Search Results: Titles starting with E from Next Page Books

New York : Clarkson N. Potter, Inc., 1960. 1st Edition . Hardcover. Good. New York: Clarkson N. Potter, (1960). Octavo, hardcover, cloth boards. No dust jacket. 247 pages. Condition: Good, minor soiling and discoloration. Spine is tight with no markings on pages. A good copy of the First Edition.

New York : Farrar, Straus, & Giroux, 1968. 1st Edition 2nd Printing. Hardcover. Good/Good. 1968, First Edition, Hardcover, Stated 2nd printing, 1968. White cloth-covered boards with multicolored orange, pink and blue metallic lettering on spine. Condition: Good, some discoloration on front back covers and spine, bumped corners and spine with signs of wear. Spine and pages are intact, clean interior with no markings or tears on pages, moderate signs of wear/use. Dust jacket condition: Good with discoloration/fading, chips at edges of spine, front and rear. Not price clipped. Dust jacket now in protective mylar.

San Francisco: Grey Fox Pr, 1980. 1st Edition . Hardcover. Fine. First edition. First Limited Edition. Number 48 of 56 SIGNED copies, signed by Whalen on limitation page. Blue cloth, no dust jacket.

New York : Evergreen Review, 1967. Soft cover. Very Good. Vol. 11 | No. 47 | June 1967 Letters to the Editor Notes from the Underground Frank Reynolds as told to Michael McClure: Freewheelin' Frank B. H. Friedman: Did you know Gorky? Kline? Pollock? Paul Theroux: Leper Colony Leszek Kolakowsi, Staughton Lynd, Thomas Hayden, Jack Newfield, David McReynolds: What is the Left Today? Michael O'Donoghue & Frank Springer: The Adventures of Phoebe Zeit-Geist-X Jay Wright: The End of an Ethnic Dream Eric Salzman: The Prevalence of Rock Samuel Beckett: The Calmative Amos Vogel: Thirteen Confusions J. Anthony Stowers: Dakar Tomi Ungerer: Ungerer's Girls Joel Oppenheimer: The Three and a Half Minute Mile Robert Coover: The Mex Would Arrive at Gentry's Junction at 12:10 Michael O'Donoghue: Capriccio to Djuna Michael Mason: The Man in the Fake Chanel Suit Martin Williams: TV: Tell Me a Story Evergreen Unclassified A. B. Spellman: Genesis of the New Music-III: Ornette Coleman Cover… Read More

New York : Evergreen Review, 1970. Soft cover. Very Good. Vol. 14 | No. 75 | February 1970 Letters to the Editor Notes from the Underground John Schultz: Motion Will Be Denied Seymour Krim: How Try Finish Book Crazy N.Y. Eight Years Too Fucking Impossible But: 10 Tracks From A Record John Lahr: Artist of the Outrageous Jean-François Jonvel: Portfolio of Photographs Willard Van Dyke: Early Works: An Interview with Zelimir Zilnik Fred Gardner: GI Protest: The Presidio Aftermath Nat Hentoff: Mugging the Constitution Dick Strong & Lance Sterling: Frank Fleet and His Electronic Sex Machine-IX Dotson Rader: Vision of the Gun Cecil Brown: About LeRoi Jones Cover photograph by George Adams Condition: Very Good. Has subscription renewal card attached to front cover of magazine. Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social… Read More

New York : Evergreen Review, 1968. Soft cover. Very Good. Vol. 12 | No. 61 | December 1968 Letters to the Editor Notes from the Underground Richard Brautigan: What Are You Going to Do With 390 Photographs of Christmas Trees? Edward Field: Graffiti Juan Bosch: Pentagonism: Perpetual War for Profit Robert L. Terrell: Tea Party John Schultz: Daley Goes Home Leo Skir: The Boys of Jerusalem Jean Genet: A Salute to 100,000 Stars Jan Cremer: French Fries Without a Pickle Nat Hentoff: Tennis Power John Lahr: Poor Johnny One Note Paul Williams: How Rock Communicates Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social fringes with a global cast of writers, many of whom were introduced to American readers by the magazine. The magazine was often shocking, always intriguing. It featured some of the finest writing available, by writers whose influence… Read More

New York : Evergreen Review, 1971. Soft cover. Very Good. Vol. 15 | No. 87 | February 1971 Letters to the Editor Notes from the Underground Mike Royko: Boss: Richard J. Daley of Chicago Dora Maar: The Recently Divorced Doily Pailette R. Savino: four storiesRichard Gott: Defeat of the Revolution? Imarmu Amiri Baraka (LeRoi Jones): The Campaign Mary Phillips: The Fine Art of Lovemaking: An Interview with Betty Dodson M. G. Stephens: The Hare Apparent Charles Plymell: Star Tattoo Dying on the Day-Glo Ganges John Lahr: Orlando Furioso: Theater as "Contact" Sport André Pieyre de Mandiargues: Glowing Coals Nat Hentoff: The Politics of the 70s: The Long March From the Third Eye Cover photograph by Lane Pederson Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social fringes with a global cast of writers, many of whom were introduced… Read More

