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[Edited by Ignaz von Born & Friedrich Wilhelm Heinrich von Trebra]. Two fine & large mezzotint vignettes on titles, 13 folding engraved plates & maps, three folding printed tables, & one engraving in the text. 4 p.l., 408, [12] pp.; 2 p.l., 468, [4] pp. Two vols. Large 4to, cont. half-calf & dark red boards (corners a bit worn, minor rubbing), flat spines gilt, green morocco lettering pieces on spines. Leipzig: G.J. Goeschen, 1789-90. First edition and very scarce; this is a complete copy with all 13 plates. Born and Trebra were the founders, in 1786 at Szkleno in Hungary, of the Societat der Bergbaukunde, which had the purpose of increasing knowledge in the areas of geology, mining, mineralogy, and metallurgy. It was a very international scientific society, and other early members included von Heynitz, Lavoisier, Gmelin, Charpentier, Ferber, Poda, Hawkins, and Goethe. This is the first (and only?) publication of the society; "hierin findet sich alles Wissenswerthe des Bergfachs nach dem damaligen…
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BERGBAUKUNDE
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BERGMANNISCHES JOURNAL
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Edited by Alexander Wilhelm Kohler & [from Vol. 5] Christian (or Carl) August Siegfried Hoffmann. Numerous plates & tables (many folding). Six vols. in 12. 8vo, cont. pinkish-purple boards (spines faded, occasional dampstaining & foxing), printed paper labels on spines. Freiberg: Craz, 1788-94. [with]:NEUES BERGMANNISCHES JOURNAL. Edited by Alexander Wilhelm Kohler & Christian (or Carl) August Siegfried Hoffmann. Numerous plates & tables (many folding). Three vols. (of 4). 8vo, cont. blue boards, printed paper labels on spines. Freiberg: Craz, 1795-99. A nearly complete run - lacking only the fourth and final volume of the second series (which was published 18 years after Vol. III) - of this important and rare geological and mineralogical journal, edited by two of Werner's chief disciples, Kohler and Hoffmann. This journal was the chief mouthpiece for spreading the revolutionary ideas of Werner concerning geology and mineralogy. The contributors constitute an honor roll of German scientists and…
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BIG CLOSING SALE !!!
by JACK HANLEY GALLERY, dealer
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Two black & white illus. Unpaginated. Small 8vo, staple-bound. San Francisco: [1995].<br /> <P> Final catalogue issued by Hanley from his San Francisco gallery. Near fine; mailed copy.
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BOOKS by Edward Ruscha
by (RUSCHA, Ed)
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Large poster catalogue (445 x 572 mm.) of Ruscha's first 10 artist's books, vertical & horizontal folds, ms. prices added in blue ink. Los Angeles: Heavy Industry Publications, [ca. 1970]. Rare catalogue, in poster format, of Ruscha's photographic artist's books; WorldCat records just the copy at the RKD in The Hague, although we know of several copies in American institutions. Most examples that we have seen are cut into two horizontal rows, the present is intact as it was originally printed. This copy seems to have been sent to Europe because some of the books have had their prices updated, possibly in Dutch guilders. Ruscha's first eight books are depicted, with information on the price, edition size, measurements, binding, etc., along with his most recent productions - Crackers (1969) and Real Estate Opportunities (1970) - that have been stamped in a blank box in the bottom right. The edition size of Various Small Fires, has been amended to account for the re-printings that Ruscha undertook, and…
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Ba qi yi wen bian mu 八旗藝文編目 [Edited Catalogue of Eight-Banner Literature]
by ENHUA 恩華
