Search Results: Authors starting with G from Triolet Rare Books, ABAA

Los Angeles: The Bieler Press, 1992. First edition. Sewn wrappers with attached cover lettered on the front cover. One of 200 numbered copies, signed by Gallo and Schanilec. Slight sunning to spine.

New York: Mother Press, 1966. First edition. Original Wraps. Near Fine. Printed stapled wrappers. 100 pp. One of 500 copies printed. Minor toning to covers and slight rubbing to head and tail of spine. Cover design and illustrations by Joe Brainard.

Madrid: Revista de Occidente, 1929. Second edition. Original Wraps. Very Good. Second edition, stated, of one of García Lorca's early books of lyrics (first published in 1927). 150 pp. Original printed wrappers. Yapped edges quite worn, exterior paper cover of spine worn with some loss. Binding fully intact, text clean with occasional pencilled star next to some titles. An acceptable copy of a fragile book, quite uncommon.

Chicago: Northwestern University Press, 1968. First edition. Hardcover. Near fine. One of 400 hardcover copies printed, of which 100 were signed by Gass; this copy one of 300 unsigned. Published as TriQuarterly Supplement #2. Original black cloth with photos inlaid on front and rear boards, no jacket as issued. Printed on varying papers of different colors and weights. Designed by Lawrence Levy. Extremely slight sunning to spine and top edge, but still a fine copy of an extravagant book.

New York: Boni & Liveright, 1921. First edition. 186 pp. Original publisher's illustrated paper boards. Spine slightly darkened, an about fine copy in the publisher's box, which duplicates the front cover artwork. The box has some wear and several corners are reinforced with old tape, one closed tear on the right side. The box is very scarce. One of 990 numbered copies. Translated by Van Wyck Brooks. Preface by Emil Gauguin.

New York: The Museum of Modern Art, 1957. One of a series of limited editions published by The Museum of Modern Art under the direction of Monroe Wheeler. Designed, illustrated and printed by Leonard Baskin at The Gehenna Press. One of 975 numbered copies signed by Baskin. Original blue sewn wrappers with printed label on front cover, housed in the original folding portfolio. A fine copy in a portfolio which is much better than usually seen, with a sticker ghost on the front cover and a spine which is slightly browned and starting very slightly at the extremities. Baskin 11. Brook 11.

[Washington, D.C.]: U.S. Government Printing Office, 1943. First edition. [36] pages. Stapled printed wrappers. Slight toning to covers, very minor spotting to lower edge of front cover. Contents clean and bright. "In 1942, Geisel joined the United States' efforts in World War II. As commanding captain of the animation department, first motion picture unit, Geisel was tasked with creating animated and illustrated educational materials for US troops. These materials were intended to teach soldiers the skills and give the information they needed to stay alive." (Huntington Library) This pamphlet was created for young GIs to understand the dangers of malaria: "This is Ann ... she drinks blood! Her full name is Anopheles Mosquito and she's dying to meet you!" The text was written by fellow childrens' book author Munro Leaf. Younger 78, variant a, the earliest of multiple variants.

New York: Grove Press, 2011. First edition. Hardcover. Fine/fine. First edition of Gilb's first collection to be published since suffering a stroke in 2009. 194 pp. A fine copy in a jacket with a tiny crease on the lower corner of the front flap, else fine. Signed by Gilb on the title-page with his initials.

Oldcastle: Gallery Books, 2004. First edition. Original Wraps. Near Fine. First edition, wrappers issue, of the well-regarded Irish poet's first collection. 62 pp. Extremely slight bump to lower corner, else fine. Signed by the author on the title-page.

