Search Results: Authors starting with P from Scrinium Classical Antiquity

Teubner, Stuttgart, 1983. XIII,481p. Hard bound. Front cover with stain. Light smoker's smell. Series: Bibliotheca Teubneriana.

Olms, Hildesheim (...), 1991. Photomechanical reprint ed.1902. XXIII,199,200-255p. Cloth.

Dieterich, Leizpig, 1902/11. XXIII,199,200-255;191,195-239p. Rebound. Half leather. Library marks on free endpaper.

Dieterich, Leipzig, 1902. 2 vols. XXIII,199;200-255p. Sewn. Cover bit weak.

Teubner, Lipsiae, 1884. XVIII,476p. Rebound.Spine gilt titled. Marbled edges. Series: bibliotheca Teubneriana.

Brill, Lugduni Batavorum, 1970. VII,91p. Sewn. Small stamp on front cover. Series: Papyrologica Lugduno-Batava, Volumen XVIII. (Rare). 'The aim of this volume is, firstly, to provide as accurate as possible, an edition of the relevant papyrus texts. Secondly, to consider the latter vis-a-vis the text as handed down in the manuscripts. For that reason unidentified scraps are not included: they will be found in the original editions referred to. The lists that contain the evidence do so in a condensed form and should be used in conjunction with the transcripts of the texts and with the commentary. References are only given where necessary.' (A.H.R.E. PAAP, p.VII).

Hakkert, Amsterdam, 1971. XVI,218p. Original green gilt titled cloth. Commercial edition theses. (Rare).

Gooibergpers, Bussum, 2007. 144p. Paperback. A.o.: Heilige plaatsen. Drie Griekse gedichten van Ida Gerhardt (pp.5-17); Van harmonieuze paarden en mislukte reizen. Platonisme bij Johan Daisne en Andreas Burnier (pp.30-48); Een classicus als postmordernist. Poëzie en proza van Ilja Leonard Pfeijffer (pp.49-58); Labyrinthische verkenningen in het werk van Hella S. Haasse. Wat leren ons vroege versies van De Tuinen van Bomarzo? (pp.115-123).

Gooibergpers, Bussum, 2007. 144p. Paperback. Names and date on half title. A.o.: Heilige plaatsen. Drie Griekse gedichten van Ida Gerhardt (pp.5-17); Van harmonieuze paarden en mislukte reizen. Platonisme bij Johan Daisne en Andreas Burnier (pp.30-48); Een classicus als postmordernist. Poëzie en proza van Ilja Leonard Pfeijffer (pp.49-58); Labyrinthische verkenningen in het werk van Hella S. Haasse. Wat leren ons vroege versies van De Tuinen van Bomarzo? (pp.115-123).

Prometheus, Amsterdam, 1991. 199p. Paperback. Bit yellowed.

Eisma, Leeuwarden, 1994. 64p. Sewn. Jubileumuitgave Vereniging Classici Nederland, 1994.

De Bezige Bij, Amsterdam, 2003. 176p. Hard bound with dust wrps.

Doelenpers, Alkmaar, 1987. 240p. ills. Cloth wrps. Verschenen ter gelegenheid van de viering van het vijftigjarig bestaan van het Nederlands Klassiek Verbond, 1938-1988. A.o.: P. KRALT: Willem Kloos (pp.14-32); M.F. FRESCO: J.A. dèr Mouw (pp.52-72); W. HOTTENTOT: J.H. Leopold (pp.90-106); F.L. BASTET: Ida Gerhardt (pp.122-140); KEES STIP: Kees Stip (pp.148-156); P.A. MEIJER: Cornelis Verhoeven (pp.212-222).

University of Michigan Press, Ann Arbor, 1952. 105p. Cloth. Pen annotations in margins and on last free endpapers. Notae Doveris. 'The principles followed in presenting the material are excellent. Identified fragments are placed under the names of their authors, in an alphabetic arrangement, Latin separately form Greek; the adespota are given later, classified according to their nature (...). The utility of the volume will be great. Not only is it an invaluable help to finding what literary texts we owe to papyrology, but it furnishes a statistical guide to the culture of Graeco-Roman Egypt in so far as archaeological discoveries can serve that purpose.' (H.I. BELL in The Classical Review (New Series), 1954, p.123). From the library of the late Sir Kenneth James Dover.

University of Michigan Press, Ann Arbor, 1952. 105p. Cloth. Cover a bit stained. 'The principles followed in presenting the material are excellent. Identified fragments are placed under the names of their authors, in an alphabetic arrangement, Latin separately form Greek; the adespota are given later, classified according to their nature (...). The utility of the volume will be great. Not only is it an invaluable help to finding what literary texts we owe to papyrology, but it furnishes a statistical guide to the culture of Graeco-Roman Egypt in so far as archaeological discoveries can serve that purpose.' (H.I. BELL in The Classical Review (New Series), 1954, p.123). From the library of the late Prof. W. Geoffrey Arnott.

Wissenschaftliche Buchgesellschaft, Darmstadt, 2006. 176p. Richly ills. Hard bound.

Wetenschappelijke Uitgeverij en Boekhandel Story-Scientia, Gent/Leuven, 1978. 4th ed. 2 vols. 94,40p. Sewn.

Editrice Club, Bologna, 1981. 63p. Sewn.

Clarendon Press, Oxford, 1970. Photomechanical reprint 1st ed.1955. IX,340p. Original burgundy cloth. Spine gilt titled. Head and tail spine a tiny bit bumped. Ex libris glued to paste-down endpaper. Pages a little bit yellowed. Page's book on Sappho and Alcaeus is a companion to 'Poetarum Lesbiorum Fragmenta', and it is advisable that those who read Page's book should have P.L.F. at their elbow for reference; thanks however, to the full concordances which Page provides in his first index, readers should be able to follow his arguments fairly well if they have access to Diehl and Bergk. Part i is devoted to Sappho (pp.3-146), and is divided into two sections. The first (3-109) deals with twelve poems, covering practically all the poems by Sappho of which it is possible to gain any coherent idea. Each of these poems is dealt with in the same way: first the text is set out (...), and then we have a translation, a commentary on points of detail, and a more general interpretation (...).… Read More

Clarendon Press, Oxford, 1966. Reprint 1st ed.1955. VI,186p. Cloth wrps. With signature from Prof. W.G. Arnott on free endpaper. Nice copy. 'His case merits careful attention, and deserves to be recognized as shedding new and conclusive light upon one very important section of the Homeric problem. It must, however, be premised that Professor Page has set himself in the first instance to answer a question which no longer has any real meaning, namely whether the Odyssey was composed by a single author of by a number of auhtors.' (J.A. DAVISON in The Classical Review (New Series), p.209). From the library of the late Prof. W. Geoffrey Arnott.