Search Results: Authors starting with S from Michael Diesman

Thomas Jeffersons Poplar Forest, 1993. 1st Edition . Hardcover. Fine/Fine. Git Inscribed Signed And Dated By Author.

NY: Grosset and Dunlap, 1957. Gift inscribed by Charles S Strong on free end page.. Some sunning on cover ,otherwise in nice condition.. Signed by Author. First American Edition. Hard Cover. Very Good/No Jacket.

National Association of Scottish Woollen Manufacturers, 1968. A little light foxing on top edge, otherwise in very nice condition.. Not Indicated. Hard Cover. Very Good +/Very Good +. Illus. by Color Plates.

Baltimore, Maryland: Johns Hopkins University, Office of Community Affairs , 1973. Name written on cover, otherwise inh very nice condition.. Not Indicated. Spiral Bound. Near Fine.

Ballet Associates in America, 1945. Not Indicated . Soft cover. Very Good. Color & b/w Photos & iIlustrations. A few minor edge tears on cover, otherwise in nice condition.

Pilgrim Society, 1973. Date written ( small ) on free end page, otherwise in excellent condition.055370. First Edition. Soft Cover. Fine. Illus. by b/w Plates.

Lawrence, NY: Village of Lawrence, 2002. Not Indicated. Hard Cover. Fine. Illus. by b/w Photos.

Fenimore Art Museum, 2006. Some indentations on cover, otherwise in very nice condition. John Brewster Jr. (May 30 or May 31, 1766 – August 13, 1854) was a prolific, Deaf itinerant painter who produced many charming portraits of well-off New England families, especially their children. He lived much of the latter half of his life in Buxton, Maine, USA, recording the faces of much of Maine's elite society of his time. According to the website of the Fenimore Art Museum in Cooperstown, New York, "Brewster was not an artist who incidentally was Deaf but rather a Deaf artist, one in a long tradition that owes many of its features and achievements to the fact that Deaf people are, as scholars have noted, visual people. First Edition. Soft Cover. Near Fine. Illus. by Color Plates.

RSM Communications, 1993. 3rd. Soft Cover. Near Fine. Illus. by b/w Photos.

Ktav Pub. House, 1978. Not Indicated. Soft Cover. Near Fine. Illus. by b/w Illustrations & Photos.

San Jose CA: Slave Labor Graphics, 1987. First Edition.. Soft Cover. Fine. Illus. by B & W Illustrations.

Nassau County Museum of Art, 1990. Not Indicated. Soft Cover. Near Fine. Illus. by Color Plates.

Nassau County Museum Of Art, 1989. Soft cover. Near Fine +. Color Plates. One Scratch On Back Cover, Otherwise In Very Nice Condition.

Nassau County Museum of Art, 1990. Not Indicated. Soft cover. Near Fine +. Color Plates.

Rizzoli, 1986. 1st Edition . Soft cover. Fine. Oskar Kokoschka Cbe (1 March 1886 - 22 February 1980) Was An Austrian Artist, Poet, Playwright, And Teacher Best Known For His Intense Expressionistic Portraits And Landscapes, As Well As His Theories On Vision That Influenced The Viennese Expressionist Movement.

Moyer Bell Ltd, 1986. Soft cover. Fine. Gathers Portraits, Studies, And Nudes By The Turn-Of-The-Century Viennese Artist And Includes Background Information On His Work

Valmadonna Trust Library, 1989. First Edition . Soft cover. Near Fine.

Milwaukee, OR: Dark Horse Comics, 1992. First Edition . Soft cover. Fine. B & W Illustrations.

United States Holocaust Memorial Museum , 1993. Not Indicated. Soft Cover. Near Fine. Illus. by Some B/W Photos.

United Kingdom: Weidenfeld & Nicolson Ltd, 2000. First Edition . Hardcover. Near Fine/Near Fine. First edition. From Publishers Weekly Under Mussolini, unions were suppressed, trains ran on time, Italy attacked Ethiopia and most Italian artists kowtowed to the dictatornot least of all, composers, conductors, singers and writers on music. In this useful and interesting survey, Sachs (Toscanini) looks at Italian operas, concerts, conservatories, composers and performers under fascism and shows how they gave in to Mussolini's subtle pressures of patronage and official praiseamong them, composers Casella, Malipiero, Mascagni, Pizzetti and Respighi; singers Gigli, Lauri Volpi and dal Monte; conductors Gui and Molinari and cellist Mainardi. Here too are stories of apolitical musicians like de Sabata and Klemperer, who went on working without questioning events; the few like Toscanini, Dallapiccola and Tita Ruffo who fought fascism or were contemptuous of it; foreign… Read More