Search Results: Titles starting with E from modern-ISM

Palm Springs, CA: Palm Springs Preservation Foundation, 2005. First Edition . Soft cover. As New. A crisp, clean As New copy signed by noted architectural photographer Julius Shulman on the front cover phot of Williams's 1961 Coachella Valley Savings and Loan Building. Laid in is a notice from the L.A Times about Williams.

Taschen, 2008. First Edition . Soft cover. Fine. A crisp, clean Fine copy. 96 pp., illustrations. Eames ephemera laid in. Text in Japanese.

Venice, CA: Eames Office, 1998. First Edition . Soft cover. Fine. Oblong 8vo. Set of 20 postcards featuring photos by Charles Eames 5 years after completion of Case Study House No. 8 (Eames House) in Pacific Palisades. All cards present.

Venice, CA: Eames Office, 1998. First Edition . Soft cover. Fine. Oblong 8vo. Set of 20 postcards featuring photos by Charles Eames 5 years after completion of Case Study House No. 8 (Eames House) in Pacific Palisades. All cards present.

Japan: ToÌ"kyoÌ" : ToÌ"kyoÌ" Shoseki, 2008., 2008. First Edition . Soft cover. As New. A crisp As New copy. 153 pp., illustrations. Text in Japanese. Eames ephemera laid in.

Arcadia Publishing, 2005. First Edition . Photographic Wraps. Fine. A crisp, clean Fine copy, 128 pp., profusely illustrated. Way before Rodeo Drive and the pink palace of the Beverly Hills Hotel were built, way before the namesake hillbillies, its zip code, and Eddie Murphys detective techniques reaffirmed its place in popular culture, and way before its 1,001 mansions, Beverly Hills was comprised of wild canyons and ranchlands. Burton Green, one of the three original land developers of the Rancho Rodeo de las Aguas, named this place of severe terrain after Beverly Farms, Massachusetts, a 19th-century spa. Since its establishment in 1907, Beverly Hills, California, has been a crossroads for the great movers and shakers of the entertainment industry as well as the tycoons, world leaders, and flotsam and jetsam magnetized by the limelight. The vintage photographs in this provocative volume illustrate Beverly Hillss early transition from cow pastures to Hollywoods extremely… Read More

Los Angeles: Los Angeles County Museum of Art, 1955. First Edition . Wraps. Very Good +. 12mo - over 6¾" - 7¾" tall. 44 pp. Booklet from exhibition held Dec. 10, 1954 - Jan. 16, 1955. Includes b/w images of early California. Silverfish marks on edges.

Venice, CA, 1988. First Edition . Wraps. Very Good. Large 4to. 64 pp., intro by Peter Goulds, essay by Frances Colpit, 33 color illustrations, chronology, list of exhibitions, bibliography. Important exhibition catalogue. A clean copy with a crease at bottom front corner and slight damp wrinkling to fore edge

Philadelphia: J. B. Lippincott, 1904. Hardcover. Very Good. 12mo - over 6¾" - 7¾" tall. ORIGINAL 1904 issue, not a reprint. 309 pp. Red boards, black lettering. Lippincott Educational Series Buchner Vol. IV. Kant was a German philosopher who is considered the central figure of modern philosophy. Bumped corners, worn back cover, silverfish marks on spine, damp stain lower fore edges. Very scarce.

Los Angeles County Museum of Art, 1969. First Edition . Wraps. Very Good. 4to. xvi+[2]+118 Catalogue of LACMA exhibition, January-March 1969. Introduction by William S.Lieberman; notes by Ebria Feinblatt. 72 plates, annotated exhibition checklist, biography, and bibliography. b/w and color illustrations. Clean and tight. Creased lower fore corners, general shelf wear.

Hennessey & Ingalls, 2013. First Edition . Cloth-Backed Boards. As New/As New. A crisp As New ccopy in an As New dust jacket. 336 pp., illustrations, project list, bibliography. Killingsworth epehemera laid in.

West Hollywood, CA: Dennenberg Fine Arts, 2009. First Edition . Cloth. As New/As New. A crisp, clean As New coy in As New mylar-protected dust jacket. 159 pp., introduction by Stuart Dennenberg, essays by Victoria Dailey, James Christen Steward, Patricia Junker, Susan Kandel, Dickran Tashjan, and Paul Karlstrom, plates, chronology, exhibition history, bibliography and seelected collrdctions. Laid in are a business card for Dennberg Fine Arts Gallery and a prospectus for a Hagedorn traveling exhibition.

