Description:
Boston, MA Houghton Mifflin: Riverside Press , 1957. Paperback First Edition USA [1957]; First Printing, so stated. The French language edition appeared in 1954. First Edition USA [1957]; First Printing, so stated. Very Good in Wraps: shows indications of careful use: the worst flaw is that the spine leans rather heavily; else vdry light wear to the extremities; faint soiling to the porous-weave paper of the wrapper covers; the binding, being sewn, remains perfectly secure; the text is clean. Free of ownership names, dates, inscriptions, marks, or labels. No longer 'As New', but remains clean, sturdy, and quite presentable. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.8 x 5.6 x 0.8 inches). 282 pages. Translated by Dorothy and Randolph Weaver. Shipping Weight: 16.1 ounces. The French language edition appeared in 1954. Paperback. Michel George-Michel, art critic and amateur artist, has spent a lifetime haunting the studios of Paris. Here. He plays the role of Boswell - not for just…
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From Renoir to Picasso: Artists in Action.
by Michel Georges-Michel.
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- First Edition USA [1957]; First Printing, so stated. The French
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Oregon City, Oregon, United States
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Guy Johnson.
by Jose Pierre.
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- Hardcover
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- First Edition [1988], unstated.
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- Hardcover
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Paris, France Editions Filipacchi, 1988. Hardcover First Edition [1988], unstated. Very Good+ in Very Good DJ: Both book and DJ show only minor indications of use. Book shows binding square and secure; text clean. Dustwrapper shows short, closed tear at top front hinge; remains unclipped. Overall, still close to 'As New'. NOT a Remainder. NOT an Ex-Library copy. Folio. 123pp. First Edition [1988], unstated. Hardback with DJ. Johnson feels a close affinity to the surrealists. But his work, while surrealist in inspiration is photo-realist in technique. Like the photo-realists, Guy Johnson meticulously translates photos, often old ones, into paint on canvas, always introducing into his composition a disturbing element - sometimes funny, often disquieting even macabre.
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James Ensor 1860-1949.
by Nehama Guralnik, [Curator and Editor].
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Tel Aviv, Israel Tel Aviv Museum, 1981. Paperback First Ed, unstated. Very Good+ in Wraps: shows indications of very careful use: just a touch of wear to the extremities, mainly at the upper front corner, which shows a very faint crease right at the corner tip; mild rubbing and faint soiling to the cream colored background field of the front panel; binding square and secure; text clean. Remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. 132pp, color and black & white illustrations.Text in English and Hebrew. Translations by Tirza Posner. First Ed, unstated. Paperback: Heavy Cardstock Wraps.
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Jean Dubuffet: Forty Years of His Art.
by Jean Dubuffet .
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- Presumed First Ed, but unstated.
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Oregon City, Oregon, United States
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Chicago, IL The University of Chicago Press, 1984. Paperback Presumed First Ed, but unstated. Presumed First Ed, but unstated. Near Fine in Wraps: shows only a hint of wear at corner tips; backstrip titles very lightly sunned, but remain clearly legible; faintest toning around the outside edges; binding square and secure; text clean. Very close to 'As New'. NOT a Remainder. NOT a Book-Club. NOT an Ex-Library copy. Squarish 4to. Foreword by Richard A. Born and Joseph D. Ketner II. Artist's Statement by Jean Dubuffet. Essays by Reinhold Heller, Dennis Adrian, and Sue Taylor. Text is in French and English. Paperback: Pictorial Wraps. [Published on the occasion of the exhibition at The David and Alfred Smart Gallery, The University of Chicago, Chicago IL, October 4-December 2, 1984 and the Washington University Gallery of Art, St. Louis MO January 20-March 3, 1985]. The exhibition draws from the collection of the museum's benefactor, Raymond D. Nasher, and his late wife, Patsy. The…
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La Peinture Moderne.
by Joseph-Emile Muller and Frank Elgar.
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- First Ed thus, later printing.
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Paris, France Editions Hazan, 1979. Paperback First Ed thus, later printing. Text is in French. Very Good in Wraps: shows a few scattered NOTATIONS IN INK in text; else shows only indications of light use: slight spine lean; light wear to extremities; mild rubbing to wrapper covers; binding secure; text clean. No longer 'As New', but remains a sturdy reading copy. NOT a Remainder, Book-Club, or Ex-Library. Squarish 8vo. 143pp. Profusely illustrated in color. Paperback: Pictorial Wraps. J.-E. Muller treats Art Nouveau and the Nabis; Fauvism, Cubism, Futurism, Expressionism, Metaphysical Painting, Dadism and Surrealism, the Naives, and the first abstract painters. Frank Elgar has added an essay concerning Abstraction and Hyperrealism. Text is in French.
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Picasso et le Cubisme.
by A. Martini.
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- First Edition [1976], unstated.
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- Hardcover
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Paris, France Editions Tete de Feuilles, 1976. Hardcover First Edition [1976], unstated. Very Good+ in Near Fine DJ: Both book and DJ show only minute indications of use. Book shows front corners slightly bumped; some spotting along bottom edge of page block; tiny stain at bottom edge of both front pastedown and front free endpaper; slight spine lean; binding secure; text clean. DJ shows only very light rubbing; price unclipped; mylar-protected. Overall, very close to 'As New'. Folio. 101pp. 60 full-page, full-color plates. Text in French. First French Edition [1976], unstated. This is a translated work; the book first appeared in Italian in 1967. Hardback with DJ.
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Prints Of The Twentieth Century: A History.
by Riva Castleman.
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- First Ed thus, unstated.
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- ISBN 13
- 9780500201527
- ISBN 10
- 0500201528
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London, UK Thames & Hudson, Ltd. , 1976. Paperback First Ed thus, unstated. Very Good+ in Wraps: shows indications of very light use; just a touch of wear to extremities; mild rubbing to sheen of wrapper covers; pages very lightly tanned; binding square and secure; text clean. Remains close to 'As New'. NOT a Remainder. NOT a Book-Club Edition. NOT an Ex-Library copy. 8vo. 216pp. First Ed thus, unstated. Trade Paperback.
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