Search Results: Authors starting with P from Roe and Moore

Milan: Edizioni del Milione., 1945. First edition. Hardcover. Very Good. 4to. 75, (6)pp., 75 plates (partly color). 15 illusts in text. Extensive documentation. Contemporary half-leather binding, five raised bands, gilt lettering, marbled boards, flocked end-papers. Bottom of spine bumped, paper yellowed.

Karlsruhe.: Badische Landesmuiseum, 1969. First edition. Paperback. Very Good. 8vo. Original card covers. Essays, documentation, maps, 148 item catalogue, b/w plates.

London: Cape Goliard/Grossman., 1970. First edition. Hardcover. Fine/very good. Dine, Jim.. 4to. Original white lettered black cloth. Dust-wrapper. Illustrations by Jim Dine. Dust-wrapper rubbed at edges.

London: The Free Painters Group., 1962. First edition. Single sheet.. Very Good. 16mo. Single card sheet. Privte View invitation, colour lithographed decoration.

London: Alan Christea Gallery., 1997. First edition. Hardcover. Fine. Sq.8vo.Original olive green cloth, silver titles. 40 colour plates, essay by James Puttman.

London: The Studio Ltd., 1943. First edition. Hardcover. Very Good. 8vo. Bronze lettered blue cloth. End-papers spotted. 8 colour plates and 128 b/w illustrations. Documentation.

Swanage., 1980. First edition. Paperback. Very Good. 12mo. Original paper covers. Circa 1980. Foreward by J.E. Lindsay, 7 b/w illustrations, biography.

Boston: Museum of Fine Arts, Boston., 1913 . First edition. Paperback. Good. 12mo. Original paper covers. Articles on Delff, Contemporary lithography in Germany, Daubigny, Samuel Palmer, with a bibliography and a catalogue of the etchings. Covers detached, lacks upper cover and spine. Thumbed.

London: The Leger Galleries., 1992. First edition. Paperback. Very Good. Oblong 8vo. Original card covers. Essay by Raymond Lister, chronology, 30 item catalogue, fully illustrated in colour.

Boston: Museum of Fine Arts., 1913. First edition. Paperback. Good. 12mo. Original paper covers. Articles on 'The Etches work of Samuel Palmer' by Martin Hardie, Bibliography of Samuel Palmer 'Catalogue of Etchings by Samuel Palmer' by Martin Hardie, etc.. Covers rubbed and frayed at yapped edges, lacking upper cover

Paris: Galerie Arnaud., 1953. First edition. Paperback. Very Good. Two original b/w photographs, 'Sculpture' photograph by J.B. Lafourcade 183x117mm. 'Charnière No.3, terre cuite 1953'. 130x200mm.

Greenwich, Conn.: Joseph H. Hirshhorn Foundation; distributed by New York Graphic Society , 1963. First edition. Hardcover. Very Good/very good. Hardcover, d/w. plates, ports., facsims. 320 p. Includes an account of the International exhibition of modern art (1913) sponsored by the Association of American Painters and Sculptors, and a catalogue raisonne; bibliography: p. 303-306. From the library of Eduardo Paolozzi, with his pencil signature to front endpaper.

London: Self-published., 2000. First edition. Very Good. With label and Studio stamp on reverse. Loss at one corner. 200x140mm. Provenance. From the artist's Chelsea Studio; Marcus Campbell Art Books.

London: Flowers East., 2005. First edition. Paperback. Very Good. 8vo. Original card covers. Documentation, essays by Daniel Herrmann, Robin Spencer, Richard Cork, Colin St.John Wilson. Colour and b/w plates.

London: Marlborough Fine Art Ltd., 1976. First edition. Paperback. Good. 4to. Original card covers. Portraits, documentation, 13 colour and 25 b/w illustrations. Stamp to upper cover, top corner removed from title-page.

London: Collins., 1973. New edition.. Paperback. Very Good. 8vo. Original card covers. paper yellowed. With the ownership inscription on half-title of Eduardo Paolozzi.

London: Self-published., 2000. First edition. Very Good. Two part plaster leg articulation additions, on conjoined plaster plinth. Height 225mm. Provenance. From the artist's Chelsea Studio; Marcus Campbell Art Books.

Cambridge: Granta., 1959. First edition. Paperback. Very Good. 4to. Original paper wrappers. Good survey of contemporary trends, with emphasis on the I.C.A. and Indepedent Group, notably Eduardo Paolozzi and John McHale. Covers thumbed and mottled. 'Any way I am more than a little suspicious of the eager exultation of paolozzi, for one, at the blessings of technology: the way his images have of turning out to be very primitive totems in spite of their highly sophisticated construction could be intrepreted, as he would like us to, as demonstrating the underlying unity of different ages, bit it could also indicate the familiar desire to escape from the complexity of the machine age; and it is curious that for both he and McHale the only reactions that machinery and electronics can produce are those of horror and fear. Behind every Paolozzi bronze there lurks the noble savage'.

London: Kelpra Studio., 1962. First edition. Paperback. Very Good. White laminated card covers with red screen printed title 300mm x 210mm (12" x 8"). [46]p. 45 pages of black and white screenprints. Pencil signature of the artist to ffep dated London 1962 Edition 2. The first book by British sculptor, collagist, printmaker, writer, and one of the founders of the British pop art movement. Printed for the artist by the Kelpra Studio. The Kelpra Studio was pivotal in the development of the screenprinting medium throughout the 1960s and 1970s, and worked with other artists including Richard Hamilton, Patrick Caulfield and Peter Blake. Covers slightly rubbed and yellowed.

London: Hanover Gallery., 1967. First edition. Paperback. Good. Sq.8vo. Paper covers with rear board, plastic spiral binding, two upper sheets detached and creased. 15 plates, green tissue interleaves, 15 item catalogue, text by Christopher Finch.