Iowa City: Windhover Press, 1982. First edition. Original Wraps. Fine. First edition of the poet's first book (following a two-poem pamphlet published by the Bowery Press), which preceded the trade collection of the same name by four years. One of 225 copies printed. Light brown wrappers, title on black on spine. Title-page image linocut by Thomas Kovacs. A fine copy. Hagstrom & Morgan A2. Gioia said of this book, "I had consciously constructed Daily Horoscope as a self-contained linguistic world in which each poem interlocked-both openly and secretly-with all the others. A small chapbook was the ideal form of publication, giving the sequence an intimacy and independence lost when the poems were reprinted four years later as part of a larger trade collection." Although not called for, signed by Gioia on the colophon.

n.p.: M. Gira/Young God Records, 2012. First edition. Velo-bound cardstock covers. One of 1000 copies, numbered and signed on the cover. Of the eight stories, three were previously published in Gira's collection The Consumer. With the Somniloquist CD mounted on the inside rear cover, as issued. Fine copy. "I wrote these stories in the 1990s, and I've written very little fiction since. The stories in this book are complete, absolute fiction and have nothing to do with reality. They certainly did not then, nor do they now, reflect my view of the world, nor do they depict anyone living or dead." - Michael Gira 2012.

Gran Canaria: Zasterle Press, 1994. First edition. Original Wraps. Fine. First edition, number 235, edition size not stated. Cover by Antoni Tàpies. Original printed wraps. Some very slight surface wear, else a fine copy of a scarce early Gizzi publication.

New York: The Ecco Press, 1985. First edition. 60 pp. Gray cloth backstrip over red paper boards, spine lettered in gilt, front board in blind, with the dust jacket. Slight scuff to upper right corner of front jacket panel, a couple of tiny nicks to the top edge of the front board. Near fine. The Nobel laureate's fourth collection.

New York: Farrar, Straus and Giroux, 2006. First edition. 76 pp. Gray paper boards, spine lettered in gilt, with the dust jacket. Slight crimp to top edge of rear jacket flap, else a fine copy.

[New York]: Antaeus Editions, 1976. First edition, limited issue. [12] pp. Stapled printed wrappers, French flaps. A bit of toning to the spine, else a fine copy. One of 50 signed and numbered copies, of a total edition of 500. Designed and printed by Ronald Gordon at The Oliphant Press. A very attractive publication by the Nobel laureate.

New York: Farrar, Straus and Giroux, 2014. First edition. 71 pp. Gray paper boards, spine lettered in white, with the dust jacket. Slight rubbing to head and tail of spine, else a fine copy. Winner of the National Book Award, and the last book Glück published prior to winning the Nobel Prize in 2020.

New York: The Ecco Press, 1996. First edition. 62 pp. Black cloth backstrip over white paper boards, spine lettered in gilt with Ecco device in blind on front board, with the dust jacket. Fine copy.

New York: The Ecco Press, 1980. First edition. [12], 48, [4] pp. Deep purple cloth boards, spine lettered in silver, with the dust jacket. Very slight edgewear to jacket, small snag on lower rear edge, else fine. The Nobel laureate's third collection.

New York: Aperture, 1986. First edition. 144 pp. Oblong quarto. Blue cloth backstrip over blue cloth boards, lettered in gilt and blind, with the dust jacket. Slight rubbing to lower board edges, else fine. Parr & Badger note the book, "like most of the great photobooks, is an honest, troubling, passionate, deeply poetic mirror held up to our times," and Roth calls it perhaps the most influential photography book since Diane Arbus' 1972 monograph. Parr/Badger v2, p. 39. Roth pp. 252-253.

Lexington, VA: Journalism Laboratory Press, Washington and Lee University, 1937. 18 pages. Original tan cloth spine over brown paper boards, cover lettered and decorated in gilt. Some minor aging wear. One of 250 copies, designed and printed by C. Harold Lauck. A keepsake prepared for distribution to members of the Sixteenth Annual Conference on Printing Education, Chicago, June 28-July 1, 1937. Preface by J. Henry Holloway. Inscribed by Lauck on the front free endpaper to "Hupp Otto," possibly the typeface designer and graphic artist Otto Hupp.