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58; 72 folding leaves. Four juan in two vols. 8vo, orig. wrappers (a little chipped), orig. printed title labels on upper covers (labels a little frayed), orig. stitching. [Beijing]: ca. 1941. Bannermen referred to soldiers, and their dependents, in the Manchu's armies that invaded China in 1644. There were Manchu, Mongol, and Chinese banners, and their members retained separate identities, yet as bannermen they shared many aspects of urban garrison life and culture. With many bannermen living a life of peace as officials with primarily civilian tasks, writers and men of letters emerged from the banner milieu. Toward the end of the 19th century, efforts were made to take stock of the literary production of the banners. In 1901, the Chinese bannerman Yang Zhongxi 楊鐘羲 (1865-1940) published Baqi wenjing 八旗文經 [Literary Canon of the Eight Banners], a work that he had compiled together with his cousin Sheng-yu 盛昱 (1850-1900), an imperial clansman born to a Mongolian mother. Our book is a…
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Backworks? Catalogue No. B, $1. Performance: Photographs of a Decade 1959-69
by BACKWORKS, bookseller
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Many black & white illus. [20] pp. (incl. inside of wrappers & index on lower wrapper. 4to (276 x 213 mm.), orig. printed wrappers. New York: 1977.<br /> <P> The rare second Backworks catalogue; we locate only one copy in North America, at the Museum of Modern Art. Backworks was a New York-based collaboration between Barbara Moore and Jon Hendricks, specializing in documents and artifacts of avant-garde and experimental art. Located at 488 Greenwich Street, the store was active into the early 80s. In 1981, Hendricks left the partnership to become curator of the Fluxus collection formed by Gilbert and Lila Silverman (now at the Museum of Modern Art, New York), much of which had been purchased from Backworks.<br /> <P> This catalogue offers a superb group of photographs (presented in chronological order) by Max Baker, Martha Holmes, Scott Hyde, George Maciunas, Robert McElroy, Peter Moore, Shunk-Kender, and Lawrence Shustak. These photographs, a number of which are…
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Bai shi dao ren ci ji 白石道人詞集 [Collection of Lyrics by the Man of the Way of White Rock]
by JIANG, Kui 姜夔
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Small 8vo, orig. wrappers, orig. stitching. [China]: Siyin zhai, [1888]. [with]: ZHANG, Yan 張炎. Shan zhong bai yun ci 山中白雲詞 [Lyrics of the White Cloud Amidst the Mountains] [with] Shan zhong bai yun ci bu 山中白雲詞補 [Supplement to the Lyrics of the White Cloud Amidst the Mountains] [with] Shan zhong bai yun ci xu bu 山中白雲詞續補 [Continued Supplement to the Lyrics of the White Cloud Amidst the Mountains]. Small 8vo, binding as above. [China]: Siyin zhai, [1888]. [with]: LU, Fu 陸輔. Ci zhi 詞旨 [The Import of Lyrics]. 138 folding leaves. Small 8vo, orig. wrappers, orig. stitching. [China]: Siyin zhai, [1888]. Collections of lyrics by two writers of the Song and Yuan, followed by a short treatise on the genre. Lyrics (ci 詞) was a genre of poetic writing that originated as texts to folk songs of Central Asian origin. They continued to be written to set tune patterns even after the music had been lost. Lyrics are particularly associated with the…
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Baierische Reise
by SCHRANK, Franz von Paula
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Engraved frontis. port. of the author, two folding engraved plates (numbered "I" and "III"), & two folding printed tables. 7 p.l., 276 pp., one leaf of errata. 8vo, cont. speckeld boards (spine worn). Munich: J.B. Strobl, 1786. First edition of this rare epistolary account of Schrank's scientific field trip throughout Bavaria in 1784 and 1785. While Schrank devotes a good portion of the text to botanical observations, he also provides descriptions of the towns and cities visited, the geology and most remarkable natural features of the area, the monasteries, local customs, etc. The twelfth letter contains a learned account of Bavarian incunabula (with a series of woodcut reproductions of watermarks) and a description of the library of Kloster Steingaden. He also describes the library, natural history, and medal collections present in Munich. Good copy of a very scarce book. ❧ Stafleu & Cowan 11106.
