Search Results: Authors starting with G from First Folio

Baltimore: Bacchus Press Ltd, 1985. First edition. Fine in d.j.. First edition. xiii, (iii), 403p. Foreword by Maynard A. Amerine. Tan cloth with titles in black on spine and upper cover, illustrated endpapers.

London: The Author. Printed at the Bournehall Press, 1975. No. 43 of 111 copies signed by Jeremy Gadd. Warping to the boards, all else quite fine. No. 43 of 111 copies signed by Jeremy Gadd. Small quarto (9 3/4"). Unpaged. (38p, colophon). Illustrated by P. John Burden with 9 excellent copper engravings, each signed and number in pencil by the artist. Bound by Sangorski & Sutcliffe in gilt-titled green morocco over brown cloth sides, t.e.g.

New York: Atheneum, 1964. First edition. A little fading to spine, else VG+ in VG+ d.j.. First edition. [vi], 248p. Gilt-titled blue cloth spine with green boards. Author's first book. Author of A Lesson Before Dying and The Autobiography of Miss Jane Pittman.

Paris: Garnery, 1806. Covers worn, boards soiled, but all quite sound. Two parts bound in one. xvi, 339p; [ii], 236p. Bound in quarter leather over boards, gilt spine titles.

New York: Limited Editions Club, 1964. No. 354 of 1500 copies signed by the artist. Fine in slipcase with original glassine. No. 354 of 1500 copies signed by the artist. x, 285p. Introduction by Evelyn Waugh. Illustrated with beautiful color lithographs by Charles Mozley. Bound in full brown buckram with red spine label gilt and gilt-bordered red diamond-shaped cover ornament.

Mansfield Centre, CT: Martino, 2000. Facsimile of the 1938 edition. Fine.. Facsimile of the 1938 edition. iii, 325p. Gilt-titled brown cloth. Describes 5574 items.

Lexington, KY: University of Kentucky Press, 1961. First edition. Text block edges lightly foxed, all else about fine in soiled d.j.. First edition. xii, 201p. Tan cloth with black titles.

Tours: Alfred Mame et Fils, 1886. But for the color variation notes, quite fine.. vii, 573p. Illustrated, including four plates in chromolithography by Lemercier. Very large 8vo. In a fabulous binding of full tan crushed morocco with silk endpapers, a.e.g., the spine and covers with many patterns of flowers and trailing vines in gilt and five onlaid colors. The binding color was originally a soft green, as this color is retained on the rear cover only.

Turnbridge Wells, Kent: Midas Books, 1978. Fine in VG++ dust jacket. Quarto. 407p. Fully illustrated. Bound in gilt-titled light blue boards.

London: International African Institute, 1965. First edition. Good+ in poor d.j.. First edition. Quarto. x, 120p. Printed in double columns. Gilt-titled tan cloth.

Mansfield Centre, CT: Martino, 1998. Reprint of the 1875 edition. Reprint limited to 200 copies. Fine. Reprint of the 1875 edition. Reprint limited to 200 copies. xi, 312p. Gilt-titled red cloth. Describes 3696 books on Northern Africa and Arabia, including books on travel, exploration, geography and philosophy. A standard reference.

Barre, MA: Imprint Society. Limited to 1950 copies printed for members. This copy not numbered but signed by Gillian Taylor. Fine in fine slipcase. Limited to 1950 copies printed for members. This copy not numbered but signed by Gillian Taylor. Quarto. xx, 234p, colophon. Printed in red and black. Illustrated with 36 wood engravings by Gillian Lewis Taylor and printed from the blocks on wove paper. Designed by Roderick Stinehour and printed at the Stinehour Press. Bound in quarter tan cloth over illustrated paper-covered boards with a paper spine label.

London: J. and R. Tonson and J. Watts, 1746. Vol. I, 6th edition; Vol. II, 4th edition. Some light foxing, but generally quite clean and nice.. Vol. I, 6th edition; Vol. II, 4th edition. Two volumes. Each fable illustrated with a copper-engraved plates. Rebound in full leather with very plain gilt spine titles.

Paris: Limited Editions Club, 1937. No. 1208 of 1500 copies signed by the artist. Book fine but for trifling fade to spine gilt. Slipcase worn and soiled. Bookplate. No. 1208 of 1500 copies signed by the artist. Folio. 122p. Preface by A. P. Herbert. Illustrated with original lithographs by Mariette Lydis printed by Mourlot. Bound in full blue buckram with overall embossed design with gilt spine titles and gilt design on covers, t.e.g.

Los Angeles: The Bieler Press, 1992. No. 66 of 200 copies signed by Gallo and Schanilec. Fine. No. 66 of 200 copies signed by Gallo and Schanilec. Unpaged. [21p]. Designed and printed by Lange on English mouldmade paper. Title page four-color plexiglass color engraving by Gaylord Schanilec. Bound in charcoal wrappers with title on upper cover. Gaylord Schanilec's first color engraving made around 1980, appearing here for the first time. Quarter to Midnight, A.113.

Copenhagen, 1819. Fine. Made up collection of eight hand-colored plates of hounds (1 duplicate) from the original work of 1819. Plate sizes 7" x9 1/2". Each plate tipped onto heavy stock with window. Nicely bound in quarter maroon morocco with marbled boards, gilt spine title and paper cover label.

London: Faber & Faber, 1960. First UK edition. VG in d.j.. First UK edition. 96p. Gilt-titled black cloth. Translated from the French by Bernard Frechtman. Play with an all Black cast.

Middletown, CT: Wesleyan University Press, 1988. First of this reprint edition. Fine in fine price-clipped d.j.. First of this reprint edition. xxx, 274p. Gilt-titled maroon cloth.

New York: Thomas Y. Crowell, 1901. Tenth Thousand. Fine in worn original box. Tenth Thousand. [vi], 44p. Printed in red and black by D.B. Updike at The Merrymount Press. Bound in patterned green silk, t.e.g., the upper cover with titles and floral design in gilt, gilt pattern endpapers. Printed at the Merrymount Press.

Washington DC: Library of congress, 1984. First edition. Near fine. First edition. Two volumes. 4to. Gilt-titled black cloth.