Search Results: Titles starting with E from J & J Lubrano Music Antiquarians LLC

London: Chappell [PN 22108 E.G.], 1904. Quarto. Full dark brown flexible cloth boards with "L. H." gilt to upper and titling gilt to spine. 1f. (recto title, verso printer's device), 1f. (recto named cast list, verso contents), 213, [iii] (publisher's advertisements) pp. Small composer's facsimile signature handstamp to title. Boards somewhat worn; spine slightly defective. Minor wear and foxing; bookseller's handstamp to title; one signature partially detached. First Edition.

1820. Small oblong octavo. Plain contemporary stiff waxed wrappers with decorative titlling in manuscript to upper. 37 pp. containing 66 tunes + 16 pp. containing 3 tunes (including several blank pages) + 2ff. (tunes indexed by meter). With signature of contemporary owner "Edw. Holden" with flourish to upper outer corner of upper wrapper. Watermark of an eagle with outstretched wings. Contains 69 tunes in total, all in bass clef except one, titled as follows: Maryland; Chester; Paris; 136 Psalm; Milford; Amherst; Virginia; Lenox; Norwich; Stafford; Calvary; Charleston; 34th Psalm; Greenwich; Naples; Stockbridge; Newport; Annapolis; Andover; Greenfield; Worcester; Lebanon; Washington; 100 Old; Walpole; Toland; Framingham; Branford; Montague; Mortality; Bennington; Winter; All Saints; Scituate; Civil Amusement; Austria; Linnet; Funeral Hymn; Spring; Lincoln; Wrentham; Ward; Aspiration; Ordination; Morning; Westend; Lion; Panton; Vespers; Bunkerhill; Framingham; Oxford; Bristol; Wrentham;… Read More

New York: University of Pennsylvania, 1910. Hardcover. Very Good. Large octavo. Hardcover. Full green cloth. 88 pp. Slightly worn.

London: Farrand, 1996. Hardcover. Fine. Folio. Boards. 578 pp. From the collection of musicologist Stanley Boorman.

Cambridge ..: Cambridge University Press, 1994. Hardcover. Very Good. 13 volumes (1-13). Octavo. Full dark blue cloth. With occasional musical examples and illustrations. 381; 404; 202; 380; 285; 320; 254; 294; 266; 313; 323; 244; 306 pp.

Oxford: Clarendon Press, 1985. Paperback. Very Good. Octavo. Illustrated wrappers. 125 pp.

London: Novello, 1958. Hardcover. Good. Octavo. Full light blue boards. 54 pp. Binding worn; endpapers foxed. Some underlining and highlighting.

Oxford: Oxford University Press, 1987. Paperback. Fine. Large octavo. Pictorial wrappers. 841 pp.

Philadelphia: Free Library, 1966. Paperback. Very Good. Octavo. Publisher's original light blue wrappers. 91 pp. Wrappers slightly worn. Light internal browning; ink annotation to one page.

London: Winthrop Rogers [PN 1305], 1950. Octavo. Full blue cloth with blindtooled design to upper, titling gilt to spine. 1f. (recto title, verso "Argument"), [3] (cast list and contents), 4-106, [i] (blank), [i] (publisher's advertisement) pp. Binding slightly worn; remnants of label to front pastedown. Library handstamps and annotation in pencil to title; embossed library handstamp to first three leaves. Re-issue of the 1901 edition.

London: Preston & Son, 1780. Folio. Unbound and untrimmed, as issued. Violin II Concertino: [1] (title), 2-21 pp. Violin II Ripieno: [1] (title), 2-17 pp. Alto Viola: [1] (title), 2-16 pp. Violoncello with figured bass: [1] (title), 2-25 pp. Page [4] blank, as issued. Bass Ripieno: [1] (title), 2-17 pp. Watermark of [?]1780. Slighty worn and stained; binder's holes to inner margins. Scarce later edition. BUC p. 68; RISM A/I/1 A2919. Avison, an English composer, conductor, writer on music, and organist, "was the most important English concerto composer of the 18th century and an original and influential writer on music." Norris L. Stephens in Grove Music Online.