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Baisō hiroku hyōki 黴瘡秘錄標記 [Secret Record of the Mold Sores, with Notes in the Top Margin]
by CHEN, Sicheng 陳司成 & ASAI, Nankō 浅井南皐
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50; 53 folding leaves. Two vols. Large 8vo, orig. semi-stiff wrappers (a little soiled) with orig. title slips, old stitching. Kyoto: Minayama Saburōemon 皆山三郎右衛門 & Nishimura Kichibei 西村吉兵衛, 1808. [issued with]: MURAKAMI, Toki 村上圖基. Baisō hiroku bekki 黴瘡秘錄別記 [Separate Notes on Secret Record of the Mold Sores]. Five woodcut illustrations. 21 folding leaves. Large 8vo, orig. semi-stiff wrappers with orig. title slip, old stitching. Kyoto: 1808. Third Japanese edition (1st. ed. in Japan: 1724/25; 2nd ed.: 1774) of the first Chinese book dedicated exclusively to syphilis, here printed with an extensive commentary by its Japanese editor. The Secret Record of the Mold Sores, or Meichuang milu in Chinese, was first published in 1632 at the end of the Ming period. Syphilis had entered China in the early 16th century through Guangdong in the South. Chen's book was reportedly the first monograph in China to treat the disease. "Chen Sicheng inherited his…
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Banmin chiyo no ishizue [Important Cautionary Firefighting Instructions for the Entire Nation]
by KAWAGUCHI (or SUGAWARA), Yoshikazu
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Woodcut illus. (five are double-page). .5, 13, .5 (ads); .5 (ads), 17, .5; .5 (ads), 14, .5 folding leaves. Three vols. 8vo, orig. green patterned semi-stiff wrappers, orig. block-printed title labels on upper covers, new stitching. Kyoto: Honya Juemon, [1789]. First edition and very rare; this work was written as a result of the devastating Great Kyoto Fire, which broke out on 7 March 1788 and lasted several days. It caused serious damage, including the destruction of the Imperial Palace and the Nijo-jo Castle. The fire so shocked the bakufu that senior councillor Sadanobu Matsudaira was sent to Kyoto to investigate and consult with the Imperial Court. The first woodcut depicts how one can prepare for a quick escape in case of fire. This single-page illustration shows how to leave one's street clothes at nighttime so that they can be put on quickly for a fast evacuation. The first double-page illustration is a map of Kyoto where the great fire occurred. The following two double-page woodcuts show…
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Barbara Schmidt Heins, Gabriele Schmidt-Heins: Originale Bücher 1972-1982 [12 September-27 October 1996]
by SCHRAENEN, Guy, curator
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Black and white & color illus. [20] pp. Square 4to, pictorial wrappers, staple-bound. Bremen: Neues Museum Weserburg, 1997. Scarce exhibition catalogue; one of 1000 copies. The Schmidt Heins twins (b. 1949) are two of the most active and prolific book artists in Germany, engaging with newspapers, magazines, photographs, coffee beans, paint, etc. Guy Schraenen (1941-2018), curator at the Neues Museum Weserburg, conceived this exhibition as a retrospective of their bookworks from 1972-82. This catalogue was jointly designed by the twins. Schraenen contributes an essay entitled "Einzahl Mehrzal." With useful lists of exhibitions and books on the penultimate page. Fine copy. Volume 16 in the Sammlung der Künstlerbücher. ❧ A. Desjardin, The Book on Books on Artists Books (2nd ed.: 2013) 84.
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Barbara Schmidt Heins: Anagramm Werke 1988/1989 (10 March-15 April 1990)
by (SCHMIDT-HEINS, Barbara)
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Color illus. 55 pp. & colophon. 4to, pictorial softcover, artist's name on spine. Kiel: Stadtgalerie Kiel & Kunsthalle Winterthur, 1990. Uncommon Barbara Schmidt-Heins (b. 1949) exhibition catalogue. Near fine.
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Barbara Schmidt-Heins: Werke 1972-1983, Buchwerke, Tafeln, Raum-Wand, Raum-Ecke, Raum-Boden, gebaute Bilder (21 January-19 February 1984)
by (SCHMIDT-HEINS, Barbara)
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Color illus. 119 pp. 4to, die-cut pictorial softcover, artist's name on spine. Wilhelmshaven: Kunsthalle Wilhelmshaven, 1983. Scarce and important Barbara Schmidt-Heins (b. 1949) exhibition catalogue. Near fine, with a newspaper clipping laid-in.
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Bartolini, Burri, Baj: opera grafica (16 January-9 February 1971)
by GALLERIA NARCISO
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Three black & white illus. Single long folded sheet forming [8] pp. Torino: 1971. Rare exhibition catalogue published by Galleria Narciso. WorldCat records just one copy, in Italy. With three illustrations and a check-list of works shown. Near fine. Galleria Narciso Catalogue no. 95.
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Beau Geste Press
by (BEAU GESTE PRESS)
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Many color illus. 470 pp. Large & thick 4to, orig. printed dust-jacket, pictorial wrappers. Bordeaux: CAPC musée d'art contemporain de Bordeaux, 2020. An essential reference work on one of the most intrepid artist-run presses of the 1970s. Established by Felipe Ehrenberg, Martha Hellion, and David Mayor in 1971, the Beau Geste Press published around 75 books, multiples, and magazines in a farmhouse in Devon, UK. Their mission was to print materials in close collaboration with artists. This included figures like Ulises Carrión, Helen Chadwick, Ken Friedman, Klaus Groh, Raúl Marroquin, Opal L. Nations, Takako Saito, Carolee Schneemann, Endre Tot, Ben Vautier, Hideki Yoshida, etc. The book has numerous personal accounts from the co-founders, their collaborators, and scholars. There is also an authoritative and thoroughly illustrated bibliography of the press's output until its closing in 1976. As new. WorldCat records only three copies in the United States.
