Search Results: Titles starting with D from L'Estampe Originale

Large foldout Exhibition Catalog for Gallery G, Prague, Czechoslovakia. 13 1/2 x 10. June 15-July 23,1967. 40 facsimiles of Chants de Maldoror 1934 (Michler & Lopsinger 11-54) and La Femme Invisible 1930, (M & L 40.Includes a foldout illustrated 2 sided Poster 38 x 26 1/2.

AMORIM, JULIO. Lithograph poster in colors. Lisbon. 11 x 16.

As issued April, 1898. LITHOGRAPH FROM L'ESTAMPE MODERNE. L'Estampe Moderne (1897-1898), a more commercial and later version of L'Estampe Originale, was a monthly publication of print portfolios, producing twenty-four issues containing four color lithographs each. Only a few prints exhibiting Japanese influence were issued, mostly by minor artists, yet they were equally as beautiful in image as their predecessors.

VILLON, JACQUES (b.1875-d.1963), DANSEUSE AU MOULIN ROUGE. Also known as Gaston Duchamp, was a French Cubist and abstract painter and printmaker.
Born: July 31, 1875, Damville, Mesnils-sur-Iton, France
Died: June 9, 1963, Puteaux, France
Siblings: Raymond Duchamp-Villon, Suzanne Duchamp, Marcel Duchamp
1899. Lithograph in four colors (yellow, orange, blue and black) Ginestet and & Pouillon E 31, completed state. Signed in the stone and with the blindstamp Only issue, published as a supplement to l'Estampe et l'Affiche by Andre Mellerio . Fine impression with fresh colors. On Pale cream Japon paper. 292 x 227mm, 11 1/2 x 8 7/8.
FRAMED

Los Angeles., The Armand Hammer Foundation., 1979. 4to.. In paper wraps. 244pp. The collection of the Armand Hammer Foundation. Stiff pictorial wrappers. 240 pp, 157 illustrations (7 in color), bibliography. The collection of the Armand Hammer Foundation. The bulk of the material, including virtually all the lithographs, was assembled by George Longstreet, whose collection was purchased by Hammer as a promised gift to the LACMA that never materialized. Freitag 2083

Los Angeles, L.A. County Museum, 1985. IMPRESSIONISM at its best. Exhibiition of French Impressionism during the late 19th Century. 4to. Paper wraps. Lovely book reviewing both the urban and the city landscape painters of the Impressionist period including, Monet, Renoir, Caillebotte, Pissarro. Paperbound. 376pp.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 75. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. 250.00

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 46. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 36. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 39. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome. The Temple was built in 500BC on the site of an even older shrine dedicated to Saturn. It was reconstructed in 42BC by Lucius Munatius Plancus, a Roman Consul who was an officer in Julius Caesar’s army during the conquest of Gaul. He installed the Treasury of the Roman Republic here, where it remained until 28BC. It was destroyed by fire in 283AD, but later rebuilt. All that remains today are eight columns and a part of the pediment, which bears a Latin inscription. In English it reads: The Senate and the people of Rome restored what fire consumed. Saturn, who was the Roman equivalent of the Greek god Kronos, was the god of agriculture and the harvest (or of life and death). Like… Read More

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 43. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

ARCHITECTURE) LAURO, GIACOMO. (ROMAN ARCHITECTURE). DE TEMPLUM DEAE VESTA (The Temple of the Vestal Virgins). As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 30. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 29. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

1775-82. 11 ½ x 9. Handcolored engraving. Cramer was a wealthy wool merchant with an avid interest in butterflies. He had his extensive butterfly collection painted, and published the prints in BUTTERFLIES OF THE WORLD, a primary work in the history of entomology.

As published in a later edition of Antiquae Urbis Splendor (orig. 1612-1628). Pl. 35. Engraving. Image: 7 X 9 ¼. Margins: 9 ¼ x 13 ½. Includes the legend below. In fine condition. Giacomo Lauro was a printmaker active in the map and view industry of mid-sixteenth to mid-seventeenth century Rome.

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DEAKIN, RICHARD AND EDWARD NEWMAN. FLORIGRAPHIA BRITANNICA; OR, ENGRAVINGS AND DESCRIPTIONS OF THE FLOWERING PLANTS AND FERNS OF BRITAIN London., Hamilton, Adams and Co., 1848. Figures 246-251,

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