London: Printed for John Johnson, 1755. Folio. Disbound. Violin I Concertino: 1f. (frontispiece engraving by C. Grignion after H Gravelot), 1f.( title), 1f. (dedication), 1f. ("Advertisement" with composer's performance notes), [iii] (subscribers list), [i] (blank), [1] (blank) 2-29 pp. Pp. [4] and [17] blank, as issued. Violoncello with figured bass: 1f. (title), [1] (blank), 2-25 pp. Remnants of old bindings to spines. Some minor wear and soiling; "4" in manuscript to upper margin of title, with early signature cropped. First edition. BUC p. 68. RISM A/I/1 A2917 (not distinguishing between issues). Johnson published two issues; the typography of the title pages to each is quite different, with one including a list of "New Musick for Concerts" available from the publisher, as in the present copy. Avison, an English composer, conductor, writer on music, and organist, "was the most important English concerto composer of the 18th century and an original and influential writer on music." Norris… Read More

London, New York, Toronto: Oxford University Press, 1943. Hardcover. Very Good. Octavo. Full red cloth with titling gilt to spine. 102 pp. From the library of noted musicologist and critic Edward O.D. Downes (1911-2001), with his small printed ownership label to front pastedown and occasional pencilled annotations, most likely in his hand.

Folio (330 x 221 mm.). Modern blue cloth-backed boards with manuscript titling in white to upper. 16 pp. Notated in brown ink on 12-stave paper. Two-stave systems: Violino solo and a bass part without designation. The bass of the first pair and of the sixth Allegro are elaborately figured, but otherwise bass figures are very sparse; the third Allegro, fourth and fifth pairs, and sixth Adagio have no bass figures at all. Slightly soiled. Unrecorded.

London, New York: Hinrichsen, 1956. Hardcover. Good. Octavo. Full black cloth, titling gilt to spine. 369 pp. + illustrative plates and musical examples. Binding slightly worn. Light uniform browning.

London, New York: Hinrichsen, C.F. Peters, 1966. Hardcover. Very Good. Octavo. Full dark green cloth, titling gilt to spine. 367 pp.

Berlin - Wiesbaden: Bote & Bock [PNs B & B 4801-4807], 1961. Large octavo. Original publisher's dark ivory printed wrappers. 1f. (recto title, verso copyright), 1f. (recto cast list, contents, and notes on first performance, verso blank), [3]-77, [i] (blank) pp. Text in German and French, dialogue in German. Titling to spine in black. Small label to title with "Léon Morand" as librettist. Le mari à la porte, to a libretto by Delacour, was first performed in Paris at the Bouffes-Parisiens on 22 June 1859. "[Offenbach] was, with Johann Strauss (ii), one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written... Moreover, it was through the success of Offenbach's works abroad that operetta became an established international genre, producing outstanding national exponents in Strauss, Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online.

Leipzig, Wein: W. Karczag [PNs K. & W. 315; 315.343], 1909. Folio. Original publisher's dark ivory printed wrappers with titling to upper. 1f. (title), 3-106 pp. Text in German. Wrappers quite worn, creased, chipped, and torn; spine reinforced with brown tape; detached. Uniformly browned; some markings in pencil throughout. First Edition, later issue. Ein Herbstmanöver was set to a libretto by Karl von Bakonyi and Robert Bodanzky and premiered in Vienna at Theater an der Wein on January 22, 1909. "At an early age [Emmerich Kàlmàn] showed musical talent and an interest in the theatre, being a frequent visitor to the summer theatre in Siófok. He had high hopes of becoming a concert pianist, but he had to abandon these studies due to the onset of chronic neuritis. In 1900 he joined Koessler's composition class at the National Hungarian Royal Academy of Music, where for a time he was a fellow student of Bartók, Kodály and Leó Weiner, as well as the future operetta composers Albert Szirmai and… Read More

Wien-Leipzig: Ludwig Doblinger (Bernhard Herzmansky) [PN D.3629], 1908. Small folio. Publisher's olive green decorative wrappers printed in dark brown. 1f. (recto title printed in dark brown, vero cast list and contents), 3-81, [i] (blank) pp. Wrappers slightly worn and soiled. Minor internal wear and browning; very slightly split at lower hinge. First Edition. Ein Walzertraum, an operetta in 3 acts to a libretto by Felix Dörmann and Leopold Jackson, was first performed in Vienna at the Carltheater on 10 March 1906.

Berlin: Stapp, 1984. Octavo. Full light gray cloth with titling in black to spine. 231 pp. With illustrations in text.