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Becoming Imperceptible
by PENDLETON, Adam
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Many black & white illus. [96]; 30 pp. Small 4to, semi-stiff covers & orig. pictorial dust-jacket. New Orleans: Contemporary Arts Center & Siglio, 2016. One of 1000 copies, an Adam Pendleton (b. 1984) artist's book published for his exhibition Adam Pendleton: Becoming Imperceptible (1 April-16 June 2016) at the Contemporary Arts Center, New Orleans. It is filled with found images and photographs selected by Pendleton and the artist's original texts. A separate booklet (30 pp.), bound-in at the middle of the text block, contains essays by Andrea Andersson, Naomi Beckwith, Stephen Squibb, and Kitty Scott. The dust-jacket doubles as a large poster. Near fine, this book is now scarce.
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Beeld Boeken
by CARRIÓN, Ulises, contributor
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Black & white illus. 25 pp. & colophon. 4to, black printed softcover, title on spine. Amsterdam: Galerie Da Costa, 1980. One of 500 copies, a scarce exhibition catalogue with an introduction composed by Carrión (1941-89). The catalogue provides a survey of Galerie Da Costa, a publisher of artists' books and livres d'artistes managed by Juan J. Agius. Agius published two of Carrión's bookworks: Verzamelde Werken (1980) and Sistemas (1983). Carrión writes: "This catalogue illustrates the publishing activity developed by Juan Agius, from Da Costa Gallery, during the last 4 years. Such an activity takes place in a cultural context that is already familiar with the production of books by visual artists, but where it has not yet been decided what the defining characteristics of this type of work are." With pictures and bibliographical information on bookworks by François Righi, Adriaan Nette, Francesc Guitart, Manuel Menán, Agius, Federico Sanguineti, François Bouillon, Lia Rondelli, Ben…
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Bei Konrad Fischer (18 December 1981-16 January 1982)
by (WEINER, Lawrence)
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Text on recto, details on verso. Postcard, mailed. Düsseldorf: Konrad Fischer, 1981. Mailed exhibition postcard for a Lawrence Weiner exhibition with Konrad Fischer. Near fine. This copy was sent to Heidi & Dieter Witte (with address updated by hand). ❧ D. Fischer, ed., Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 (Edition Marzona: 1993) 186.
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Beiping miao yu tong jian 北平廟宇通檢 [Comprehensive Inventory of Temples in Beiping]
by XU, Daoling 許道齡
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- 9781857191820
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- 1857191820
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Two vols. 8vo, orig. printed wrappers, orig. stitching. Beijing: Guo li Beiping yan jiu yuan 國立北平研究院, 1936. First edition of this work on Beijing's temples. In 1930, the Historiographical Research Group of the National Research Academy of Beiping, as Beijing was then called, decided that "in preparation for producing a gazetteer for Beijing, the Buddhist temples, altars, Confucian temples, shrines, and halls will be surveyed by district and rubbings taken of stone inscriptions, for use in the [gazetteer's] treatises on temples and epigraphy. Personnel will be dispatched to survey, compile, photograph, draw a layout of each temple, trace stone inscriptions, as well as collect historical sources." Our book was one of the results. This work is focused on mentions of temples in earlier literature, complemented with the editors' notes on the history of the temples. They note changes in the names of temples, as well as in their functions. The literature used include the major works on…
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Bengisho mokuroku [List of Scholarly Books]
by NAKAMURA, Tomihei (or Magobei)
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151 folding leaves. Three parts in one vol. Thickish 8vo, orig. patterned wrappers (upper wrapper a little worn), orig. block-printed title label on upper cover (label somewhat defective), new stitching. From the colophon: Kyoto: Nakamura Magobei, 1710. First edition of this important and useful bibliography. In 1710 "the Kyoto publisher Nakamura Magobei compiled a catalogue known as Bengi shomokuroku. The aim of this catalogue was to help the reader disentangle book titles which could be easily confused because they were read in the same way, because they used the same characters but different readings, or because they were known by several titles...Nakamura Magobei included manuscripts (kakihon) and explained that he had 'given the majority of the many titles of manuscripts that have been circulating since past times'."-Laura Moretti, "The Japanese Early-Modern Publishing Market Unveiled: A Survey of Edo-Period Booksellers' Catalogues," in East Asian Publishing and Society, Vol. 2 (2012), pp. 206n…
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