Oxford University Press, 1986. First Edition . Original Wraps. Fine. First Edition. Paperback. Near Fine. Softcover in tan matte wraps. First printing of first edition. Book is crisp and clean. Published to accompany a 1986-87 exhibition of Edward Weston's photographs at both the Huntington Library and the J. Paul Getty Museum. Luminous black-and-white plates throughout. 4to. 64 pp. First edition.

Gibbs Smith Publisher, 1983. Glossy Photographic Wraps. Near Fiine. Two crisp, clean Near Fine paperbacks in a Very Good - slipcase. Edward Weston On Photography pp xxii + 158 and Edward Weston Omnibus, xiii + 209. Slipcase exhibits rubbing and shelfwear. Scarce and colleectible in this condition.

New York: Taschen, 1999. First Edition . Hardcover. Near Fine/Fine. Folio - over 12" - 15" tall. Near Fine (tiny tear at top of spine and slight bumps to upper corners) in a Fine DJ. 251 pp., beautifully and profusely illustrated with crisp B&W plates on glossy stock, biography and bibliography. Through the 1920s, 30s and 40s, Weston was a major force, pushing forward the art of photography. His photographs are monuments of sensual realism, perfectly composed images of stillness that sear with passion and intensity. Whatever the subject, Weston captures the essence of its life force, the fundamentals of its form. Text in French, German and English. Laid in is a 12-17-2003 L.A. Times review of the "Magarethe Mather & Edward Weston: A Passionate Collaboration" exhibit at the Santa Barbara Museum of Art, November, 2003- January 18, 2004 and an 8 page brochure on the exhibit "Edward Weston: A Legacy" at the Huntington Library, June 28 - October 5, 2003.

Dayton, OH: Dayton Art Institute, 2004. First Paperback Edition . Photographic Wraps. Very Good/No Jacket as Issued. A crisp, clean Very Good copy. 339 pp., endnotes, exhibiton checklist. Exhibiton traveled from the Dayton Art Institute to the Portland Art Museum, Joslyn Art Museum in Omaha, and finally to the George Eastman House in Rochester.

Simon & Schuster, 1971. First Edition . Cloth. Very Good/Near Fine. 4to - over 9¾" - 12" tall. Yukio Futugawa, Photographs. A crisp, clean Very Good copy with sojme foxing to the edges in a bright, clean Near Fine dust jacket with a crease to the front flap. Introduction and Notes by Rupert Spade with 63 Photographs by Yukio Futagawa. 134 pp., richly illustrated with 11 full-page color and 59 b&w plates, and 30 plans and sections, chronology, bibliography and index.

New York: Simon & Schuster, 1971. First Edition . Cloth. Very Good. 4to. Very Good (light foxing to top edges) in a Very Good price-clipped dust jacket (lightly rubbed and mild edge crease at top of spine). 129 pp., 70 plates including 11 in color, 30 plans and sections, notes, chronology, bibliography, and index.

National Indian Institute, U.S. Dept. Of the Interior, 1943. Wraps. Fine. 8vo - over 7¾" - 9¾" tall. Fine +. Text in Spanish 54 pp. 22 pp of text, remainder monochrome photo illustrations. Includes two, two page color maps showing areas of Indian Cultures in the United States. Tiniest amount of shop wear.

Barcelona: El Croquis, 2003. First Edition . Soft cover. As New. Folio - over 12" - 15" tall. A crisp, clean As New copy signed by Pritzker Prize-winning architect Frank Gehry on the title page after his joint presentation with fellow Pritzker winner Thom Mayne of Morphosis and Cesar Pelli at the Pacific Design Center on March 30, 2006. 314 pp., fabulously illustrated throughout with color plates, drawings, renderings, plans, sketches, and models of Frank Gehry's stunning and unique work. This volume builds upon previous issues of El Croquis featuring Gehry's work. Text in Spanish and English. Laid in is an announcement for the roundtable critique at the Pacific Design Center on March 30, 2006. Due to weight, international postage will be quoted, please inquire.