebracht von Schülern und Freunden.

by REGENBOGEN,O.-

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Heidelberg, Carl Winter, 1952. 184 p. 13 plates. Cloth 24 cm (Festschrift)(13 essays by Schadewaldt, Schefold, Herbig, Hampe, Björck, Gundert, Jaeger, Harder, Klingner, K. Meister, Pöschl, W. Siegfried, W. Schmid)
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EUNAPIOU TOU SARDIANOU BIOI philosophôn kai sophistôn. Eunapius Sardianus, De vitis...
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N.pl. (Geneva), Oliva Pauli Stephani, 1616. 8vo. 169,(1),(5 index),(1 blank) p. 18th century boards. 17 cm (Ref: Hoffmann 2,65; Renouard, Stephani, 497 (erronously dating 1612); Schweiger 1,114; Graesse 2,518; Ebert 7069; Brunet 2,1094) (Details: Woodcut printer's mark on the title, depicting a man on his knees under an olive tree, he is praying; some branches are broken off and are falling down; from the mouth of the man comes on a banner the motto: 'rami ut ego insererer defracti sunt', 'the branches were broken off, that I might be graffed in'. (Romans 11,19) The text is printed in 2 colums, Greek text with opposing Latin translation) (Condition: Binding soiled and worn. Back chafed. Title page foxed. Paper yellowing) (Note: The Greek neo-Platonist Eunapius was born in Sardes ca. 345 A.D. He was an admirer of the last pagan emperor Julian, and a convinced opponent of christianity. His historical work survives, owing to its anti-christian tenor, only in excerpts. Still extant… Read More
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EURIPIDOU PHOINISSAI. Euripidis tragoedia Phoenissae. Interpretationem addidit H. Grotii; graeca castigavit e Mstis, atque adnotationibus instruxit, scholia subiecit Ludovicus Casp. Valckenaer.

by EURIPIDES.

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Leiden (Lugduni Batavorum), Apud Samuelem et Joannem Luchtmans, 1802. 4to. 2 parts in 1 volume: (IV),23,(1 blank),452;196 p. Vellum. 26 cm. Prize copy (Ref: Hoffmann 2,77; Schweiger I,119; Brunet 2,1106; Dibdin I,545; Moss 1,424; Ebert 7102) (Details: Prize copy Utrecht, but without the prize. Back gilt and with 5 raised bands. Boards with gilt borders, and the gilt coat of arms of Utrecht, within a gilt rectangle adorned with corner pieces. § The first part contains the introduction, the Greek text of Euripides' Phoenissae, with critical notes and the parallel Latin translation of Grotius, followed by the commentary of Valckenaer. The second part contains the Scholia to 'veterum grammaticorum in Euripidis Phoenissas. Ex codd. MStis praesertim Augustano, supplevit, emendavit, (...) editis locupletavit plus quam ducentis, notisque instruxit L.C. Valckenaer', accompanied by Valckenaer's commentary. At the end, before the index, the 'Scholia peri metrôn' on the… Read More
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EURIPIDOU HIPPOLUTOS. Euripidis tragoedia Hippolytus, quam, Latino carmine conversam a Georgio Ratallero, adnotationibus instruxit Ludov. Casp. Valckenaer. (Bound with:) Lud. Casp. Valckenari Diatribe in Euripidis perditorum dramatum reliquias.

by EURIPIDES.

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Leiden (Lugduni Batavorum), Apud Ioann. Luzac & Ioann. Le Mair, 1767 - 1768. 4to. 2 volumes in 1: XXVIII,322,(XVIII);VIII,312 p. Vellum 26 cm (Ref: Hoffmann 2,78; Moss 1,425: 'A very elegant and excellent edition, containing a very correct text'; Dibdin 1,548/49: 'It is a perfect specimen of careful research, acute emendation, and copious illustration'; Brunet 2,1104: 'Édition très recherchée'; Graesse 2,522; Ebert 7107; Spoelder p. 684, Utrecht 4; Ad 1: STCN 238032841; Ad 2: STCN 23803271X; Hoffmann 2,97) (Details: Prize copy Utrecht, without the prize. Back gilt and with 5 raised bands. Boards with gilt borders and the gilt coat of arms of Utrecht, within a gilt rectangle) (Condition: Vellum very slightly soiled. The prize has been removed. All 4 decorative fastening ribbons gone. Front starting to split only at the foot of the spine, for a few centimeters. Nice, clean copy) (Note: 'With Sophokles Greek tragedy reaches its culmination.… Read More
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EURIPIDOU PHOINISSAI. Euripidis tragoedia Phoenissae. Interpretationem addidit H. Grotii; Graeca castigavit e Mstis, atque adnotationibus instruxit, scholia, partim nunc primum evulgata, subiecit Ludovicus Casp. Valckenaer.

by EURIPIDES.

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Franeker (Franequerae), Typis et sumptibus, Iacobi Brouwer, 1755. 4to. XXIV,831,(19 index) p. Half calf 22.5 cm (Ref: STCN ppn 151473129; Hoffmann 2,76/77; Schweiger I,119; Brunet 2,1106; Dibdin I,545; Moss 1,424; Graesse 2,523: 'édition excellente'; Ebert 7102) (Details: Back with 5 raised bands, and a brown morocco lettershield; margins uncut. § Greek text with facing Latin translation, commentary in two columns on the lower half of the page; p. 561-815 contain the scholia to the 'Phoenissae', accompanied by Latin commentary; at the end 14 p. 'Prolegomena' to the 'Phoenissae' by Hugo Grotius) (Condition: Back rubbed; head of spine slightly chafed; paper on covers somewhat scuffed) (Note: 'With Sophokles Greek tragedy reaches its culmination. Euripides, great poet though he was, represents the first symptom of the inevitable decline, for in him we can recognize a certain impatience with the form he found ready to his hand'. This is how H.J. Rose… Read More
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