New York : Evergreen Review, 1971. Soft cover. Very Good. Vol. 15 | No. 88 | April 1971 Letters to the Editor Notes from the Underground Richard Hammer: Interviews with Mylai Veterans Alan Seymour: The Coming Self-Destruction of the United States of America Tom Seligson: Free Schools vs. Public Schools Hubert Selby Jr.: Prowl Car Puig Rosado: Why Prehistoric Animals Are Extinct Oriana Fallaci and Nicole Bonnet: Two "Last" Interviews with Régis Debray Jay Wright: The Neighborhood House Leszek Kolakowski: On the Meaning of Tradition Diane di Prima: Rant, From A Cool Place Dotson Rader: Gay Liberation: A Gathering of Fugitives Nat Hentoff: Beyond the Ballot: Survival and Revolution From the Third Eye Cover photograph by Chester Maypole Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social fringes with a global cast of writers,… Read More

New York : Evergreen Review, 1966. Soft cover. Very Good. Vol. 10 | No. 39 | February 1966 Jack Kerouac: Satori in Paris-1 Brian O'Doherty: Stuart Davis: A Memoir Herbert Gold: Down the Ladder Awhile Jean-Claude Forest: Barbarella-III Richard M. Elman: The Kerensky Complex Samuel Beckett: Imagination Dead Imagine Alain Robbe-Grillet: From Realism to Reality Michael O'Donoghue & Frank Springer: The Adventures of Phoebe Zeit-Geist-II Nat Hentoff: We Shall Overcome-When? Joel Oppenheimer: Poem for the One-Hundred Fiftieth Anniversary of the Battle of New Orleans Maurice Girodias: The Erotic Society Robert Creeley: The Hole Martin Williams: Lester Young: Originality Beyond Swing Paul Roche: After Eliot: Some Notes Toward a Reassessment Cover cartoon by Siné Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social fringes with a… Read More

New York : Evergreen Review, 1967. Soft cover. Very Good. Vol. 11 | No. 50 | December 1967 Letters to the Editor Notes from the Underground Abdullah Schleifer: The Fall of Jerusalem Tennessee Williams: Young Men Waking at Daybreak John Rechy: By the Motel Pool Heathcote Williams: The Local Stigmatic William Eastlake: The Last Frenchman in Fez LeRoi Jones: Three Poems LeRoi Jones & Scott Gottlieb: You Think You're an Airplane and You're Really a Bird Malcolm X: God's Judgement of White America Jack Newfield: Chicago, Honkies, and Camus Nat Hentoff: Kafka Jones, the Singing Fool Karl Shapiro: Aubade Jerry Shatzberg: Photographs Lyman Andrews: The Death of Mayakovsky E. F. Cherrytree: Hello Out There Charles Bukowski: Men's Crapper Cover Illustration by Tomi Ungerer Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social… Read More

New York : Evergreen Review, 1971. Soft cover. Very Good. Vol. 15 | No. 92 | September 1971 Letters to the Editor Notes from the Underground Paul Good: Politics of Pornography Austin C. Clarke: The Motorcar John Forbes Kerry: Words of a Winter Soldier Nguyen Phuc Dao Duc: A Remembrance For You John Lahr: Ali: The Last Goodbye David Hamilton: Pasolini's Decameron Shelly Estrin Killen: Rowing with a Communist in Central Park Dotson Rader: One Weekend in May: A Report on the State of the Movement Nat Hentoff: The Burger Court: Beginning of a Frightening Era? Nicolás Guillén: Sell Me? From the Third Eye Cover photograph by Lagarde Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social fringes with a global cast of writers, many of whom were introduced to American readers by the magazine. The magazine was often shocking, always… Read More

New York : Evergreen Review, 1968. Soft cover. Very Good. Vol. 12 | No. 53 | April 1968 Notes from the Underground Kim Philby: My Silent War Donald Newlove: The Dead Man's Float of Only Human John Lahr: "We Want To Be Humane, But We're Only Human" Herb Greer & Peter Brook: "The Great Masturbator" Leo Skir: A Nocturnal Emission in the House of Orenstein Nat Hentoff: Turning the Camera into the Audience Michael O'Donoghue & Eric Bach: Fish Waif Jean-Francis Held: The Red Globules Jack C. Shuffler: The Itchy Tooth Charles Marowitz: Artaud at Rodez Evergreen published writing that launched an assault on American propriety: literary, sexual, and social. Evergreen's genius lay in its ability to mix radical American voices from the literary and social fringes with a global cast of writers, many of whom were introduced to American readers by the magazine. The magazine was often shocking, always intriguing. It featured some of the finest writing available,… Read More

Starseed/Peace Press, 1977. Soft cover. Near Fine. LA: Starseed/Peace Press, 1977., 1977. Softbound. First edition, third printing: Condition: Near fine