Search Results: Authors starting with G from Concept Books

London: Herbert Jenkins, 1936. Book. Near Fine. Hardcover. 1st Edition. Original red cloth with black lettering and publishers vignette. Binding is tight and square with light scuffing to upper spine end. Inside clean, only lightest spotting to first pages. No marks or inscriptions. In bright, original, first state dust jacket with expertly repaired large tear to front cover and neatly restored loss to top edge and spine extremities. Correctly priced at 7/6. 311 pp. and 8 pp. of advertisements at the end. 19 x 13,5 cm. Dust jacket now protected in removable sleeve. A very collectible copy. .

New York: Doubleday, Doran & Co., 1940. Book. Near Fine. Hardcover. 1st Edition. First American edition, first issue. Original beige cloth-covered boards, stamped in black. Top edge stained red, other edges untrimmed. Offsetting to endpapers, lightly soiled, spine ends lightly worn. In bright original engraver's proof dust-jacket with very light edge wear. Rear cover and flaps of dust jacket are blanc with with ink color test strips on rear panel and front flap. Unique copy with the engravers proof dust jacket. .

Porto: Museu de Arte Contemporanea Serralves, 2015. Book. Fine. Soft cover. 1st Edition. Illustrated wrappers. Paperback. A book developed out of the 31st Sao Paulo Biennial. Um livro a partir da 31e Bienal de Sao Paulo. Illustrated with color and black & white plates. Text in English and Portuguese. [280 pp.], 24 x 18 cm. .

Anthony d'Offay Gallery, 2001. Book. Near Fine. Hardcover. 1st Edition. Grey cloth with blind stamped title on front cover and spine. In illustrated dust jacket. Square 4to. Color folding plates..

Paris: Editions de l'Amateur, 1984. Book. Very Good. Hardcover. 1st Edition. 4to - over 9¾ - 12" tall. Illustrated boards. Black and white ills. and 16 pages with color ills. Important reference on collectible buttons. Text in French. 199 pp. .

Utrecht: Stichting de Roos, 1990. Book. Illus. by Chris Buursen. Fine. Soft cover. 1st Edition. Wrappers in dustwrappers. Color illustrations by Chris Buursen. Poems are printed in Spanish and Dutch on Simili Japon paper. Limited edition of 175 numbered copies for members of Stichting de Roos. This is number 142. 45 pp., 26 x 15 cm. Very fine copy. .

Santafe de Bogota: Grupo Editorial Norma, 1994. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. Boards in illustrated dust jacket. First edition, first printing SIGNED by Gabriel Garcia Marquez on the title page. Crisp and clean copy with a small wrinkle on the rear endpapers. Dust jacket with minimal wear to tip of upper corner. 198 pp. Dust jacket protected by brodart cover. A very collectible copy. .

Zetcentrale Meppel, 1989. Book. Fine. Hardcover. 8vo. Typografie en illustraties Kurt Lob. Oplage 500 ex. waarvan 325 genummerd. Dit is nr. 93. Fraai!.

Amsterdam: De Bataafsche Leeuw, 1996. Book. Fine. Hardcover. 4to. Hardcover met stofomslag. Illustraties in kleur en zwart wit. Bibliografie. Summary in English. In zeer goede staat..

Le caillou bleu -Editions, 2007. Book. Near Fine. Hardcover. 1st Edition. Illustrated boards. Color reproductions of photographs. Introduction in English and Italian by Federico Lupo. Light wear to corner tips. .

Cologne: Taschen, 1991. Book. New. Soft cover. Paperback. New copy, still in publisher's shrink wrap. Text in German, English and French. Black & white and color ills. 160 pp. .

Rotterdam: Uitgeverij 010, 1996. Book. Fine. Hardcover. 1st Edition. Monograph on Dutch architect and urban designer S.J. van Embden. Fine in fine dustjacket. Illustrations in b/w and color. 4to..

Kobenhavn: Thorvaldsen Museum, 2011. Book. Near Fine. Soft cover. 1st Edition. Stapled wrappers. Color illustrations and plates. Catalog accompaniying the exhibition in the Thorvaldsen Museum. [ 28 pp.], 24 x 17 cm. .

Zurich: Offizin Zurich Verlag, 2008. Book. Fine. Hardcover. large 4to. Original red cloth. Black and white and some color photographic plates. Fine copy in dust jacket with very minor edge wear..

Toronto: The Gershon Iskowitz Foundation, 1989. Book. Near Fine. Soft cover. 1st Edition. Illustrated, stapled wrappers. With an essay by Allan Schwartzman. Black & white illustrations and 12 pages with color plates. 28 pp. 27,5 x 20 cm. Slightest discoloration of front cover, else fine. General Idea was a collective of three Canadian artists, Active from 1967 to 1994. They were pioneers of early conceptual and media-based art. Their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists. ' .

Toronto: General Idea, 1988. Book. Fine. No Binding. 1st Edition. Multiple of chenille and embroidery on crest-shaped felt. Produced in a very limited edition, less the 100. 23.2 x 21.2 cm. Very fine, as new copy. General Idea was a collective of three Canadian artists, Active from 1967 to 1994. They were pioneers of early conceptual and media-based art. Their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists. ' .

Toronto: Art Metropole, 1986. Book. Very Good. Soft cover. 1st Edition. Illustrated wrappers. Contributions by Jeff Koons, Sarah Charlesworth, Sherrie Levine, Richard Prince, Louise Lawler, Ken Lum, Elaine Sturtevant and Jim Welling. Light wear to corners and spine ends. '2,- ' price in black marker on frontcover. Inside clean, no marks or inscriptions. 118 pp., 25 x 17,5 cm. General Idea was a collective of three Canadian artists, Active from 1967 to 1994. They were pioneers of early conceptual and media-based art. Their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists. ' .

Ghent: Museum van Hendendaagse Kunst, 1984. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. Multiple. Screenprint on nylon. 76 x 72 cm. Limited edition of 500 copies. With an introduction by Jan Hoet printed on 2 transparent sheets in English and Dutch. Together in original clamshell black boards box with gilt lettering. Signed "General Idea" and numbered 351/500 in pencil on the museum label on the inside of the box. General Idea was a collective of three Canadian artists, Active from 1967 to 1994. They were pioneers of early conceptual and media-based art. Their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists. 'Ghent Scarf' was created for the General Idea exhibition at the Museum van Hedendaagse Kunst in Ghent. The work is their version of the city of Ghent's flag with the lion replaced by a poodle, a recurrent symbol in General Idea's practice. .

Barcelona: Generalitat de Catalunya, Departament de Cultura, 1992. Book. Fine. Soft cover. 1st Edition. Illustrated wrappers with flaps. Published for the exhibition in Centre d'ArtSanta Monica. Text in Spanish with an English translation in the back. Black & white and color illustrations. 67 pp., 29,5 x 21 cm. General Idea was a collective of three Canadian artists, Active from 1967 to 1994. They were pioneers of early conceptual and media-based art. Their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists. ' .

General Idea Book. Fine. No Binding. 1st Edition. Multiple of gloss-coated paper bag with offset lithograph adhesive-backed label and thread cord handle. 27.8 × 40.6 cm. General Idea was a collective of three Canadian artists, Active from 1967 to 1994. They were pioneers of early conceptual and media-based art. Their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists..